The record is located in Italy

NOTE: Original 1978 Ita 1st press on Ascolto rec.

Record conditions  (VISUAL): From EX+ to M- 

Description: Great condition, no scratch or sign under normal daylight, under a strong light bulb there are some non sounding wispy removal hairlines visible when angled. The vinyl lays perfectly flat on the turntable and is free of any warping. Record play perfect. Do not jump or other. (Playgrade is Mint-)

Cover conditions : EX+

Description: Gatefold cover, no major defects, light shelf wear, slight yellowing due to time on a particularly delicate "porous" white cover.

Lieve ingiallimento dovuta al tempo su una copertina bianca "porosa" particolarmente delicata.

‎NOTE:         Area  – 1978 Gli Dei Se Ne Vanno, Gli Arrabbiati Restano!

Altre immagini

Etichetta: Ascolto – ASC 20063 Formato: Vinile, LP, Album, Stereo, Gatefold Paese: Italy Uscita: 1978 Genere: Jazz, Rock Stile: Jazz-Rock, Avantgarde, Experimental, Prog Rock

Elenco tracce

Nascondi riconoscimenti A1 Il Bandito Del Deserto Drums [Gretsch] – Giulio Capiozzo Electric Bass, Vocals, Trombone, Trumpet [Pocket-trumpet], Mandola – Ares Tavolazzi Synthesizer [Arp, Pro-Soloist, Polymoog, Odyssey, Omni], Piano – Patrizio Fariselli Vocals – Demetrio Stratos Drums [Gretsch] – Giulio Capiozzo Electric Bass, Vocals, Trombone, Trumpet [Pocket-trumpet], Mandola – Ares Tavolazzi Synthesizer [Arp, Pro-Soloist, Polymoog, Odyssey, Omni], Piano – Patrizio Fariselli Vocals – Demetrio Stratos 3:13 A2 Interno Con Figure E Luci Drums [Gretsch], Vibraphone [Bailophone] – Giulio Capiozzo Electric Bass – Ares Tavolazzi Piano, Synthesizer [Arp, Pro-Soloist, Odyssey] – Patrizio Fariselli Vocals, Ocarina, Organ [Organo Positivo Del Seicento] – Demetrio Stratos Drums [Gretsch], Vibraphone [Bailophone] – Giulio Capiozzo Electric Bass – Ares Tavolazzi Piano, Synthesizer [Arp, Pro-Soloist, Odyssey] – Patrizio Fariselli Vocals, Ocarina, Organ [Organo Positivo Del Seicento] – Demetrio Stratos 4:07 A3 Return From Workuta Contrabass – Ares Tavolazzi Vocals, Synthesizer [Arp, Omni] – Demetrio Stratos Contrabass – Ares Tavolazzi Vocals, Synthesizer [Arp, Omni] – Demetrio Stratos 3:02 A4 Guardati Dal Mese Vicino All'Aprile! Contrabass, Acoustic Guitar – Ares Tavolazzi Drums [Gretsch] – Giulio Capiozzo Synthesizer [Arp, Odyssey] – Patrizio Fariselli Vocals, Piano – Demetrio Stratos Contrabass, Acoustic Guitar – Ares Tavolazzi Drums [Gretsch] – Giulio Capiozzo Synthesizer [Arp, Odyssey] – Patrizio Fariselli Vocals, Piano – Demetrio Stratos 5:12 A5 Hommage A Violette Nozières Drums [Gretsch] – Giulio Capiozzo Electric Bass, Acoustic Guitar, Mandola – Ares Tavolazzi Vocals, Organ [Organo Positivo Del Seicento] – Demetrio Stratos Drums [Gretsch] – Giulio Capiozzo Electric Bass, Acoustic Guitar, Mandola – Ares Tavolazzi Vocals, Organ [Organo Positivo Del Seicento] – Demetrio Stratos 3:18 B1 Ici On Dance! Drums [Gretsch] – Giulio Capiozzo Electric Bass – Ares Tavolazzi Synthesizer [Arp, Odyssey] – Patrizio Fariselli Vocals, Electric Piano – Demetrio Stratos Drums [Gretsch] – Giulio Capiozzo Electric Bass – Ares Tavolazzi Synthesizer [Arp, Odyssey] – Patrizio Fariselli Vocals, Electric Piano – Demetrio Stratos 3:27 B2 Acrostico In Memoria Di Laio Drums [Gretsch] – Giulio Capiozzo Electric Bass, Trombone, Mandola – Ares Tavolazzi Piano, Synthesizer [Arp, Polymoog, Odyssey, Omni] – Patrizio Fariselli Vocals, Organ [Hammond] – Demetrio Stratos Drums [Gretsch] – Giulio Capiozzo Electric Bass, Trombone, Mandola – Ares Tavolazzi Piano, Synthesizer [Arp, Polymoog, Odyssey, Omni] – Patrizio Fariselli Vocals, Organ [Hammond] – Demetrio Stratos 6:12 B3 "FFF" (Festa, Farina E Forca) Acoustic Bass – Ares Tavolazzi Drums [Gretsch] – Giulio Capiozzo Piano, Organ [Organo Positivo Del Seicento] – Patrizio Fariselli Acoustic Bass – Ares Tavolazzi Drums [Gretsch] – Giulio Capiozzo Piano, Organ [Organo Positivo Del Seicento] – Patrizio Fariselli 3:49 B4 Vodka Cola Chorus – Clito Drums [Gretsch] – Giulio Capiozzo Electric Bass, Contrabass, Trombone, Trumpet [Pocket-trumpet] – Ares Tavolazzi Piano, Synthesizer [Arp, Pro-Soloist, Odyssey, Omni] – Patrizio Fariselli Vocals, Electric Piano – Demetrio Stratos Chorus – Clito Drums [Gretsch] – Giulio Capiozzo Electric Bass, Contrabass, Trombone, Trumpet [Pocket-trumpet] – Ares Tavolazzi Piano, Synthesizer [Arp, Pro-Soloist, Odyssey, Omni] – Patrizio Fariselli Vocals, Electric Piano – Demetrio Stratos 7:27 Total Time: 39:47

Società, ecc.

• Copyright fonografico ℗ – CGD
• Studio di registrazione – Sciascia Sound Studios
• Mixato presso – Sciascia Sound Studios
• Incisione su acetato presso – Milano Recording Studios
• Realizzato da – CGD Compagnia Generale Del Disco S.p.a.
• Stampato presso – CGD Compagnia Generale Del Disco S.p.a.
• Inciso presso – CGD Pressing Plant
• Distribuito da – Messaggerie Musicali

Crediti

• Arranged By [Arrangiamenti], Producer [Produzione], Realization [Realizzazione], Lyrics By [Testi] – Area (6)
• Cover – Studio Lapis
• Engineer – Allan "Beep" Goldsberg*
• Lacquer Cut By – -PiVic-*
• Photography By – Cesare Monti
• Transferred By – Pino Vicari
• Written-By – Tavolazzi* (tracce: B3, B4), Stratos* (tracce: A1 to B1, B4), Capiozzo* (tracce: B3, B4), Fariselli* (tracce: A2, B2 to B4)

Note

Gatefold sleeve.

Registrato e missato nel mese di aprile del 1978 presso gli studi «Sciascia Sound», Rozzano.
[Recorded and mixed in April 1978 at the «Sciascia Sound» studios Rozzano.
Transfer effettuato negli studi della Milano Recording.
[Transfer made in the studios of Milano Recording.]

Made in Italy by CGD

Codice a barre e altri identificatori

• Matrice / Runout (Side A label): 81 ASC 20063-1L
• Matrice / Runout (Side B label): 81 ASC 20063-2L
• Matrice / Runout (Side A runout etch., exc. cgd stamp - variant 1): 81 ASCOLTO AREA 1L 20063 1L cgd 19. 4. 78 -PiVic-
• Matrice / Runout (Side B runout etch., exc. cgd stamp - variant 1): 81 ASCOLTO AREA 2L 20063·2L cgd 19. 4. 78 -PiVic-
• Matrice / Runout (Side A runout etch., exc. cgd stamp - variant 2): 81 ASCOLTO AREA 1L 20063 1L cgd 19. 4. 78 -PiVic-
• Matrice / Runout (Side B runout etch., exc. cgd stamp - variant 2): 81 ASCOLTO AREA 2L 20063 cgd 19. 4. 78 -PiVic-
• Matrice / Runout (Lacquer cutting date = 19 April 1978): 19. 4. 78
• ID dello stabilimento di incisione (Runouts, logo): cgd
• Società di gestione dei diritti: SIAE
• Società di gestione dei diritti (Stamp on A-side label, 2nd type red): SIAE

The record is located in Italy

My grading scale is :  M-, EX, VG+,VG, G

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

 

 

 

 

NM

 

95%

 

 

 

Ex

 

 

85%

 

 

VG

 

 

 

75%

 

G

 

 

 

 

50%

Check  out my Other itemsi! 

Dai una occhiata ai miei  altri oggetti!

Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.

I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.

Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.

 

Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro

Appropriate Feedback Is Left AFTER Yours Is Left.

Good luck!!!

Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

 

 

 

 

NM

 

95%

 

 

 

Ex

 

 

85%

 

 

VG

 

 

 

75%

 

G

 

 

 

 

50%

 

Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. 

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. 

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. 

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.