1912 TITANIC VICTIMS Benefit Enrico Caruso SULLIVAN The Lost Chord/ Handel Largo

$

22

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A series of great early Opera performances: From 1902 G&Ts to 40s wartime German records:

Enrico Caruso in the most British of all songs - this is a rarely seen of Caruso's English language records:

RECORDED AS A BENEFIT FOR THE TITANIC VICTIMS

Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster.

Metropolitan Opera House (1912) Programme for the Benefit Concert for the Families of the Victims of the Titanic. 29 April 1912

On Monday, 29 April 1912 Caruso recorded this version of The Lost Chord, that evening he would sing it again, at the Metropolitan Opera House at the benefit concert for the families of the victims of the Titanic, appearing 9th after the interval. Sir Arthur Sullivan (1842-1900) had composed the music for this Adelaide Anne Procter (1825-1864) poem in 1877 following the death of his brother.

ARTHUR SULLIVAN The Lost Chord in "English"/ fellow Brit Georg Friedrich Haendel baroque opera Xerxes: Ombra mai Fu

Matrix Number Take Number Date Description 
C-11942 1 4/29/1912 The lost chord / Enrico Caruso 
C-23714 5 1/29/1920 Handel Xerxes Largo / Enrico Caruso

THIS IS THE DIRECT PRESSING, not the electric re-recording

12" 78 rpm record

Condition:

EXCELLENT faint 5 mm scratch start of Largo NAP plays very quiet light crackle

"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord," published in 1858 in The English Woman's Journal.

The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: "I have composed much music since then, but have never written a second Lost Chord."[1]

Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster.[2] The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.[3]

Seated one day at the organ,
I was weary and ill at ease,
And my fingers wandered idly
Over the noisy keys.

I know not what I was playing,
Or what I was dreaming then;
But I struck one chord of music,
Like the sound of a great Amen.

It flooded the crimson twilight,
Like the close of an angel's psalm,
And it lay on my fevered spirit
With a touch of infinite calm.

It quieted pain and sorrow,
Like love overcoming strife;
It seemed the harmonious echo
From our discordant life.

It linked all perplexèd meanings
Into one perfect[10] peace,
And trembled away into silence
As if it were loth to cease.

I have sought, but I seek it vainly,
That one lost chord divine,
Which came from the soul of the organ,
And entered into mine.

It may be that death's bright angel
Will speak in that chord again,
It may be that only in Heav'n
I shall hear that grand Amen.

More Great Records on sale right now:

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