Zoltán Jeney Arupa Fantasia Su Una Nota Hungaroton SLPX 12807 1987

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Zoltán Jeney ?– Arupa / Fantasia Su Una Nota Label: Hungaroton ?SLPX 12807 Format: Vinyl, LP, Album  Country: Hungary Released: 1987 Genre: Classical Style: Contemporary Tracklist Hide Credits A Arupa Bells [Ship-bell (a²)] – Zoltán Váczi Bells [Ship-bell (b Flat²)] – László Vidovszky Bells [Ship-bell (c Sharp²)] – András Wilheim Bells [Ship-bell (c²)] – Zoltán Jeney Bells [Ship-bell (e²)] – Zoltán Rácz Bells [Ship-bell (f Sharp²)] – László Sáry Bells [Ship-bell (g²)] – Zsolt Sárkány Bells [Signal Bell (c²)] – Zoltán Jeney Synthesizer [Yamaha Dx-7] – Zsolt Serei Tabla – Barnabás Dukay 22:50 B Fantasia Su Una Nota Bells [C Sharp¹] – Károly Bojtos Cello – Tibor Bényi Cimbalom – Ildikó Vékony Conductor – Zoltán Jeney, Zsolt Serei Double Bass – Vilmos Buza Flute – Orsolya Katzander, Zoltán Gyöngyössy Marimba – Zoltán Rácz Piano – László Vidovszky Synthesizer [Yamaha Dx-7] – András Wilheim, Barnabás Dukay, László Sáry Vibraphone – Zoltán Váczi Viola – Sándor Nagy Violin – Rita Jelinek, Spartacus Juniku 28:51 Credits Design – Ilona Keser? Engineer [Balance] – István Berényi Engineer [Recording] – Ibolya Tóth Lacquer Cut By – HP* Liner Notes – Wilheim András* Photography By – János Fábián Notes Arupa (1981) for ship-bells, tabla and a sustained pitch  Fantasia Su Una Nota (1984) for divided chamber ensemble
Zoltán Jeney (b. Szolnok, Hungary, March 4, 1943) is a Hungarian composer.
Jeney first studied piano and attended Pongrácz's composition classes at the Debrecen Secondary Music School, later continuing composition studies with Ferenc Farkas at the Liszt Ferenc Academy of Music in Budapest (1961–66), and the pursuing postgraduate studies with Goffredo Petrassi at the Accademia Nazionale di Santa Cecilia in Rome (1967–68).[1]
Jeney's earliest compositions show the influence of Béla Bartók, Luigi Dallapiccola, Anton Webern, Alban Berg, the new Polish school, György Kurtág, and Zsolt Durkó. In the late 1960s, he began to take an interest in Pierre Boulez's theories, Karlheinz Stockhausen's compositions, and oriental philosophy—a direction intensified as a result of his contact with Cage's thought.[2] In the 1970s Jeney began composing music in the minimal style,[citation needed] and his works are often characterized by an extremely spare and static quality.
Since 1986 Jeney has been a professor at the Liszt Ferenc Academy of Music in Budapest, Hungary where, since 1995, he has served as Head of the Department of Composition.[3] Several of his compositions have been released on the Hungaroton label