BRITELL, Nicholas - Moonlight (Soundtrack) - Vinyl (180 gram coloured vinyl LP)
£
26
$
34
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
Free delivery on many items. Same-day despatch, no-question returns. Authorised dealers - full technical support. Online since 1997.
- Home
- About
- Contact
- Payment
- Delivery
- Returns
- Help
- Shop home
- Music
- Records
- CDs
- Storage & media accessories
- Sound & vision
- Performance & DJ equipment
- Headphones
- Musical instruments
- Pro audio equipment
- Accessories/ equipment
- DVDs, films & TV
- About
- Contact
- Payment
- Delivery
- Returns
- Help
Nicholas BRITELL
Moonlight (Soundtrack)(180 gram coloured vinyl LP)
Invada
Cat: INV 187LP. Rel: 26 Jun 17
Soundtracks
Side 1 - Track 1. Boris Gardiner - Every N****r Is A Star Side 1 - Track 2. Little's Theme Side 1 - Track 3. Ride Home Side 1 - Track 4. Wolfgang Amadeus Mozart - Vesperae Solennes De Confessore - Laudate Dominum, K 339 Side 1 - Track 5. The Middle Of The World Side 1 - Track 6. The Spot Side 1 - Track 7. Interlude Side 1 - Track 8. Chiron's Theme Side 1 - Track 9. Metrorail Closing Side 1 - Track 10. Chiron's Theme Chopped & Screwed (Knock Down Stay Down) Side 1 - Track 11. You Don't Even Know Side 1 - Track 12. Don't Look At Me Side 2 - Track 1. Goodie Mob - Cell Therapy Side 2 - Track 2. Atlanta Ain't But So Big Side 2 - Track 3. Sweet Dreams Side 2 - Track 4. Chef's Special Side 2 - Track 5. Barbara Lewis - Hello Stranger Side 2 - Track 6. Black's Theme Side 2 - Track 7. Who Is You? Side 2 - Track 8. End Credits Suite Side 2 - Track 9. The Culmination (bonus track)
Nicholas Britell's 2016 soundtrack to Oscar-winning movie Moonlight has been universally praised for its eccentric and surprisingly experimental approach. Britell, best known for composing neo-classical works, delivered a score inspired by the "chopped and screwed" production style that has been a feature of the experimental hip-hop scene for the last few years. Yet he wasn't slowing down and tampering with R&B vocal samples, but rather his own chamber music compositions (think violins, violas and cellos). It's a curious formula that makes for breathlessly exciting listening throughout, and a movie soundtrack that pleasingly eschews familiar themic staples in favour of something a little more daring and avant-garde.
price rating