uru ?– Jazzmatazz Volume: 1 Chrysalis ?– F1-21998 US 1993 LP Electronic, Hip Hop, Acid Jazz, Jazzy Hip-Hop, Conscious

Guru ?– Jazzmatazz Volume: 1

Tracklist

Companies, etc.

• Phonographic Copyright (p) – Chrysalis Records, Inc.
• Copyright (c) – Chrysalis Records, Inc.
• Record Company – EMI Records Group North America
• Manufactured By – Capitol Records, Inc.
• Recorded At – D&D Studios
• Mixed At – D&D Studios
• Mixed At – EMI Studios, London
• Mixed At – Hollywood Sound Recorders
• Mixed At – Studios Ferber
• Mastered At – Masterdisk
• Produced For – Guru Productions Inc.
• Published By – Ill Kid Music
• Published By – Gifted Pearl Music
• Published By – EMI April Music Inc.
• Published By – My Dog Luna Music
• Published By – Leosong

Credits

• Alto Saxophone, Soprano Saxophone, Flute – Courtney Pine
• Art Direction – Henry Marquez
• Design – Diane Cuddy
• Engineer – Craig Marcus, James B. Mansfield*, James Bell*, Joe Quinde, Kieran Walsh, Philippe*
• Engineer [Assistant] – David Carpenter, Doug Boehm, Luke Allen, Philippe Zdar, Tracii D. Sherman
• Executive-Producer – Duff Marlowe
• Executive-Producer, Concept By [Concept Development] – Keith Elam, Patrick Moxey
• Flute, Saxophone – Gary Barnacle
• Guitar – Ronny Jordan, Zachary Breaux
• Keyboards – Simon Law
• Management – Empire Artist Management
• Mastered By – Tony Dawsey
• Other [Styling] – Navia Nguyen
• Photography By – Humphrey Studio
• Piano, Electric Piano – Lonnie Liston Smith
• Piano, Trumpet – Donald Byrd
• Producer, Mixed By, Arranged By, Lyrics By, Music By [Tracks], Vocals – Guru
• Vibraphone [Vibes] – Roy Ayers
• Vocals – Carleen Anderson, DC Lee*, MC Solaar, N'Dea Davenport
• Written-By [Co-Written By] – N'Dea Davenport (tracks: A3, B3)

Barcode and Other Identifiers

• Barcode (Text): 0 9463-21998-1 2
• Barcode (String): 094632199812
• Matrix / Runout (A-Side Label): F1-21998-A
• Matrix / Runout (B-Side Label): F1-21998-B
• Rights Society: ASCAP
• Rights Society: PRS

PLEASE LEAVE FEEDBACK AS THIS WILL NOTIFY ME YOU HAVE RECEIVED THEITEM

Condition is "Used".

 Dispatched with Royal Mail 2nd Class.

MEDIA CONDITION: G+Record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. sEE PHOTOS AS ON MARK ON RECORD 

SLEEVE COVER CONDITION: VG Normal wear on the cover, without any major defects.

GENERAL ITEM CONDITION: IN GOOD CONDITION

The recordhas been played so much that the sound quality has noticeably deteriorated,perhaps with some distortion and mild scratches. The cover and contents sufferfrom folding, scuffing of edges.

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I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes.
Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition.
In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive, 
please email me before leaving feedback (or opening anydispute), as any problems can be resolved.

RecordCollector Magazine's/ Goldmine Standard Grading Guide: 

"MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint.

Near Mint (NM or M-) :

A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value.

EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint.

Very Good Plus(VG+):

Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesshow some signs of wear and have slight scuffs or very light scratches thatdon't affect one's listening experiences. Slight warps that do not affect thesound are "OK". The label may have some ring wear or discoloration,but it should be barely noticeable. The center hole will not have beenmisshapen by repeated play. Picture sleeves and LP inner sleeves will have someslight wear, lightly turned up corners, or a slight seam split. An LP cover mayhave slight signs of wear also and may be marred by a cut-out hole, indentationor corner indicating it was taken out of print.

VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and the occasionallight scratch. Normal wear and tear on the cover or extra items, without anymajor defects.

Good Plus(G+):

Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject.

GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc.

FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced.

POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing.

BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler.