1905 SIGNED JAN KUBELIK Violin FONOTIPIA 39162 Hubay Zephyr DRDLA Souvenir
$
60
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Description
A series of great Violin, Piano and Orchestra records on rare labels, from 1902 Monarch to 1940 War Germany recordings.
Click this link for more great ODEON, Zonophone and Fonotipia Opera and Vocal Records in my other listings!
Early recording of JAN KUBELIK VIOLIN w Piano
JAN KUBELIKs VERY FIRST RECORDING for the FONOTIPIA COMPANY in MILAN,
He was the only celebrity instrumentalist with the French pianist Mme Roger Miklos to record on Fonotipia.
Kubelik's signature on dead wax,
master xPh 2228 D27 AN
ITA: Milano
1906.11.08 Thu
(Hans Gloetzner)
Zephyr (Jeno Hubay, op.35,5)
Jan Kubelík (vn). …?… (p).
Fonotipia X 39925
master xPh 2402 D27 AN
ITA: Milano
1907.02.03 Sun
Souvenir (Franz Drdla)
Jan Kubelík (vn). …?… (p).
Fonotipia X 39162
Please see top of the page for condition
Jan Kubelfk (July 5, 1880 û December 5, 1940) was a Czech violinist and composer.
He was born in Michle (now part of Prague) and studied at the Prague Conservatoire with Otakar èevcfk, of whose technique he became the most famous representative. As a child, he used to practice 10 to 12 hours a day, or "until my fingers started to bleed." After 1898, he toured as a soloist, soon becoming renowned for his great virtuosity and flawless intonation, and his very full and noble tone. He played a Guarneri del Ges· and also two Stradivari: he acquired the 1715 Stradivarius "Emperor" in 1910.
After great success following his debut in Vienna, and in London (where he first appeared at a Richter concert in 1900), Kubelik toured in the USA in 1901. He made his first appearance for the Royal Philharmonic Society, London in the season of 1901-2, and in 1902 was awarded the Society's Gold Medal (in succession to Eugene Ysaye). In 1902 he brought the Czech Philharmonic Orchestra to London, having assisted it financially in the previous year.
In 1903 his portrait was painted by Philip de Laszlo. The Gramophone Company recorded him as obbligato to Dame Nellie Melba in 1904, a match which reflected the classical phrasing, tonal purity and security of his art and was an ideal complement to it. Their early version of the Bach-Gounod 'Ave Maria' (G.C. 03033) was recorded twice, in October 1904 and again in February 1905, and this was one of the great early classics of the gramophone, one of those records which 'made' the instrument a popular success, though the double celebrity single-sided title retailed at one guinea. Nine years later (when technology had improved) the partnership was reformed to re-make the record (as 03333), in May 1913 with organ accompaniment and again in October 1913. It was the latter version which then survived in the inter-war catalogue in two-sided form.
Kubelik made a number of recordings; wrote music, including six violin concertos; and continued to perform in public until his death. However, from the 1920s, with the advent of Jascha Heifetz, his career dwindled somewhat. Jan Kubelik died in Prague. Rafael Kubelfk, the conductor, was his son.
Jan Kubelik also made an appearance in Robert Ludlum's The Janson Directive. Carl Sandburg featured Jan Kubelfk in his Chicago Poems, 1916.
Jan Kubelik's acoustic recordings were made for The Gramophone Company, and for Fonotipia/Polydor (who also recorded Vasa Prihoda, Ferenc von Vecsey and Jacques Thibaud). His 1935 Carnegie Hall concert was also recorded and has been reissued.
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