Clipping. CLPPNG 2xLP vinyl record sealed death grips run the jewels
  $   19

 


$ 19 Sold For
Mar 9, 2018 Sold Date
Mar 22, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description


Album Features UPC: 098787107111 Artist: Clipping Format: Vinyl Release Year: 2014 Record Label: Sub Pop (USA) Genre: Alt Rap, R&B, Underground Number Of Discs: 2
Track Listing DISC 1: 1. Intro 2. Body & Blood 3. Work Work - (featuring Cocc Pistol Cree) 4. Summertime - (featuring King T) 5. Taking Off 6. Tonight - (featuring Gangsta Boo) 7. Dream
DISC 2: 1. Get Up - (featuring Mariel Jacoda) 2. Or Die - (featuring Guce) 3. Inside Out 4. Story 2 5. Dominoes 6. Ends 7. Williams Mix - (featuring Tom Erbe) 8. Run Out
Details Contributing Artists: King T, Tom Erbe, Gangsta Boo, Guce, Cocc Pistol Cree, Mariel Jacoda Distributor: ADA Recording Type: Studio SPAR Code: n/a
Album Notes Innovations in hip-hop have a long history of tending toward abrasive sounds, from the call-to-arms sirens of Bomb Squad's production on early Public Enemy albums to the pseudo-industrial squall of Kanye West's controversially caustic Yeezus album. L.A. trio clipping takes this fondness for harsh sounds to the next level with CLPPNG, a strange hybrid of noise frequencies, brutally dark beats, and MC Daveed Diggs' unhinged, often ugly lyrical flow. The group began as a recording project between producers Jonathan Snipes and William Hutson, reworking commercial hip-hop songs by laying a cappella vocal tracks over new beats of their own creation made up of punishing power electronics and other gruesome noise tones -- an unexpected juxtaposition, and one that runs through a wide range of lawless sounds on the 14 sinister tracks that make up CLPPNG. A minute-long introduction track sounds like little more than Diggs rapping over a beatless din of Merzbow-like feedback, which runs immediately into the horror-rap lyrics and distorted bass monotony of "Body & Blood." Ex-Three 6 Mafia member Gangsta Boo shows up for a cameo verse on "Tonight," a minimal, electro-tinged beat serving as a backdrop for Diggs' portrait of last-call desperation. ~ Fred Thomas
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