BEETHOVEN Complete Piano Sonatas ARTUR SCHNABEL 13LP Angel NM/NM 52 page booklet

$

50

Artur Schnabel, Ludwig van Beethoven ?– Beethoven the Complete Piano Sonatas on Thirteen Discs

Label:

Angel Records ?– GRM 4005 (COLH 51-63)

Format:

13 × Vinyl, 12", 33 ? RPM, Mono, Boxset 

Country:

US

Released:

1960

Genre:

Classical

Style:

Classical, Baroque

Tracklist

1a SONATA NO.1 IN F MINOR, Op. 2 No. 1, 1st Movement: Allegro

1b SONATA NO.1 IN F MINOR, Op. 2 No. 1, 2nd Movement: Adagio

1c SONATA NO.1 IN F MINOR, Op. 2 No. 1, 3rd Movement: Minuetto (Allegretto) & Trio

1d SONATA NO.1 IN F MINOR, Op. 2 No. 1, 4th Movement: Prestissimo

2a SONATA NO.2 IN A MAJOR, Op. 2 No. 2, 1st Movement: Allegro

2b SONATA NO.2 IN A MAJOR, Op. 2 No. 2, 2nd Movement: Largo Appassionato

2c SONATA NO.2 IN A MAJOR, Op. 2 No. 2, 3rd Movement: Scherzo (Allegreto) & Trio

2d SONATA NO.2 IN A MAJOR, Op. 2 No. 2, 4th Movement: Rondo (Grazioso)

3a SONATA NO.3 IN C MAJOR, Op. 2 No. 3, 1st Movement: Allegro con brio

3b SONATA NO.3 IN C MAJOR, Op. 2 No. 3, 2nd Movement: Adagio

3c SONATA NO.3 IN C MAJOR, Op. 2 No. 3, 3rd Movement: Scherzo (Allegro) & Trio

3d SONATA NO.3 IN C MAJOR, Op. 2 No. 3, 4th Movement: Allegro assai

4a SONATA NO. 4 IN E FLAT MAJOR, Op. 7, 1st Movement: Allegro molto e con brio

4b SONATA NO. 4 IN E FLAT MAJOR, Op. 7, 2nd Movement: Largo, con gran espressione

4c SONATA NO. 4 IN E FLAT MAJOR, Op. 7, 3rd Movement: Allegro

4d SONATA NO. 4 IN E FLAT MAJOR, Op. 7, 4th Movement: Rondo (Poco allegretto e grazioso)

5a SONATA NO. 5 IN C MINOR, Op. 10 No. 1, 1st Movement: Allegro molto e con brio

5b SONATA NO. 5 IN C MINOR, Op. 10 No. 1, 2nd Movement: Adagio molto

5c SONATA NO. 5 IN C MINOR, Op. 10 No. 1, 3rd Movement: Finale (Prestissimo)

5d SONATA NO. 6 IN F MAJOR, Op. 10 No. 2, 1st Movement: Allegro

5e SONATA NO. 6 IN F MAJOR, Op. 10 No. 2, 2nd Movement: Allegretto

5f SONATA NO. 6 IN F MAJOR, Op. 10 No. 2, 3rd Movement: Presto

6a SONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 1st Movement: Presto

6b SONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 2nd Movement: Largo e mesto

6c SONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 3rd Movement: Minuetto (Allegro) & Trio

6d SONATA NO. 7 IN D MAJOR, Op. 10 No. 3, 4th Movement: Rondo (Allegro)

7a SONATA NO. 8 IN C MINOR, Op. 13 ("PATHÉTIGUE"), 1st Movement: Grave - Allegro molto e con brio

7b SONATA NO. 8 IN C MINOR, Op. 13 ("PATHÉTIGUE"), 2nd Movement: Adagio cantabile

7c SONATA NO. 8 IN C MINOR, Op. 13 ("PATHÉTIGUE"), 3rd Movement: Rondo (Allegro)

7d SONATA NO. 9 IN E MAJOR, Op. 14. No. 1, 1st Movement: Allegro

8a SONATA NO. 9 IN E MAJOR, Op. 14. No. 1, 2nd Movement: Allegretto

8b SONATA NO. 9 IN E MAJOR, Op. 14. No. 1, 3rd Movement: Rondo (Allegro comodo)

8c SONATA NO.10 IN G MAJOR, Op. 14. No. 2, 1st Movement: Allegro

8d SONATA NO.10 IN G MAJOR, Op. 14. No. 2, 2nd Movement: Andante

8e SONATA NO.10 IN G MAJOR, Op. 14. No. 2, 3rd Movement: Scherzo (Allegro assai)

9a SONATA NO. 11 IN B FLAT MAJOR, Op. 22, 1st Movement: Allegro con brio

9b SONATA NO. 11 IN B FLAT MAJOR, Op. 22, 2nd Movement: Adagio con molta espressione

9c SONATA NO. 11 IN B FLAT MAJOR, Op. 22, 3rd Movement: Menuetto

9d SONATA NO. 11 IN B FLAT MAJOR, Op. 22, 4th Movement: Rondo (Allegretto)

10a SONATA NO. 12 IN A FLAT MAJOR, Op. 26, 1st Movement: Andante con Variazioni 1 to 5

10b SONATA NO. 12 IN A FLAT MAJOR, Op. 26, 2nd Movement: Scherzo (Allegro molto) & Trio

10c SONATA NO. 12 IN A FLAT MAJOR, Op. 26, 3rd Movement: Marcia Funebre (sulla morte d'un Eroe)

10d SONATA NO. 12 IN A FLAT MAJOR, Op. 26, 4th Movement: Allegro

11a SONATA NO. 13 IN E FLAT MAJOR, Op. 27 No. 1, 1st Movement: Andante - Allegro, 2nd Movement: Allegro molto e vivace, 3rd Movement: Adagio con espressione - Allegro vivace

11b SONATA NO. 14 IN C SHARP MINOR, Op. 27 No. 2, 1st Movement: Adagio sostenuto, 2nd Movement: Allegretto, 3rd Movement: Presto agitato

12a SONATA NO.15 IN D MAJOR, Op. 28, 1st Movement: Allegro

12b SONATA NO.15 IN D MAJOR, Op. 28, 2nd Movement: Andante

12c SONATA NO.15 IN D MAJOR, Op. 28, 3rd Movement: Scherzo (Allegro Vivace) & Trio

12d SONATA NO.15 IN D MAJOR, Op. 28, 4th Movement: Rondo (Allegro man non troppo)

13a SONATA NO.16 IN G MAJOR, Op. 31 No. 1, 1st Movement: Allegro vivace

13b SONATA NO.16 IN G MAJOR, Op. 31 No. 1, 2nd Movement: Adagio grazioso

13c SONATA NO.16 IN G MAJOR, Op. 31 No. 1, 3rd Movement: Rondo (Allegretto - Adagio - Presto)

14a SONATA NO. 17 IN D MINOR, Op. 31 No. 2, 1st Movement: Largo - Allegro

14b SONATA NO. 17 IN D MINOR, Op. 31 No. 2, 2nd Movement: Adagio

14c SONATA NO. 17 IN D MINOR, Op. 31 No. 2, 3rd Movement: Allegretto

15a SONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 1st Movement: Allegro

15b SONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 2nd Movement: Scherzo (Allegro vivace)

15c SONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 3rd Movement: Menuett (Moderato e grazioso)

15d SONATA NO. 18 IN E FLAT MAJOR, Op. 31 NO. 3, 4th Movement: Presto con fuoco

16a SONATA NO. 19 IN G MINOR, Op. 49 No. 1, 1st Movement: Andante

16b SONATA NO. 19 IN G MINOR, Op. 49 No. 1, 2nd Movement: Rondo (Allegro)

16c SONATA NO.20 IN G MAJOR, Op. 49 No. 2, 1st Movement: Allegro ma non troppo

16d SONATA NO.20 IN G MAJOR, Op. 49 No. 2, 2nd Movement: Tempo di Menuetto

17a SONATA NO.21 IN C MAJOR, Op. 53 ("WALDSTEIN"), 1st Movement: Allegro con brio

17b SONATA NO.21 IN C MAJOR, Op. 53 ("WALDSTEIN"), 2nd Movement: Introduzione (Adagio molto) - Rondo (Allegretto moderato - Prestissimo)

17c SONATA NO. 22 IN F MAJOR, Op. 54, 1st Movement: In tempo d'un menuetto

18a SONATA NO. 22 IN F MAJOR, Op. 54, 2nd Movement: Allegretto - Piú Allegro

18b SONATA NO. 23 IN F MINOR, Op. 57 ("APPASSIONATA"), 1st Movement: Allegro assai - Piú Allegro

18c SONATA NO. 23 IN F MINOR, Op. 57 ("APPASSIONATA"), 2nd Movement: Andante con moto, 3rd Movement: Allegro ma non troppo - Presto

19a SONATA NO. 24 IN F SHARP MAJOR, Op. 78, 1st Movement: Adagio cantabile - Allegro ma non troppo

19b SONATA NO. 24 IN F SHARP MAJOR, Op. 78, 2nd Movement: Allegro vivace

19c SONATA NO. 25 IN G MAJOR, Op. 79, 1st Movement: Presto alla tedesca

19d SONATA NO. 25 IN G MAJOR, Op. 79, 2nd Movement: Andante

19e SONATA NO. 25 IN G MAJOR, Op. 79, 3rd Movement: Vivace

20a SONATA NO. 26 IN E FLAT MAJOR, Op. 81a ("LES ADIEUX"), 1st Movement (Les Adieux): Adagio - Allegro

20b SONATA NO. 26 IN E FLAT MAJOR, Op. 81a ("LES ADIEUX"), 2nd Movement (L'Absence): Andante espressivo, 3rd Movement (Le Retour): Vivicissimamente

20c SONATA NO. 27 IN E MINOR, Op. 90, 1st Movement: Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

20d SONATA NO. 27 IN E MINOR, Op. 90, 2nd Movement: Nicht zu geschwind und sehr singbar vorgetragen

21a SONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 1st Movement: Allegro

21b SONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 2nd Movement: Scherzo (Assai vivace - Presto)

22c SONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 3rd Movement: Adagio sostenuto

22d SONATA NO. 29 IN B FLAT MAJOR, Op. 106 ("HAMMERKLAVIER"), 4th Movement: Largo - Allegro risoluto

23a SONATA NO. 28 IN A MAJOR, Op. 101, 1st Movement: Allegretto, ma non troppo

23b SONATA NO. 28 IN A MAJOR, Op. 101, 2nd Movement: Vivace alla Marcia

23c SONATA NO. 28 IN A MAJOR, Op. 101, 3rd Movement: Adagio, ma non troppo, con affetto - Allegro

24a SONATA NO. 30 IN E MAJOR, Op. 109, 1st Movement: Vivace ma non troppo - Adagio espressivo, 2nd Movement: Prestissimo

24b SONATA NO. 30 IN E MAJOR, Op. 109, 3rd Movement: Tema - Andante molto cantabile ed espressivo - Vars. 1 to 6

25a SONATA NO. 31 IN A FLAT MAJOR, Op. 110, 1st Movement: Moderato cantabile molto espressivo

25b SONATA NO. 31 IN A FLAT MAJOR, Op. 110, 2nd Movement: Allegro molto, 3rd Movement: Adagio ma non troppo, 4th Movement: Fuga - Allegro ma non troppo

26a SONATA NO. 32 IN C MINOR, Op. 111, 1st Movement: Maestoso - Allegro con brio appassionato

26b SONATA NO. 32 IN C MINOR, Op. 111, 2nd Movement: Arietta (con variazioni) - Adagio molto, semplice e cantabile Vars. 1 to 5

Credits

Composed By – Ludwig van Beethoven

Directed By – Artur Schnabel

Notes

Recorded in England, Manufactured in U.S.A.

Barcode and Other Identifiers

Matrix / Runout: 2XEA-X-10095

Matrix / Runout: 2XEA-X-10096

Matrix / Runout: 2XEA-X-10097

Matrix / Runout: 2XEA-X-10098

Matrix / Runout: 2XEA-X-10099

Matrix / Runout: 2XEA-X-10100

Matrix / Runout: 2XEA-X-10101

Matrix / Runout: 2XEA-X-10102

Matrix / Runout: 2XEA-X-10103

Matrix / Runout: 2XEA-X-10104

Matrix / Runout: 2XEA-X-10105

Matrix / Runout: 2XEA-X-10106

Matrix / Runout: 2XEA-X-10107

Matrix / Runout: 2XEA-X-10108

Matrix / Runout: 2XEA-X-10109

Matrix / Runout: 2XEA-X-10110

Matrix / Runout: 2XEA-X-10111

Matrix / Runout: 2XEA-X-10112

Matrix / Runout: 2XEA-X-10113

Matrix / Runout: 2XEA-X-10114

Matrix / Runout: 2XEA-X-10117

Matrix / Runout: 2XEA-X-10118

Matrix / Runout: 2XEA-X-10115

Matrix / Runout: 2XEA-X-10116

Matrix / Runout: 2XEA-X-10119

Matrix / Runout: 2XEA-X-10120

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.