1910 ERIK SCHMEDES Gustav Mahler's VIENNA OPERA Lohengrin Nun sei bedankt 78
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Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.
Welcome to my auctions of great records
This is my FIRST WEEK of 2 weeks of great auctions – I WILL PACK AND BILL YOUR RECORDS after the close on MAY 22.
PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.
International shipping: approx postage 1x10"=$25: 1x12"=$36: 10"Album 4 Rec=50$: 12" Album 2 Rec=50$
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I am currently selling a series of great Richard Wagner and classic European 78 rpm orchestral recordings on all the great European labels:
ERIK SCHMEDES the Danish Heldentenor was the most famous tenor under Gustav Mahler's tenure at the VIENNA OPERA Lohengrin Nun sei bedankt/ Hoechstes Vertrauen
10 " 78 rpm record
Condition: VERY GOOD PLUS PLUS, quiet some swishy hiss, 1 spot of distortion at end
Great Copy
Erik Schmedes as Lohengrin, 1902
Erik Anton Julius Schmedes (August 27, 1868, in Gentofte, Denmark – March 23, 1931, in Vienna) was an operatic tenor, particularly known for his roles in operas by Richard Wagner. He was the brother-in-law of Vaslav Nijinsky.
Schmedes was born into a family of musicians, the most prominent of which was his brother Hakon, a noted violinist and composer. After studying in Paris, Berlin and Vienna, he made his debut as a baritone in Wiesbaden 1891 as The King's Herald in Lohengrin. He continued to sing as a baritone until 1897. However, after further study with August Iffert in Vienna, his heldentenor voice emerged. He made his debut as a tenor in 1898, singing the title role in Siegfried at the Vienna State Opera. His career remained largely based at that opera house, where he was a Kammersänger and one of the most prominent tenors during the years of Gustav Mahler's direction of the company.
Schmedes sang frequently at Bayreuth from 1899 through 1906. He also appeared at the New York Metropolitan Opera in the 1908/1909 season, singing in Die Walküre and Götterdämmerung, the title roles in both Parsifal and Tristan und Isolde, and Pedro in Eugen d'Albert's Tiefland for the opera's North American premiere. Although he primarily sang roles from the Wagnerian repertoire, Schmedes was also an admired interpreter of Florestan in Beethoven's Fidelio and the title role of Pfitzner's Palestrina.[1] During his career, he sang 1130 performances of forty-two roles and recorded for several companies, including Gramophone and Pathé, from 1902 to 1909.[2]
Schmedes' principal rival for the Wagnerian tenor roles during his time in Vienna was Leo Slezak. Schmedes' young daughter, Dagmar, who later became a soprano herself, is said to have told Slezak: "Uncle Leo, you are just a tenor, my father is an artist!" Slezak is said to have replied: "If your daddy had a high C, he too would choose to be just a tenor!" [3] Considered by some to be a better actor than singer,[4] Schmedes appeared in two films, the most notable of which was Paul Czinner’s 1919 silent film Inferno.
Schmedes' last performance was in 1924 in the title role of Wilhelm Kienzl's Der Evangelimann. When he retired from the stage he became a voice teacher in Vienna. Amongst his pupils were Maria Müller and Anny Konetzni.
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A Quick NOTE ON GRADING AND SHIPPING:
As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.
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Quick note on grading:
The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately
When I listen to a record, I may also give it an aural grade (again E to F), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an exceptionally quiet record for a given pressing.
"Quiet" is a record that is a great example without undue noise for a give pressing.
These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment.
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US Domestic Shipping:
Here is a guideline for US Media Mail Shipping:
Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)
1 record: 4.50 – 5.00$
2 records: 5.75$
5 records: 7.50$
10 records: 9.50$
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Due to rare problems with delivery in ITALY, I will NOT GUARANTEE delivery of parcels sent by US Postal Service First Class and Priority Mail. If you prefer secure delivery, I will be happy to quote you either Registered Mail or shipment by FEDEX
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Please use the EBAY shipping cost only as a guideline. My actual charges are usually lower
One record usually ships for 25 – 28$ for 10" 35$ for most 12" records (Less for Canada).
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