1918 STELLA POWER "THE LITTLE MELBA" Edison DD 78

$

61

A series of great EDISON DIAMOND DISC recordings:

 Rare 1918 Recording of NELLIE Melba's PROTEGEE and self styled successor, Australian  STELLA POWER

On HMV she - humble - sobriquet'ed herself "THE LITTLE MELBA"

Condition:

Very Good PLUS PLUS,  unwron, but somewhat dull surface

POWER, STELLA (1896-1977), soprano, was born on 27 June 1896 at Richmond, Melbourne, and baptized Tertia Stella, fifth of six children of Edward John Power, customs officer, and his wife Annie Elizabeth, née O'Brien (d.1904). Stella probably attended the local convent school before becoming one of the first students to train under (Dame) Nellie Melba at the Albert Street Conservatorium, East Melbourne. Her voice earned her the sobriquet, 'the Little Melba', from the diva herself: while guaranteeing a degree of prestige, the term led to unfair comparisons with the older singer. Power's professional appearances began with a recital in Melbourne in 1916. At St Mary's Catholic Church, North Sydney, on 30 July 1917 she married William Francis O'Rourke, a commercial traveller; their son Billy was born in 1920.

Later that year Power sailed for the United States of America where, early in 1918, she performed in concerts with the violinists Eugene Ysaye and Mischa Elman. As Melba's associate-artist she embarked on an extensive tour, during which Thomas A. Edison Inc. recorded her singing. Following recitals in Australia in 1918-19, she made her British début at the Royal Albert Hall on 23 November 1919 in a concert conducted by (Sir) Landon Ronald. She appeared on stage in Britain with the cellists Jean Gerardy and Lauri Kennedy (a fellow Australian), the tenor John McCormack, the pianist Willhelm Backhaus and the violinist Jan Kubelík, and she also sang before the King and Queen of Norway. Under the conductor (Sir) Adrian Boult, she performed works by (Sir) Arthur Bliss and other composers for recording by His Master's Voice.

In 1923 Power returned to Australia where she gave recitals and sang under contract to Union Theatres Ltd in picture-palaces. Back in the United States in 1926, she began a nine-year period as a featured singer in a series of popular revues staged by the entrepreneur John Murray Anderson, appearing with performers such as Roy Rogers and Mae West. Billy travelled with her. Home again in 1935, Stella lived with her brother Cyril in Melbourne. She travelled interstate as a concert recitalist, and as a radio performer for the Australian Broadcasting Commission. In 1935-36 she spent four months in New Zealand, touring stations operated by that country's broadcasting board. She made guest appearances on commercial radio in Australia, and in 1946 provided the voice of the mature Melba in the serial, 'Melba—The Life Story of a Great Australian'. Although she stopped singing professionally in the 1950s, she continued to teach in the 1960s.

Power's operatic performances were rare. In 1924 she had appeared on stage in Carmen, singing the part of Micaela. For A.B.C. broadcasts in the 1930s she sang the title role in Martha (opposite the Italian tenor Dino Borgioli) and the role of Norina in Don Pasquale. Her recordings reveal a fine and well-trained lyric coloratura voice, and provide evidence of the type of teaching she received from Melba and her collaborators. Survived by her son, she died on 16 January 1977 at Cheltenham, Melbourne, and was buried in the local cemetery.

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A note to grading Victrola/ Pathe/ Shellac 78 rpm discs:

Pls note that I try to be careful and consistent in my grading. All records are graded with the same criteria, regardless of genre.

My grading should give you a good idea how the record you receive will look like.

Surface VISUAL GRADING:

EXCELLENT - clean and shiny, as new. E minus is the same, with some scuffing.

Very Good Plus - Clean, with a little more scuffing. Some grooves spots may have some light greying. Little if any distortion.

Very Good - a clean copy, some scuffing, some greying on some grooves or a few small groove bands. Enjoyable record, maybe light distortion on some top notes.

=> Everything up to here is a great and enjoyable record

Very Good Minus - May have areas of visible wear, may have  scuffing or dulled surface. Still a great record, but ticks, pops and some distortion.

Good Plus - a worn and scuffed copy. May have other defects separately stated. Plays well, but with noise, may require filtering.

All other defects (if any: Chips, cracks, scratches, lamination cracks, label damage, needle digs) will be stated SEPARATELY. "BUT" means that they are significant. "Faint" usually does not sound.

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Number of Records
 ( Edison Diamond Discs count as TWO RECORDS)

Media Mail US

1 Record or 1 Diamond Disc

$ 4.00

Up to 2 Records

$ 5.00

Up to 5 Records (2 DD)

$8.50

Up to 10 Records (5 DD)

$10.00

Up to 15 Records (7 DD)

$12.00

Up to 20 Records (10 DD)

$14.00

INSURANCE OPTIONs & RETURN POLICY:

I have a great track record of safe shipping worlwide. All records will be packed with great care for safe shipment.

NO ADDITIONAL INSURANCE

• Shipping is at risk of buyer.
• If you are not happy with the item, I will gladly refund the purchase price on return of the item.

With INSURANCE OPTION

• I will add a packing record to any single shellac record shipment.
• If item is damaged during transport, I will be happy to refund purchase price and shipment upon proof of damage (a photo etc.)
• If you are not happy with the item, I will gladly refund purchase price, shipment and return postage upon return of the  item.

Insurace pricing for DOMESTIC SHIPPING:

2$ up to 50$ parcel value
2.50$ up to 100$ parcel value

3$ up to 200$ parcel value

5$ up to 300$ parcel value

Pls check the postage when you receive the parcel. Any overcharge over postage +4$ will be gladly refunded !