sealed ICONIC PERFORMANCES FROM THE MONTEREY INTERNATIONAL POP FESTIVAL LP 2018
$
71
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Description
NEW BACKSTOCK COPY OF THIS LIMITED EDITION MONTEREY POP FEST LP FROM RSD 2018! WOW! SUPER RARE!
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Tracklist Hide Credits
A1 –Buffalo Springfield For What It's Worth Bass – Bruce PalmerDrums – Dewey MartinGuitar – Doug HastingsGuitar, Vocals – David Crosby, Richie FurayWritten-By, Lead Guitar, Vocals – Stephen StillsA2 –The Butterfield Blues Band Driftin' Blues Bass – Jerome ArnoldDrums – Billy DavenportKeyboards – Mark NaftalinLead Guitar – Elvin BishopSaxophone – David Sanborn, Gene DinwiddieTrumpet – Keith JohnsonVocals, Harmonica – Paul ButterfieldWritten-By – Charles Brown, Eddie Williams (3), Johnny Moore (2)
A3 –The Grateful Dead Cold Rain And Snow Bass, Vocals – Phil LeshDrums – Bill Kreutzmann, Mickey HartGuitar, Vocals – Bob WeirKeyboards – Ron "Pigpen" McKernanLead Guitar, Vocals – Jerry GarciaWritten-By – McGanahan Skjellyfetti
B1 –Simon & Garfunkel The Sounds Of Silence Vocals – Art GarfunkelWritten-By, Guitar, Vocals – Paul Simon
B2 –Laura Nyro Poverty Train Backing Vocals – Hi-Fashions*Bass – Joe OsbornDrums – Hal BlaineKeyboards – Larry KnechtelPiano – Don RandiSaxophone – Jim HornWritten-By, Vocals – Laura Nyro
B3 –The Electric Flag Wine Alto Saxophone – Herbie RichArranged By, Guitar, Piano, Vocals – Mike BloomfieldBass – Harvey BrooksDrums, Vocals – Buddy MilesOrgan – Barry GoldbergTenor Saxophone – Peter StrazzaTrumpet – Marcus DoubledayVocals – Nick GravenitesWritten-By – Trad.*
B4 –Jefferson Airplane White Rabbit Bass – Jack CasadyDrums – Spencer DrydenGuitar – Paul KantnerLead Guitar – Jorma KaukonenVocals – Marty BalinWritten-By, Vocals – Grace Slick
C1 –Big Brother & The Holding Company Ball And Chain Bass – Peter AlbinDrums – David Getz*Guitar – James GurleyGuitar, Vocals – Sam AndrewVocals – Janis JoplinWritten By – Willie Mae Thornton
C2 –The Who My Generation Bass – John EntwistleDrums – Keith MoonVocals – Roger DaltreyWritten-By, Guitar – Pete Townshend
C3 –Hugh Masekela Bajabula Bonke (The Healing Song) Bass, Vocals – Stanley ToddCongas – Big Black (2)Congas, Flute – Nat HammondDrums – Isaak Asante*Guitar – Rick Neesai Botchway*Trumpet – Hugh MasekelaWritten-By – Miriam Makeba
D1 –Otis Redding I've Been Loving You Too Long (To Stop Now) Baritone Saxophone – Andrew LoveBass – Donald Dunn*Drums – Al Jackson Jr.Guitar – Steve CropperOrgan – Booker T. JonesTenor Saxophone – Joe ArnoldTrumpet – Wayne JacksonWritten-By – Jerry ButlerWritten-By, Vocals – Otis Redding
D2 –The Jimi Hendrix Experience Like A Rolling Stone Bass – Noel ReddingDrums – Mitch MitchellGuitar, Vocals – Jimi HendrixWritten-By – Bob Dylan
D3 –The Mamas & The Papas California Dreamin' Bass – Joe OsbornDrums – Eddie HohLead Guitar – Eric HordPiano – Larry KnechtelVocals – Cass Elliot, Denny DohertyWritten-By, Guitar, Vocals – John PhillipsWritten-By, Vocals – Michelle Philli
LOST WEEKEND RECORDS GRADING SCALE
MINT (M)
These are absolutely perfect in every way. Lost Weekend will never grade a record as Mint as we believe it is an unattainable grade.
VERY GOOD PLUS PLUS (VG++)
VG++ records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not VG++. If played, it will do so with no surface noise. (VG++ records don’t have to be “never played”; a record used on an excellent turntable can remain VG++ after many plays if the disc is properly cared for.)
VG++ covers are free of creases, ring wear and seam splits of any kind.
VG++ will be the highest grading Lost Weekend Records uses. Even so we won't grade many records at this level as we are very particular about this level of grading.VERY GOOD PLUS (VG+)
VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.
VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VERY GOOD (VG)
VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.
Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.
VERY GOOD MINUS (VG-)
VG- does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers and failing miserably. A Good to VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.
STILL SEALED (SS)
Lost Weekend Records will sometimes list an album that is Still Sealed from the factory. They will typically bring higher prices than a clean opened copy.
We can't call Sealed records mint because there might be a minor flaw in the pressing of the vinyl or some minor warping from being sealed.
ATTENTION INTERNATIONAL BIDDERS:
We do not except international bids & will not ship overseas.
*MEXICO & CANADA ARE CONSIDERED INTERNATIONAL*
DELIVERY CONFIRMATION FREE OF CHARGE FOR ALL DOMESTIC ORDERS.
Returns accepted within 14 days, refund processed after item has been returned. Buyer pays for return shipping.
If buyer is not satisfied please contact seller prior to return. We would like the opportunity to correct any dissatisfaction. We pride ourselves on providing excellent customer service.
*BUY MULTIPLE ITEMS AND WE WILL SAVE YOU ON SHIPPING. LOWER SHIPPING TOTAL UPON INVOICE. THE MORE YOU SPEND THE MORE YOU SAVE.
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