1926 Orthophonic Album M-3 NUTCRACKER SUITE TCHAIKOVSKY Stokowski Philadelphia
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Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.
Welcome to my auctions of great records
This is my FIRST WEEK of 2 weeks of great auctions – I WILL PACK AND BILL YOUR RECORDS after the close on March 4.
PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.
I am currently selling a series of great classic European 78 rpm orchestral recordings on all the great European labels:
M-3 - one of the earliest Victor orthophonic sets - here still the original 1928 issue WITHOUT an M Number
Stokowski and the Philadelphia Orchestra perform the Suite from Tchaikowskys Nutcracker on 3x 12" Victor Scroll records.
Part 1 comprises the first three sides of the Victor album, which includes:
- Miniature Overture (Ouverture miniature)
- March (Marche)
- Dance of the Sugar Plum Fairy (Danse de la fée Dragée)
- Trepak - Russian Dance (Danse russe).
Part 2 includes music from the final three sides of the album:
- Arabian Dance (Danse arabe)
- Chinese Dance (Danse chinoise)
- Dance of the Flutes (Danse des Mirlitons)
- Waltz of the Flowers (Valse des fleurs).
It should be noted that at the time (ca 1925) the nutcracker was not performed much as a ballet. The tradition in the US of the Nut as a Christmas ballet was started by the San Francisco Ballet in the 1940s.
Condition records: Records are in Excellent rare scuffs, Album great
1926 Tchaikovsky Nutcracker Suite
Following these successful first Academy of Music recordings, on 4 and 10 November 1926 Stokowski and the Orchestra successfully recorded one of Stokowski's favorite Tchaikovsky works: the Suite from the Nutcracker ballet (opus 71a). Stokowski and the Philadelphians had made an initial attempt the week before on 4 November 1926. In fact, Stokowski and the Philadelphia Orchestra had made a number of previous attempts during the acoustic period to record several movements from Tchaikovsky's Nutcracker, beginning with his very first Philadelphia Orchestra recording sessions in October, 1917. At that time, he made recordings of the Dance of the Sugar Plumb Fairy and of the Trepak Russian Dance, which were apparently unsuccessful, and not released. Similarly, in 1921 Stokowski attempted, unsuccessfully, the Waltz of the Flowers. Then in February and April 1921, Stokowski attempted to record the Dance of the Flutes, unsuccessfully, prior to the successfully released disc of this movement in recorded 13 February 1922.
An example of the difficulties of recording, even with the far more sensitive electrical recording process was the celesta. In this 1926 recording, the celesta was played by Gustave A. Loeben, who played by cello and keyboard in the orchestra for 35 years, 1919-1954. The recording of the celesta required the difficult compromise between making the celesta audible, versus picking up the internal mechanism of this light instrument. We can imagine how recording the celesta would have been well beyond any ability of the acoustic process to capture.
Nutcracker 1892
Konstantin Ivanov concept for the original production of
Act 2 of The Nutcracker 1892
The orchestra during these recordings consisted of: 18 first violins, 17 second violins, 13 violas, 12 celli, 10 double basses, 3 flutes, 4 oboes, 4 bassoons, 5 clarinets, 6 horns, 3 trumpets, 3 trombones, 1 tuba, 1 celeste, 2 harps, 1 tympani, and 2 percussionists.
This 1926 recording of the Nutcracker was originally released as three separate disks, Victor 6615, 6615 and 6617. Then, in 1928 when Victor began to issue the famous series of Victor Albums titled the "Musical Masterpiece Series", the Nutcracker became the third Musical Masterpiece album: Victor M-3, which remained in the Victor catalog until early 1935, when Stokowski and the Philadelphia Orchestra's recording made in November 1935 was released as Musical Masterpiece album M-265. In fact most listeners find this 1926 recording more satisfying than the technically superior 1935 recording. The sound and performances of this 1926 recording of the Nutcracker remain thrilling today, and demonstrate just how extensive were the advances of the Victor engineers and of Stokowski in the year since the first 1925 electrical recordings. No doubt, recording in the Academy of Music was also a favorable factor in both the sound and the musicality of these performances.
Matrix numbers for these recordings were: CVE 36655-4, CVE 36656-4, CVE 36657-2, CVE 36669-1, CVE 36670-4, and CVE 36671-2. In Europe, these recordings were issued on Gramophone D-1214, D-1215 and D-1216.
Victor M-3
Victor Musical Masterpiece album M-3
The music files from the Nutcracker, listed below, is organized into two parts. Part 1 comprises the first three sides of the Victor album, which includes:
- Miniature Overture (Ouverture miniature)
- March (Marche)
- Dance of the Sugar Plum Fairy (Danse de la fée Dragée)
- Trepak - Russian Dance (Danse russe).
Part 2 includes music from the final three sides of the album:
- Arabian Dance (Danse arabe)
- Chinese Dance (Danse chinoise)
- Dance of the Flutes (Danse des Mirlitons)
- Waltz of the Flowers (Valse des fleurs).
More Great Records on sale right now:
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