YES - The Yes Album RARER ORIG UK 70 Atlantic Plum EX++ LP
  £   106
  $   140

 


£ 106 Sold For
May 26, 2013 Sold Date
May 21, 2013 Start Date
£   14 Start price
14   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Simply Delivering Quality Music to the World.

Postage: UK £4.75. Europe (including Russia) £12.50. Rest of World £16.50. ALL signed for in quality, safe packaging – I NEVER use mailing envelopes.

PLEASE NOTE: Overseas packets that go through the customs system, can take up to 4 to 6 weeks to process and deliver, this IS normal. For Russia, this can take even longer and is out of my control, so please be patient.

ALSO: I now apply the Ebay ‘4-day’ rule for non-payment. I try to keep my P&P prices as low as possible even yet another Royal Mail price hike, I will never compromise on solid, safe packing that is invariably a little heavier.

Artist or Band: YES

Album Title: The Yes Album.

Producer(s): Yes and Eddy Offord.

TRACK LIST:

Side 1: Yours Is No Disgrace; The Clap; Starship Trooper: 1. Life Seeker, 2. Disillusion, 3. Würm.

Side 2: I’ve Seen All Good People: 1. Your Move, 2. All Good People; A Venture; Perpetual Change.

Label/Format: Atlantic – original red and maroon (‘Plum’) format (Please see my label pictures).

Label Conditions: Two super examples that are very clean, fresh and attractive. Spindle marks are only very light, small, fine and faint and only show under angled light. This very impressive record looks very little played, and with utmost care.

Cat Number: 2400101.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 134 grams. A very good solid weight.

Country of Manufacture: England.

Rarity: Scarcer as a very early pressing, and they rarely get seen much earlier than this. A popular prog-rock album and those who bought it initially, usually played it heavily. The unprotected cover is well-known for wear and again is seldom seen devoid of it.

Original Year of Release: February 1971.

Matrix Nos: 2400101 A // 1 1 1 1 5 and 2400101 B // 1 1 1 1 1 1 (these matrixes speak for themselves)

Musicians: Jon Anderson – vocals; Steve Howe – Electric and acoustic guitars, Vachalia, vocals; Chris Squire – Bass guitar, vocals; Tony Kaye – Piano, organ, Moog synthesiser; Bill Bruford – Drums, percussion. Guest: Colin Goldring – Recorders.

Brief Info: The band’s third album and the one that got them really noticed. A highly popular album within the progressive rock genre and it justifiably sold well. Hence finding Plum copies is far from impossible but conditions are always a major factor. Highly gifted musicians and complex music does not tolerate old worn stylus abuse and this includes some very quiet passages. A pre-Rick Wakeman album, the keys were taken by Tony Kaye, who subsequently left before the ‘Fragile’ classic. This one of the earliest pressings I have seen, appears very little played and offers superb sound quality. The cover is equally fragile and this one of the better ones I have seen for some time. The inner sleeve which is date coded 471 (April 1971) also in very fine, and modestly aged condition. For those needing an early-pressed and lightly used copy of this prog classic, this could fit the bill nicely.

Cover Grade and Format: NEAR EXCELLENT: this being very critical on an uncompromising wear-prone cover. An unlaminated gatefold format with matt, smooth surfaces and original 2400101 number (of course). Printed and made in England by MacNeill. Includes the original inner April date-coded inner sleeve (seen in close-up), only a couple of months later than the issue month of February.

Cover Front: A very fine looking front with little wear at all. Small rubbing on the corner tips is rarely avoided as a bare minimum and any of the very few creases, gentle, fine and faint (near the spine edge). A very line near the right edge is purely within manufacture. The lack of rubbing, ring or significant marks and no sticker issues are all major pluses on a front that remains fresh and clean. This sets a high standard.

Cover Back: A few fine edge creases and small tip rubs again, but little else really. The lack of ring wear is unusual but most welcome. All quite similar to the front and still very attractive.

Cover Inner Gatefold: Minor rub traces as these dark inside often acquire over time, but again little really to fault.

Top Edges: Both straight with any rubbing quite light and patchy.

Bottom Edges: A fraction more than above, but in context for this one, still only light.

Right Edge(s), and Type: Both clean and mostly sharp with minimal traces of wear with barely a hint of any thickening or burring. Record enters on the back edge, both untrimmed or enhanced.

Spine and Text: Quite solid and reasonably straight. A little compression with a very fine central line crease purely by being opened. The ends have rubbed a little but all the text is present and is close to wear-free. Both the vulnerable folds appear hardly worn and retaining most-all of their ink with no scuffs or card exposure. I cannot rule-out the odd tiny tip-in, but if so, it is far from obvious, so-much-so, I do not know for sure.

Corners: Light to moderate tip and corner rubbing with fine to very fine shape retained. Most on the spine top.

Cover Summary: A very fine all-round example of this very wear-prone early 70’s cover, one that could prove difficult to find a great deal better. With the main areas in very strong and little-worn condition, this attractive item should please many collectors but the highly discerning.

The Inner Sleeve: EXCELLENT: and only marked down for the usual seam adhesive darkening and mild ageing. This a Polydor style polylined inner with the 471 (April 1971) date-code, the month of issue being February, so this dates this copy well. Both windows are ultra crisp and neat, the lining is solid and very clear with minimal crinkle. All edges unsplit with no repairs.

Vinyl Condition/Visual Grading: EXCELLENT(++): with two superb playing surfaces (and labels). Indeed side one is little short of pristine and a Mint(-) grading is appropriate. Any surface traces on side two are very fine and faint as seen under bright angled light. A very impressive visual copy that is very clean, shiny, intense black and very solidly pressed. A copy that appears hardly played – reitterated by top quality sound – this on a popular progressive giant of an album now into it’s forty-second year. This record should please most-all collectors.

Album Played For Grading: Yes – and what a pleasure it was to do so. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or minuscule sound present on any record.]

Sound Quality and Audio Grading: This prog-classic plays even above it’s very high visual grading with practically nothing to fault. Strong, top quality sound, all frequencies are sharp and clear - sound quality is almost audiophile standard with a wide dynamic range and very detailed sound. A high fidelity recording from a band, even in the early days, who cared about quality with complex music from way above average rock musicians. The incredible detail and clarity has to be heard. Devoid of pops or clicks and any surface sound traces minuscule. These progressive albums always have quiet passages so absolute silence is a very tough ask, but this very well pressed copy gives of it’s very best, this too played on very sensitive equipment. Few very early examples will better this I feel sure. All the intricate sounds, vocals and instruments fully focused and sharp. Just listen to the acoustic guitar solo ‘The Clap’, every chord change can be heard with precision and clarity. Nothing spoilt my immense pleasure when play-grading this impressive record. Do not underestimate how difficult this one is to find in such fine all-round condition, one that merits strong recommendation.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Terrarium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand+ based on over 8,000+ items sold in over 10 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 2 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £8. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £3 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.




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