1937 Joseph SZIGETI Brahms VIOLIN SONATA NO 3 D MINOR Egon Petri Piano 78

$

30

WEEK 2 of 2 weeks of great auctions,  I will bill you and pack your records after  February 12.

IMPORTANT:

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A series of great orchestral recordings:

Famous Jeno Hubay and Ferruccio Busoni pupil Joseph Szigeti is one of the most exciting violinists on record.

Joseph Szigeti plays in a superb performance w fellow Hungarian Egon Petri 

HANDEL VIOLIN SONATA NO 4 D Major

Johannes Brahms  Sonata for violin & piano No. 3 in D minor, Op. 108 1937 22:44
Performed By : Egon Petri / Joseph Szigeti

3x12" gold label pre warColumbia 78 rpm record w album M324

Condition:

EXCELLENT pristine, faint scuffs, faint scratching last 7 mm on 3 does not sound. Some white crayon markings. Album great

 Plays very very quiet E

Listen to a youtube video of this performance

Check my other auctions for more great classical VIOLIN recordings!

Joseph Szigeti (Hungarian: Szigeti József) (September 5, 1892 – February 19, 1973) was a Hungarian virtuoso violinist. Born into a musical family, he spent his early childhood in a small town in Transylvania. He quickly proved himself to be a child prodigy on the violin, and moved to Budapest with his father to study with renowned pedagogue Jeno Hubay. After completing his studies with Hubay in his early teens, Szigeti began his international concert career. His concertizing at that time was primarily limited to salon-style recitals and the more overtly virtuosic repertoire; however, after making the acquaintance of pianist Ferruccio Busoni, he began to develop a much more thoughtful and intellectual approach to music that eventually earned him the nickname "The Scholarly Virtuoso".

Following a bout of tuberculosis which necessitated a stay in a sanatorium in Switzerland, Szigeti settled in Geneva where he became Professor of Violin at the local conservatory in 1917. It was in Geneva that he met his wife, Wanda Ostrowska, and at roughly the same time he became friends with the great composer Béla Bartók. Both relationships were to be lifelong.

From the 1920s until 1960, Szigeti performed regularly around the world and recorded extensively. He also distinguished himself as a strong advocate of new music, and was the dedicatee of many new works by contemporary composers. Among the more notable pieces written for him are Ernest Bloch's Violin Concerto, Bartók's Rhapsody No. 1, and Eugene Ysaye's Solo Sonata No. 1. He retired from the concert stage in 1960 and occupied himself with teaching and writing until his death in 1973, at the age of 80.

Szigeti quickly showed a talent for the violin. Several years later, his father took him to Budapest to receive proper training at the conservatory. After a brief stint with a kindly but inadequate teacher, he auditioned at the Franz Liszt Academy of Music and was admitted directly into the class of Jeno Hubay, without the usual delays and formalities.[4]

Hubay, who had himself been a student of Joseph Joachim in Berlin, had by that time established himself as one of the preeminent teachers in Europe and a fountainhead of the Hungarian violin tradition.[5] Szigeti joined such violinists as Franz von Vecsey, Emil Telmanyi, Jelly d'Arányi and Stefi Geyer in Hubay’s studio.

In 1905, at the age of thirteen, Szigeti made his Berlin debut playing Bach's Chaconne in D minor, Ernst's Concerto in F-sharp minor, and Paganini's Witches Dance. Despite the formidable program, the event received mention only via a photograph in the Sunday supplement of the Berliner Tageblatt captioned: "A Musical Prodigy: Josef Szigeti".[6]

Following that rather anti-climactic debut, Szigeti spent the next few months with a summer theater company in a small Hungarian resort town, playing mini-recitals in between acts of folk operetta. In that same vein, the next year saw an engagement to play at a circus in Frankfurt, where he appeared under the pseudonym "Jóska Szulagi".[7] Also in 1906, Hubay took Szigeti to play for Joseph Joachim in Berlin. Joachim was impressed, and suggested that Szigeti should finish his studies with him. Szigeti declined the offer, both out of loyalty to Hubay and a perceived aloofness and lack of rapport between Joachim and his students.[8]

Throughout England, he gave many successful concerts, including the premiere of the first work dedicated to him: Hamilton Harty's Violin Concerto. Also during this time, Szigeti toured with an all-star ensemble including legendary singer Dame Nellie Melba and pianists Ferruccio Busoni and Wilhelm Backhaus. Philippe Gaubert, a famous French flutist of the day, as well as the young John McCormack, were also present on these tours.[10]

The most significant of these new contacts was Busoni. The great pianist and composer became Szigeti’s mentor during these formative years, and the two would remain lifelong friends. By Szigeti’s own admission, before meeting Busoni his life was characterized by a certain laziness and indifference brought on by the then-typical life of a young prodigy violinist.[11] He had grown accustomed to playing crowd-pleasing salon miniatures and dazzling virtuosic encores without much thought. He knew little of the works of the great masters; he could play them, but not fully understand them. As Szigeti put it, Busoni—particularly through their careful study of Bach's Chaconne—"shook me once and for all out of my adolescent complacency".[12]

American debut
In 1925, Szigeti met Leopold Stokowski and played the Bach Chaconne in D minor for him. Less than two weeks later, Szigeti received a telegram from Stokowski’s manager in Philadelphia inviting him to perform with the Philadelphia Orchestra later that year: it was to be his American debut.[15] The trip to America was a new experience on many levels: not only had Szigeti never played with an American orchestra before, he had never even heard one—a situation which caused him some significant stage fright. In addition, he was thoroughly taken aback by the American concert scene, specifically by the publicity- and popularity-driven agents and managers who determined much of what was heard in American concert halls. To Szigeti’s dismay, most of these impresarios were not interested in concertos and sonatas by the great masters, but preferred the popular light salon pieces which Szigeti had left behind in his prodigy days.[16] (To the end of his days, Szigeti loved to quote one memorable, cigar-chewing impresario who told him, with regard to Beethoven's "Kreutzer Sonata" , “Well, let me tell you, Mister Dzigedy—and I know what I’m talking about—your Krewtzer Sonata bores the pants off my audiences!")[17]

[edit] Maturity
By 1930, Szigeti was established as a major international concert violinist. He performed extensively in Europe, the United States and Asia, and made the acquaintance of many of the era’s leading instrumentalists, conductors and composers.

During the 1930s, '40s and into the '50s, Szigeti recorded extensively, leaving a significant legacy. Notable recordings include the above-mentioned Library of Congress sonata recital; the studio recording of Bartók's Contrasts with Benny Goodman on clarinet and the composer at the piano; the violin concertos of Beethoven, Brahms, Mendelssohn, Prokofiev (No. 1) and Bloch under the batons of such conductors as Bruno Walter, Hamilton Harty and Sir Thomas Beecham; and various works by J.S. Bach, Busoni, Corelli, Handel and Mozart.

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Here a quick breakdown of my costs, you see that due to the new Ebay policy you will pay anywhere from $.50 to $.80 in additional Ebay fees on the first record

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Here is a guideline for US Media Mail Shipping - US Mail Prices went up by 4% in 2012:

Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)

1 record: 4.85$

2 records: 5.75$

5 records: 7.75$

10 records: 9.75$

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All'attenzione degli acquirenti italiani:

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Due to rare problems with delivery in ITALY, I will NOT GUARANTEE delivery of parcels sent by US Postal Service First Class and Priority Mail. If you prefer secure delivery, I will be happy to quote you either Registered Mail or shipment by FEDEX

I am very happy to ship records worldwide.

Prices below are for regular 78 rpm records. For Edison Discs in  international shipments, it will charge for the actual weight plus a small packing charge (1-2$) - for small quantities, it will not be much different from the charge for regular 78s.

Pls contact me for a shipping estimate, or send me an invoice request after close of auction.

Be aware that US Postal Rates can be high. Here are some examples.

USPS PRIORITY MAIL has gone up significantly, while First Class is pretty much the same.

Your best bet is the Large Priority box, everything that fits into a 12"x12"x5 1/2" box up to 20 pounds ships for 67.50$ (45$ Canada) worldwide.

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Africa, Eastern Asia and Japan as well as Europe

1 record = 2 lbs $25 - $28

4 lbs = $37

20 lbs or all that fits into a 12"x12"x 5 1/2" box ((12" albums won't fit)= $67.50I

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