BRUNO NICOLAI Italian giallo OST TUTTI I COLORI DEL BUIO rare GEMELLI 1971 NM

$

165

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TUTTI I COLORI DEL BUIO

directed by SERGIO MARTINO,   Italy 1972

Jane (Fenech) is plagued with nightmares and can’t seem to shake herself of some rather unpleasant thoughts. To make matters even worse, she feels as though something from her past is coming to get her although she can’t a place a finger on it. Her fiancee Richard (George Hilton) seems to think the nightmares will pass and that vitamins are all she really needs. Although he’s a busy man, he remains supportive of Jane and even objects to her sister’s (Susan Scott)  insistence that Jane visit a psychiatrist. Jane, on the other hand, doesn’t feel the vitamins are working and visits the psychiatrist. Although the well-meaning psychiatrist tries to help Jane with her issues, Jane’s nightmare seems to materialize before her very eyes and there doesn’t seem to be any answer or reason to his seemingly endless pursuit. The blue-eyed maniac (Ivan Rassimov) from her dreams follows Jane around with a knife or anything that could be construed as a weapon and our dear woman spends a great deal of time running from this creep with nowhere to turn.  Realizing that her life is taking a turn for the worst, she confides in a neighbour who seems to think that black magic may ward off the maniac. Jane proceeds to attend a black mass in hopes of that they can ward off the maniac. One small problem: the devil worshiping clan promises Jane complete freedom yet they are murderers themselves and our blue eyed fiend is one of them. Even more terrifying, Jane can’t seem to differentiate between dreams and reality anymore although she obviously knows the cult does exist as they marked her with a tattoo. Not knowing who she can trust or turn to now, Jane contacts the psychiatrist one last time, but even he may be too late. Or could he be involved in the whole deal?

While certainly comparisons to Roman Polanksi’s Rosemary’s Baby have been made and even acknowledged by members of the cast/crew, All The Colors of The Dark still remains a fresh and inventive giallo that can stand on its own. In fact, the similarities between the two films end with the occult theme as both films are completely different in plot structure, pacing, etc. Sergio Martino gives a sly nod to the devil worshipers from Polanksi’s well known film, but doesn’t really steal a page from it per se. When it’s all said and done, Martino’s moody and stylish thriller is still very much a giallo in the same vein as early Argento or Bava without the use of black gloves..

BRUNO NICOLAI’s TENSION AND SUSPENCE SCORE for this 1972  inventive Italian GIALLO/HORROR by SERGIO MARTINO 

BRUNO NICOLAI

Music composed and directed by BRUNO NICOLAI

°EDDA DELL’ORSO (voc) + I CANTORI MODERNI DI ALESSANDRONI (choir), ALESSANDRO ALESSANDRONI (sitar)

OST "TUTTI I COLORI DEL BUIO"

Original Soundtrack composed and conducted by BRUNO NICOLAI for the horror, mistery, giallo movie, directed by SERGIO MARTINO (Italy-1972), starring Edwige Fenech, George Hilton, Susan Scott, Ivan Rassimov, Marina Malfatti.

°MAGICO INCONTRO (Nicolai)

Edda Dell’Orso (vocal)

MEDIUM (Nicolai)

INSIDIA (Nicolai)

SUGGESTIONE (Nicolai)

EVOCAZIONE (Nicolai)

Alessandro Alessandroni (sitar)

ESORCISMO (Nicolai)

OPPRESSIONE (Nicolai)

IPNOSI (Nicolai)

INVASAMENTO (Nicolai)

INCANTESIMO (Nicolai)

PROPIZIAZIONE (Nicolai)

IMMATERIALE (Nicolai)

ESPIAZIONE (Nicolai)

LP Gemelli GG-ST 10.014 (ITA)

Rome, 1972

Jacket :    EX+  

Front laminated, glossy, strong cardboard jacket in NM condition, with NO wear along seams and spine, sharp corners without wear and NO ring wear on back side. “GEMELLI” promo sticker on front top right corner.

Overall a very smooth surface, with no spots, no cuts, no tears, no discoloration. Please, look at my cover scan.

Vinyl :   NM 

Under a strong light the shiny vinyl is NM, probably played a couple of times only, without any rub or visual defect, just as new.

Catalogue/Label :

LP GEMELLI GG-ST 10.014 stereomono, original Italian pressing. Yellow labels with dark grey lettering are in NM condition and show no sign around the spindle hole. Please, look at my label scans.  

GRADING CODE

Grading is VISUAL, under a bright light. 

        NM  (Near Mint): Record has been opened, and probably played, but is in impeccable condition. I do not use "mint".

EX   (Excellent): Has signs of use or storage, but still considered top collection quality. Jackets may display some very light wear; vinyl may have a few light sleeve marks only visible in the highest light. Sound will full and clear, with little if any noise (NOTE, some records are just pressed poorly).

VG+ (Very Good Plus): Still a great copy but has a bit more wear. Vinyl may have some light scuffs or scratches, but nothing deep. Jacket may have some ringwear or seamwear. Sound should be great, with minimal if any noise.

VG  Very Good): A great play copy but clearly used. Vinyl will display many hairline scuffs or scratches, but will play with a tolerable amount of noise. Jacket may have splits and wear but will not be falling apart.

VG-(Very Good Minus): A used or worn copy, that has not been taken good care of. Vinyl will have many scuffs or scratches, but play through enjoyably despite audible background noise. Covers will have tears, splits, writing, or other issues. 

 G  Fair, Poor: A very rough copy. Will play through without skipping unless otherwise noted, although records of this grade are sold AS-IS. 

DISCOMANE will guarantee an absolute conservative record grading

Bid with confidence !

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SHIPPING from Italy

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