promo Muddy WATERS Howlin' WOLF Willie Dixon Folk Festival of the Blues '64 ARGO
$
50
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
<div style="text-align:center"><img src="http://ti2.auctiva.com/sw/java.gif" border="0"><br><table align="center"><tbody><tr><td height="28px" valign="middle" align="center"><font face="arial" size="2"><b><a href="http://store.auctiva.com/pocketfullofmiracles">pocketfullofmiracles store</a></b></font></td><td><a style="text-decoration:none" href="http://store.auctiva.com/pocketfullofmiracles"><img src="http://ti2.auctiva.com/sw/thumbgallery.gif" border="0"></a></td></tr></tbody></table></div>
MUDDY WATERS BUDDY GUY HOWLIN' WOLF SONNY BOY WILLIAMSON WILLIE DIXON Folk Festival of the Blues 1964 orig. ARGO 12648
VINYL: VG+ (play graded) mostly plays very clean but there are some factory bubbles on it 2 of which caused some popping . COVER: VG+
WHITE LABEL PROMO
TO SEE THE CUTS PLEASE CHECK THE LAST PICTURE
ALL MUSIC GUIDE Review by Cub Koda [-]
This is a compilation album that isn't, a live album that isn't
(at least in a couple of spots), and a Muddy Waters album that
isn't, if one counts the appearances by four other artists on it.
But for all things it isn't, it is also just happens to be one of the
greatest and certainly most underrated live blues album of all time,
unbelievably crude, raw, and as real as it gets. Originally issued
on Chess' Argo label during the height of the folk music blues
revival (hence the goofy title), this was a record that was aimed
at a white market who responded in kind. But anybody purchasing
it thinking they were getting some nice acoustic coffeehouse blues
were in for the reality-check shock of their lives. Recorded on
July 26, 1963 at a WPOA live radio broadcast emceed by local
Chicago disc jockey Big Bill Hill emanating from the Copacabana
Club (hence when this was reissued in 1967, it was retitled Blues
From Big Bill's Copacabana), this features Buddy Guy's band as
the backup band for everybody, augmented by Muddy's right hand
man, pianist Otis Spann. Although Big Bill announces the presence
of Little Walter and Sonny Boy Williamson on the album's intro,
they're no-shows; the studio version of Williamson's "Bring It On
Home" appears here with dubbed on applause (along with the studi
o version of Guy's "Worried Blues," one of the two bits of audio
chicanery here). Everything else is just amazingly raw, crude and
blistering, with some of the most electrifying Buddy Guy guitar ever
committed to tape, droning saxes, thundering drums, and Otis Spann
anchoring everything with consummate elegance, as nobody's bothered
to check their tuning in the last half dozen drinks or more. The combination
of performances of Guy, Howlin' Wolf, Willie Dixon, and Sonny Boy in
tandem with Waters would certainly checklist this one into 'various artists'
category, but with half of the 10 tracks here being fronted by Waters, it's
clearly Muddy's show all the way. His performances of "I Got My Mojo
Working," "She's 19 Years Old," "Clouds In My Heart," "Sitting And Thinking,"
and the vocal trio effort with Guy and Dixon on the show opening "Wee Wee
Baby" are nothing less than exemplary. No matter how you slice it or end up
filing it, one would be very hard pressed indeed to find a live blues album
that captures the spirit and a moment in time the way this one does.
Unavailable on compact disc as of press time, but worth tracking down in
its vinyl incarnations at any cost.
Blues
R&B
STILL SEALED
this is my store pocketfullofmiracle
OF COURSE I COMBINE AUCTIONS FOR THE CHEAPEST POSSIBLE SHIPPING
IN THE USA SHIPPING ON THE SECOND & SOMETIMES 3RD LP IS FREE
NM: Near Mint. Record and cover appear virtually unmarked. Cover still in shrink.
VG++: A hair under near mint may have only a couple of very insignificant surface only lines.
Cover out of shrink otherwise close to perfect.
VG+: Used but not abused. Some surface lines. WIll likely have some relatively slight audible
imperfections. Some normal cover wear.
VG: There will be visual imperfections and some audible ones . May be a number of surface only lines or there might be a
small scratch but not one that repeats, Cover will be worn or have some kind of defect. In this condition flaws will be pictured
or noted.
VG-: Usually the lowest rating I will list an LP at. Same as VG but defects are more pronounced. May have more than 1 scratch
but still not one that repeats. This record will still be enjoyable but there will almost definitely be background sound. I have
sold many rare 78s and older acetates at this grade and buyers have almost always been pleased. In this condition flaws will
be pictured or noted.
G+: There may be skips or some other major defect or the background sound is so loud that listening might be a chore.
Covers will have major defects that need to be stated.
price rating