CARDINAL Cardinal LP FLYDADDY 1994 US orig FLY004 Richard Davies-Eric Matthews
  £   35
  $   46

 


£ 35 Sold For
Jul 31, 2017 Sold Date
Jul 21, 2017 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

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CARDINAL

Originally a one-off project from singer/songwriters Richard Davies and Eric Matthews, 

Cardinal came together in 1994 following ex-Moles frontman Davies' relocation from 

his native Australia to the U.S.; he wrote and sang all but one of the songs that comprised 

Cardinal's self-titled debut, while Matthews arranged the compositions, layering them 

with ornate strings, horns, and pianos inspired by the lush, baroque sounds of late-'60s pop. 

While Cardinal was released to great acclaim, internal strife quickly split the duo apart, 

and both Davies and Matthews embarked on solo careers

"CARDINAL"

1994     LP     FLYDADDY RECORDS     FLY 004      

PRINTED IN U.S.A.      ORIGINAL  FIRST PRESSING

SINGLE SLEEVE

HEAVY DUTY CARDBOARD COVER

Barcode and Other Identifiers

Barcode: UPC on poly bag sticker 7 87331-004-1 0

LABEL: FLYDADDY - BLUE LABEL (Side A, without label Side B) - YELLOW & WHITE TEXT (Side A only)

Catalog on cover: (spine) FLY004

Catalog on labels: none

Matrix / Runout (Side A, Etched & Stamped): FLY-004-A   GOLDEN  36170(2)??—

   Matrix / Runout (Side B, Etched & Stamped): FLY-004-B   GOLDEN  36171(2)???—

On label (Side A only): Artist+Tracklist+Credits

Produced by Cardinal, Thee Slayer Hippy, and Tony Lash.

Recorded March 1994 at Sound Impressions, Milwaukie, Ore.

Mixed April 1994......Portland, Ore....

On Back Cover: none but Flydaddy logo

tracklisting

Side A: IF YOU BELIEVE IN CHRISTMAS TREES - LAST POEMS

BIG MINK - YOU'VE LOST ME THERE - PUBLIC MELODY #1

Side B: DREAM FIGURE - TOUGH GUY TACTICS - ANGEL DARLING

SINGING TO THE SUNSHINE - SILVER MACHINES

   grading

RECORD NEAR MINT but (please, read above description)

 SLEEVE EX but (please, see pictures and read above description)

The sole album from the Richard Davies/Eric Matthews pairing achieved something close to legend 

status in a few short years, at least among those taken by the fusion of guitar pop with orchestrations. 

Although the combination isn't that groundbreaking to begin with, everyone from 

the Left Banke to Burt Bacharach had already tried something similar 30 years previous, for a start, 

Cardinal is still definitely enjoyable while not, in fact, being greater than the sum of its parts. 

While Matthews is a brilliant arranger, playing everything from harpsichord to trumpet and marimba,

it's Davies' songs that carry the day, which a cursory review of Matthews' solo work 

versus Davies' makes clear. Regardless, together the two did achieve unexpectedly sharp heights. 

The recruited backing band, including, of all people, drummer/co-producer Thee Slayer Hippy 

from Portland punk legends Poison Idea, keeps everything moving well enough, while 

the two chief figures happily eschew the prevailing grunge fallout of 1994 for something 

else entirely. Davies' quietly impassioned, slightly dry singing avoids both whispery vagueness 

and trying to sweat too much, perfectly matched by Matthews' fun, killer interpretations...(AllMusic)




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