ALBERT AMMONS BN 2 BOOGIE WOOGIE STOMP BN2 BLUE NOTE
  $   998

 


$ 998 Sold For
May 15, 2008 Sold Date
May 5, 2008 Start Date
9   Number Of Bids
  USA Country Of Seller
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Description


verona920 Store

VERY RARE

ALBERT AMMONS

BLUE NOTE 2

BN2 BN 2

THE FOLLOWING WAS  IN THE NEW YORK TIMES OBITUARY FOR ALFRED LION FOUNDER OF BLUE NOTE LABEL  - First published February 9, 1987

"Mr. Lion became a record producer ''almost by accident'' after hearing the boogie-woogie pianists Albert Ammons and Meade Lux Lewis at the 1938 ''Spirituals to Swing Concert'' at Carnegie Hall, according to his wife, Ruth.

He was so impressed by the music that he arranged a studio recording session on Jan. 9, 1939, and ordered a few dozen pressings made for his friends. The demand was so great that he made other recordings of such traditional-jazz artists as the saxophonist Sidney Bechet, and the Blue Note label was born. "

 

THE PINK AND BLACK LABELS WERE THE FIRST AND FOR FRIENDS OF MR. LION!

THE ADDRESS ON THE LABEL WAS THE FIRST OFFICE OF BLUE NOTE

OUT OF 50 COPIES - HOW MANY DO YOU THINK SURVIVED 69 YEARS??

JANUARY 9, 1939

ALBERT AMMONS

BLUE NOTE

 BN 2

 BOOGIE WOOGIE STOMP

BOOGIE WOOGIE BLUES

BLUE NOTE LABEL - DEEP GROOVE - MONO

 

RECORDED AT 235 - 7TH AVE., N.Y.C.

12" - 78 RPM

   WMGM STUDIO  AND RECORDED ON JANUARY 9, 1939

I HAVE A COPY OF THE ORIGINAL PAMPHLET THAT IS DATED - JULY 1939

 

THANKS TO THE JAZZ COLLECTORS AT JAZZDISCO.ORG I WAS ABLE TO FIND THIS INFORMATION:

jazzdisco.org

Blue Note Records Catalog: 78 rpm series 

BLUE NOTE   Early years

Lion was a German who first heard jazz as a young boy in Berlin. He moved to New York in 1937, and in 1939 recorded pianists Albert Ammons and Meade Lux Lewis in a one-day session in a rented studio. The Blue Note label initially consisted of Lion and Max Margulis, a communist writer who funded the project. The label's first releases were traditional "hot" jazz and boogie woogie, and the label's first hit was a performance of "Summertime" by saxophonist Sidney Bechet. Musicians were supplied with alcoholic refreshments, and recorded in the early hours of the morning after their evening's work in clubs and bars had finished. The label soon became known for treating musicians uncommonly well - setting up recording sessions at congenial times, and allowing them to be involved in all aspects of the record's production

THE RECORD IS CLEAN AS SHOWN IN PHOTO AND PLAYS WELL - EXPECTED 78 RPM NOISE

 

THIS RECORD IS IN AN ALBUM WITH SEVERAL OTHER BLUE NOTE RECORDS - THEREFORE IT DOES NOT HAVE A COVER - I HAVE THE PAPER  SLEEVE THAT I REMOVED FROM THE ALBUM THAT THE RECORD WILL BE IN

78's also in the album includes -  not yet listed are:

BLUE NOTE 3 - MIGHTY BLUES - ROCKING THE BLUES

BLUE NOTE 4 - CHICAGO IN MIND - TWOS AND FEWS - LISTED

BLUE NOTE 5 - THE FATHER'S GETAWAY - REMINISCING AT BLUE NOTE

BLUE NOTE 7 - BLUES FOR TOMMY

BLUE NOTE 8  - THE BLUES PART 1 - PART 2

BLUE NOTE 9 - THE BLUES PART 3 - PART 4

BUYER TO PAY ACTUAL SHIPPING ON 3 LBS WELL PACKED

 PRIORITY

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~ This is an " AS-IS AUCTION " and items are represented accurrately in the Description ~



 




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