CLEMENS KRAUSS Wiener Symphoniker HAYDN Symph No 31 D Maj HORNSIGNAL SUPRAPHON

$

109

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A series of great  classical orchestral and instrumental performances by major conductors, composers and instrumentalists.

The great German Conductor and collaborator of Richard Strauss, Clemens Krauss, here in a Czech Supraphon recording, probably recorded on tour in Prague

CLEMENS KRAUSS Wiener Symphoniker HAYDN Symph No 31 D Maj HORNSIGNAL SUPRAPHON
With the Hornsignal"-"Auf dem Anstand"

Joseph Haydn's Symphony No. 31 in D major, Hoboken I/31, was composed in 1765 for Haydn's patron Nikolaus Esterházy. It is nicknamed the "Hornsignal" symphony, because it gives a prominent role to an unusually large horn section, i.e. four players. Probably because of its prominent obbligato writing for the horns, in Paris, the publisher Sieber published this symphony as a "symphonie concertante" around 1785

3x12"  78 rpm records in generic album

EXCELLENT rare scuffs, plays E+ EXCEPTIONALLY quiet rare ticks

ALBUM GREAT small splits to sleeves A GREAT COPY

Clemens Heinrich Krauss (March 31, 1893 – May 16, 1954) was a Austrian conductor and opera intendant, particularly associated with the music of Richard Strauss.

Biography
Krauss was born in Vienna, Austria to Clementine Krauss, out of wedlock, taking her name. His mother was a leading actress and singer, and is related to nineteenth-century soprano, Gabrielle Krauss (1842-1904). His father was a figure in the Austrian Imperial Court.

As a boy, Krauss was a chorister in the Hofkapelle (Imperial Choir). He attended the Vienna Conservatory, graduating in 1912. He studied composition with Hermann Grädener and theory with Richard Heuberger. After graduation he was chorus master in the Brno Theater (1912-1913). There he made his conducting debut in 1913. The great Romanian soprano Viorica Ursuleac, with whom he often performed, was his wife.

[edit] Career
Krauss made the rounds of regional centers, conducting in Riga (1913-1914), Nürnberg (1915), and Sczeczin (1916-1921). The latter appointment gave him ample opportunity to travel to Berlin to hear Arthur Nikisch conduct the Berlin Philharmonic, a major influence. Krauss's next post was back in Austria, where he became director of the opera and symphony concerts in Graz. In 1922 he joined the conducting staff of the Vienna State Opera and teacher of the conducting class at the State Academy of Germany. In 1923 he became conductor of the Vienna Tonkünstler Concerts until 1927, and Intendant of the opera in Frankfurt am Main and director of the Museum Concerts in 1924, until 1929.

Krauss visited the United States in 1929, conducting in Philadelphia and with the New York Philharmonic. Also in 1929 he became director of the Vienna State Opera. Its orchestra, in its independent concert form as the Vienna Philharmonic, appointed him its music director in 1930. He was a regular conductor at the Salzburg Festival from 1926 to 1934. In 1930 he conducted Alban Berg's Wozzeck.

In 1933 and 1934 Kraussgave up his Vienna positions, becoming director of the Berlin State Opera in 1935 after Erich Kleiber resigned in protest over Nazi rule. In 1933 he took over the preparations for the premieres of Strauss' Arabella when the conductor Fritz Busch (another non-Jewish anti-Nazi) left. In 1937 he was appointed Intendant of the Nationaltheater München, following the resignation there of Hans Knappertsbusch. He became a close friend of Richard Strauss, for whom he wrote the libretto to the opera Capriccio which he premiered in Munich in 1942. Also, he conducted the premieres of Strauss's operas Friedenstag and Die Liebe der Danae.

After the Munich opera house was bombed, shutting it down, Krauss returned to conduct the Vienna Philharmonic until it closed shortly before the end of the War (1944-1945). After the War, Allied officials investigated his pro-Nazi activities and because of them forbade him from appearing in public until 1947. They also found that he had frequently acted to assist a number of individual Jews escape the Third Reich machine. When his ban was lifted he resumed frequently conducting the Vienna Philharmonic, including its famous New Year's Day concerts.

Following Krauss's rehabilitation he conducted at Covent Garden in London from 1951 and the Bayreuth Festival in 1953 . He died during a visit to Mexico City, and is now buried along with his wife, who died in 1985, in Ehrwald, Austria.

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