BOB DYLAN 2LP “Blonde on Blonde” CBS 66012 orig ’66 UK w/ STICKER NICE
$
40
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Description
Artist: BOB DYLAN
Title: “Blonde on Blonde"
Label: CBS. Made in England. Stereo pressing on medium weight vinyl. Label is orange with black text. Catalog number is DDP 66012.
Matrix Numbers:
Record One:
Side 1: 66012 A3
Side 2: 66012 B2
Record Two:
Side 3: 66012 C3
Side 4: 66012 D2
Condition:
DISC: Vinyl retains 100% of original gloss, has been played a small number of times and handled with care.
RECORD 1 Side 1 - has a light broad scuff across three tracks, plays enjoyably despite a few soft tics but no skips, no serious distractions.
RECORD 1 Side 2 – NEAR MINT with no marks or evidence of play except the slightest of spindle trail marks to indicate one or two playings.
RECORD 2: NEAR MINT both sides, with no marks or evidence of play except the slightest of spindle trail marks to indicate one or two playings.
A very fine playing copy.
JACKET: Gatefold jacket is EXCELLENT. Outer panels are clean and glossy, with a few traces of ring wear and sticker residue on front. Front also has rare sticker with song titles. Inner panels are clean. Light wear on seams, spine and corners. Overall a gorgeous jacket.
INCLUDES the two original inner CBS RECORDS (UK) plugging then-current Tony Bennett albums, in excellent condition.
Review:
“If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.”
(review courtesy of Stephen Thomas Erlewine, allmusic.com)
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