Mothers Of Invention, The ?– Uncle Meat

Label: Bizarre Records – 2MS 2024, Bizarre Records – 2024 Format: 2 × Vinyl, LP, Album
Country: US Released: 1969 Genre: Jazz, Rock Style: Alternative Rock, Musique Concrète, Avantgarde, Fusion, Doo Wop, Experimental, Parody

Tracklist ?

A1 Uncle Meat: Main Title Theme 1:54 A2 The Voice Of Cheese 0:27 A3 Nine Types Of Industrial Pollution 5:56 A4 Zolar Czakl 0:57 A5 Dog Breath, In The Year Of The Plague 5:51 A6 The Legend Of The Golden Arches 1:24 A7 Louie Louie (At The Royal Albert Hall In London) 2:28 A8 The Dog Breath Variations 1:36 B1 Sleeping In A Jar 0:49 B2 Our Bizarre Relationship 1:05 B3 The Uncle Meat Variations 4:40 B4 Electric Aunt Jemima 1:53 B5 Prelude To King Kong 3:24 B6 God Bless America (Live At The Whisky A Go Go) 1:22 B7 A Pound For A Brown On The Bus 1:29 B8 Ian Underwood Whips It Out (Live On Stage In Copenhagen) 5:08 C1 Mr. Green Genes 3:10 C2 We Can Shoot You 1:48 C3 "If We'd All Been Living In California . . . " 1:29 C4 The Air 2:57 C5 Project X 4:47 C6 Cruising For Burgers 2:19 D1 King Kong Itself (As Played By The Mothers In A Studio) 0:53 D2 King Kong (Its Magnificence As Interpreted By Dom DeWild) 1:15 D3 King Kong (As Motorhead Explains It) 1:44 D4 King Kong (The Gardner Varieties) 6:17 D5 King Kong (As Played By 3 Deranged Good Humor Trucks) 0:29 D6 King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival . . . The Underwood Ramifications) 7:25

Credits?

• Design [Package Designed By] – Cal Schenkel
• Drums – Jimmy Carl Black
• Drums [Some Tracks] – Billy Mundi
• Drums, Timpani, Vibraphone, Marimba, Xylophone, Wood Block, Bells, Chimes [Small] – Art Tripp
• Electric Bass – Roy Estrada
• Electric Piano – Don Preston
• Engineer – Richard Kunc*, Jerry Hansen
• Guitar, Vocals [Low Grade], Percussion – Frank Zappa
• Marimba, Vibraphone [Many Tracks] – Ruth Komanoff
• Organ [Electric], Piano, Harpsichord, Celesta, Flute, Clarinet, Alto Saxophone, Baritone Saxophone – Ian Underwood
• Percussion [Effects] – Jerry Hansen
• Piccolo Flute, Clarinet, Flute, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bassoon – Bunk Gardner
• Producer – Frank Zappa
• Soprano Vocals – Nelcy Walker (tracks: A5, B3), Ray* (tracks: A5, B3), Roy* (tracks: A5, B3)
• Tenor Saxophone, Tambourine – Motorhead Sherwood
• Vocals – Ray Collins
• Written-By – Frank Zappa
• Written-by [Uncredited] – Irving Berlin (tracks: B6), Richard Berry (tracks: A7)

Notes?

Original Bizarre/Reprise Records release.
Issued with gatefold jacket, 12 page color booklet (drawings, photos, paintings), and Bizarre label inner sleeve's.

First cat.nr. on labels and spine, second on front cover and inside the gatefold.

Recorded at Apostolic Studios, NYC
October 1967-February 1968
Percussion overdubs at Sunset Sound, LA
March-April, 1968
__________________________________________________
Original liner notes read...
THE MOTHERS at the time of this recording were:
FRANK ZAPPA - guitar, low grade vocals, percussion
RAY COLLINS - swell vocals
JIMMY CARL BLACK - drums, droll humor, poverty
ROY ESTRADA - electric bass, chesseburgers, Pachuco falsetto
DON (Dom De Wild) PRESTON - electric piano, tarot cards, brown rice
BILLY (The Oozer) MUNDI - drums on some pieces before he quit to join RHINOCEROS
BUNK (Sweetpants) GARDNER - piccolo, flute, clarinet, bass clarinet, soprano sax, alto sax, tenor sax, bassoon (all of these electric and/or non-electric depending)
IAN UNDERWOOD - electric organ, piano, harpsichord, celeste, flute, clarinet, alto sax, baritone sax, special assistance, copyist, industrial relations & teen appeal
ARTIE (With the Green Mustache) TRIPP - drums, timpani, vibes, marimba, xylophone, wood blocks, bells, small chimes, cheerful outlook & specific enquiries
EUCLID JAMES (Motorhead/Motorishi) SHERWOOD - pop star, frenetic tenor sax stylings, tambourine, choreography, obstinance & equipment setter-upper when he's not hustling local groupies

The music on this album was recorded over a period of about 5 months from October 1967 to February 1968. Things that sound like a full orchestra were carefully assembled, track by track through a procedure known as over-dubbing. The weird middle section of DOG BREATH (after the line , "Ready to attack") has forty tracks built into it. Things that sound like trumpets are actually clarinets played through an electric device made by Maestro with a setting labeled Oboe D'Amore and sped up a minor third with a V.S.O. (variable speed oscillator). Other peculiar sounds were made on a Kalamazoo electric organ. The only equipment at our disposal for the modification of these primary sounds was a pair of Pultec Filters, two Lan Equalizers, and three Melchor Compressors built into the board at Apostolic Studios in New York. The board itself is exceptionally quiet and efficient (the only thing that allowed us to pile up so many tracks) and is the product of Mr Lou Lindauer's imagination & workmanship. The material was recorded on a prototype Scully 12 track machine at 30 ips. The whole project was engineered by Richard Kunc or Dynamite Dick, as he is known to the trade. Special engineering credits go to Jerry Hansen for the percussion effects added later at Sunset Sound in L.A., and to our friend Mike in Copenhagen for the tapes he sent us.

Special thanks to:
Ruth Komanoff who plays marimba and vibes with Artie on many of the tracks, and
Nelcy Walker the soprano voice with Ray & Roy on Dog Breath & The Uncle Meat Variations
__________________________________________________
Uncredited:
Pamela Zarubica as Suzy Creamcheese

Barcode and Other Identifiers?

• Other (Runout, Side I): 30871 MS2024A -1A
• Other (Runout, Side IV): 30874 MS2024D -1A
• Other (Runout, Side II): 30872 MS2024B -1A
• Other (Runout, Side III): 30873 MS2024C -1A
• Other (Runout, all sides): T
• Other (Runout, all sides): 1

Condition : EX/EX

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