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This is a 5-day auction.

Winning bidder please promptly pay 

within 2-days of auction end.

My items are shipped within 24 hours of payment. 

S&H fee includes packaging, delivery to post office and mail service.

All USA winner locations are shipped with delivery tracking.

Shipping & Handling fee is $5.00.

Combined S&H fee is $2.00 for each additional record.

LP is a rare JAZZTONE deep-groove label press.

COVER: VG- / RECORD: NEAR MINT  / LABELS: NEAR MINT
Cover seams have been repaired with tape that has yellowed over time.
LP shows nice glossy vinyl shine.

According to Paul Marechal author of "ANDY WARHOL THE COMPLETE
COMMISIONED RECORD COVERS" (see book section No 9 PROGRESSIVE
PIANO) the image of hands on a keyboard inspired other illustrators of
the fifties. Indeed the Jazztone label re-used this particular image for
several other musicians albums in its catalogue.

The Jazztone record label existed between the years 1955 and 1957. It was a
short-lived outgrowth of the Concert Hall Society, a predominately classical
mail order company; jazz historian George T. Simon served as Jazztone's A&R
director. Although portions of the Jazztone catalog were marketed through
retail record stores, availability and distribution were often dicey. Jazztone
recordings were reissued in Germany on that country's version of the
Jazztone label; in France on Guilde du Jazz, and in the U.S. on Hall of Fame
Records. Fresh Sound's Jazztone reissue campaign is a milestone in the
exciting world of revived and rediscovered jazz, as this long-forgotten
catalog contains what adds up to some of the best mainstream jazz recordings
of the mid-'50s, comparable to what Norman Granz was achieving with his
Verve label during that time period. Lionel Hampton's portion of the Jazztone
story epitomizes the label's dedication to the type of jazz that had its roots
in the mingled traditions of swing, bop, and cool. 


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SHIPPING!!!

RECORDS ARE VISUALLY GRADED ONLY - NOT PLAY GRADED.

SEE FOLLOWING EXPLANATION OF VISUAL GRADING 

Record Grading 101: Understanding The Goldmine Grading Guide

Posted in Collector Resources, Record Grading / June 22, 2010

VERY GOOD PLUS (VG+) 

A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+).

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

Very Good (VG)

Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too.

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