1906 Milan G&T BALLO GIUSEPPINA HUGUET Aristodemo Sillich FORZA Clara Joanna 78
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Description
Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.
Welcome to my auctions of great records
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PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.
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A series of great early Opera performances: From 1902 G&Ts to 40s wartime German records:
From the great 1905 G&T Milan recordings:
with the great Giuseppina Huguet. include some of the great Milan La Scala singers, and the higher fidelity and immediate G&T acoustics of these recordings make them rival some of the expensive ones
BALLO IN MASCERA O Figlio De Ingilterra -
Josephina Huguet (vocalist : soprano vocal)
Ines Salvador (vocalist : mezzo-soprano)
Aristodemo Sillich (vocalist : bass vocal)
Francesco Cigada (vocalist : baritone vocal)
Teatro alla Scala Coro (Vocal group)
Forza del Destino SCene Della Finestra
Clara Joanna - Antonio Pini Corse
10" 78 rpm record
Condition:
Good Plus, dull surface, light scratches, roush start during choral intro, solos rel quiet but some distortion, plays slightly better with 1.5 mil stylus
Clara Joanna (Soprano) (Trieste 1875 - ?)
She studied with Alberto F. Leoni.
Chronology of some appearances
1891 Falconara Teatro Comunale Concerto 1893 Genova Politeama Genovese Gioconda (Gioconda) 1902 Conegliano Teatro Accademia Mefistofele (Margherita) 1904 Firenze Arena Nazionale Gioconda (Gioconda) 1906 Cagliari Politeama Regina Margherita Mefistofele (Elena) 1909 Bologna Teatro Verdi Jana di R.Virgilio 1910 Lisbona Teatro San Carlos Wally (Wally) 1911 Cesena Teatro Comunale La Debacle di A.Masucci (Velia)
Josefina Huguet (1871 - 1951)
Biographical notes:
She studied with the same teacher like Maria Barrientos in Barcelona, where she made her debut as Lakm? at the Teatro Liceo in 1888, a theater with which she soon established a long relationship. She toured Spain, South America and Italy, appearing first at La Scala in 1896 as Oph?lie in ThomasÆ Hamlet. She was very popular in Russia, where she sang several times opposite Mattia Battistini. Often compared with the famous coloraturas Sigrid Arnoldson and Regina Pacini, she appeared at the New York Academy of Music in 1898. Her repertory was centred on coloratura roles such as Rosina, Elvira and Amina, but she also sang Mim?, and her recordings even include excerpts from Lohengrin. Her recordings range from the Queen of Night to Desdemona and Nedda.
Sweet, firm and musical, her voice and style give more pleasure than do those of several of her more celebrated contemporaries. J.M. de Sagarm?naga spoke of a ôchameleonic voice.ö She recorded mainly for HMV and she was in the cast of the first ever produced complete opera recording of LeoncavalloÆs I Pagliacci.
O beau pays de la Touraine in Italian (Marguerite in Les Huguenots / Meyerbeer / G&T 1906)
More Great Records on sale right now:
http://shop.ebay.com/carsten_sf/m.html
http://shop.ebay.com/carsten_sf/m.html
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