DAVY GRAHAM Folk Blues And All Points In Between LP SEE FOR MILES 1985 UK orig
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Description
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DAVEY GRAHAM
Davy Graham was one of the most eclectic guitarists of the 1960s, and his mixture of folk, blues, jazz,
Middle Eastern sounds, and Indian ragas was an important catalyst of the British folk scene.
Like Sandy Bull and John Fahey -- two folk-based guitarists with a similar taste
for genre-bending experimentation -- Graham could not be said to be a rock musician.
But like Bull and Fahey, he shared the eagerness of the '60s psychedelic rockers to stretch out
and incorporate unpredictable influences into his music
"FOLK BLUE AND ALL POINTS IN BETWEEN"
1985 LP SEE FOR MILES RECORDS STEREO SEE 48
MADE IN ENGLAND ORIGINAL PRESSING COMPILATION
SINGLE SLEEVE
Barcode and Other Identifiers
Barcode: none
LABEL: SEE FOR MILES - BLACK LABEL + WHITE LOGO DESIGN on TOP - WHITE TEXT
Catalog on cover: SEE 48
Catalog on labels: SEE 48 (SEE 48/A) - SEE 48 (SEE 48/B)
Matrix / Runout (Side A, Etched): SEE-48-A-1 MPO
Matrix / Runout (Side B, Etched): SEE-48-B-1 MPO
On labels: rim text reads 'All rights.......prohibited'
This compilation ? 1985 See for Miles Records Ltd
© 1985 See for Miles Records Ltd
A Colin Miles compilation
On Back Sleeve: All tracks produced by Ray Horricks
Notes by: Spencer Leigh - BBC Radio Merseyside Presenter
Recordings courtesy of the Decca Record Co Ltd
This compilation ? 1985 See For Miles Records Ltd
tracklisting
Side A: LEAVING BLUES - COCAINE - ROCK ME BABY - MOANIN'
SKILLET - AIN'T NOBODY'S BUSINESS IF I DO - MAAJUN 8A TASTE OF TANGIER)
I CAN'T KEEP FROM CRYING SOMETIMES - GOIN' DOWN SLOW - BETTER GIT IN YOUR SOUL
Side B: FREIGHT TRAIN BLUES - BOTH SIDES NOW - BAD BOY BLUES
I'M READY - HOOCHIE COOCHIE MAN - BLUE RAGA
grading
RECORD EX but (please, read above description)
SLEEVE NEAR EX but (please, see pictures and read above description)
Side one includes ten songs from his 1964 album Folk, Blues & Beyond; Side two features seven tracks from three of his late-'60s LPs. The 1964 record was probably his most accomplished, as Graham handled blues, jazz, and Northern African music with aplomb. His other '60s recordings were more erratic, but the highlights gathered here matched his mid-'60s work, peaking with the original "No Preacher Blues," his folk-jazz cover of Joni Mitchell's "Both Sides Now," and the Indian-influenced "Blue Raga."...(AllMusic)
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