Black Sabbath - Paranoid 1st Press Vertigo Swirl LP 6360 011 UK 1970 Rock Metal
£
82
$
109
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Description
BobTheMusicMan – Vinyl, Music & Other Media auctions
Discogs information:
Black Sabbath ?– Paranoid
Label: Vertigo ?– 6360 011 Format: Vinyl, LP, Album, Gatefold, Without Management CreditsCountry: UK Released: 1970 Genre: Rock Style: Hard Rock, Heavy Metal
Tracklist
A1 War Pigs 7:58 A2 Paranoid 2:53 A3 Planet Caravan 4:35 A4 Iron Man 5:57 B1 Electric Funeral 4:53 B2 Hand Of Doom 7:08 B3 Rat Salad 2:31 B4 Fairies Wear Boots 6:14Companies, etc.
- Recorded At – Regent Sound Studios
- Recorded At – Island Studios
- Produced For – Tony Hall Enterprises
- Published By – Essex Music International Ltd.
- Phonographic Copyright (p) – Vertigo
- Lacquer Cut At – Phonodisc Ltd.
Credits
- Bass – Terry "Geezer" Butler*
- Composed By – Ward*, Butler*, Osbourne*, Iommi*
- Design, Photography By – Keef (4)
- Drums – Bill Ward
- Engineer – Brian Humphries, Tony Allom*
- Lead Guitar – Tony Iommi
- Producer – Rodger Bain
- Vocals – Ozzy Osbourne
Notes
Vertigo ''large swirl'' label - with the wording ''Vertigo'' credited below the spindle hole on label side B.Matt gatefold sleeve - WITHOUT the credits mentioning ''Management / Jim Simpson, Big Bear, Birmingham''
Cat# - 6360 011 appears on B-side label, spine and rear of sleeve above VO PRICE CODE.
Recorded at Regent Sound and Island Studios.
All compositions published by Essex Music Int. Ltd.
?1970
Note:
There is no break in between the tracks "Hand of Doom" and "Rat Salad" - i.e. looks as though there are only three tracks on the B side of the record when there are actually four.
"Produced by Roger Bain for Tony Hall Enterprises" written in 1 line on label. There are other versions where it's written in 2 lines.
Barcode and Other Identifiers
- Matrix / Runout (Variant 1 - A-side runout stamped): 6360011 1Y//1?420 19 14
- Matrix / Runout (Variant 1 - B-side runout stamped): 6360011 2Y//1?420 11 20
- Matrix / Runout (Variant 2 - A-side runout stamped): 6360011 1Y//?420 12 7
- Matrix / Runout (Variant 2 - B-side runout stamped): 6360011 2Y//?420 12 19
- Matrix / Runout (Variant 3 - A-side runout stamped): 6360011 1Y//2?420 11 5
- Matrix / Runout (Variant 3 - B-side runout stamped): 6360011 2Y//1?420 11 26
- Matrix / Runout (B-side label): 6360 011 2
- Price Code (Rear of sleeve boxed below Cat.No): VO PRICE CODE
Our grading in condition section above.
Records graded to Record Collector guidelines.
Mint (M)
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P)
The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)
The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES
As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
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