Come visit TRACKS IN WAX when in Phoenix, Arizona

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1. JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia
2. JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning.
3. GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?"
4. OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc.
5. WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time.
6. WILDWOOD FLOWER (1:56) instrumental on the well known Carter song.
7. OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band.

1. LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording.
2. YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses.
3. XMAS ISLAND (3:18) a twelve-bar written by Fariña.
4. STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green."
5. RIDDLE SONG (1:10) traditional, with new answers to fit the old questions.
6. COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960.
7. LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.

Dylan fans should be advised that Bob's contributions are minimal, and his presence on the record really cannot be felt in any significant way. He supplied back-up vocals and/or harmonica on four tracks: "Glory, Glory," "Overseas Stomp," "Xmas Island," and "Cocaine."

this article was found at
The Richard and Mimi Farina website

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BLIND BOY GRUNT

Come visit TRACKS IN WAX when in Phoenix, Arizona

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TRACKS IN WAX