DOYLE DYKES "Doyle" LP, Partial Shrink NM/NM (Guitar: Chet Atkins, Merle Travis)
$
25
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Description
Condition: See YOU TUBE for examples of his playing.
Artist Biography by Steve Huey
Hee Haw Influenced primarily by Chet Atkins and Merle Travis, as well as bluegrass-style banjo, guitarist Doyle Dykes began performing around Florida with his gospel-group family when he was only a teenager; he was soon touring with the Crusaders and J.D. Sumner's Stamps. Dykes temporarily quit music to return home to Jacksonville, marry his high school sweetheart, and pursue what he felt were legitimate, non-musical jobs. Unhappy, he returned to the guitar and, through a friend in Nashville, secured a job in the backing band of country singer and Hee Haw star Grandpa Jones. However, after three years, he quit music again to become a pastor, although he made use of his musical skills by arranging traditional hymns for solo guitar. But Dykes simply was not happy without making music his vocation, and he made a second return as a solo instrumentalist. He recorded two albums of spiritual music for Step One, titled Fingerstyle Guitar (1996) and H.E.A.T. (1997), respectively, and then scored a deal with Windham Hill, for whom he debuted with 1998's Gitarre 2000.
Doyle Dykes ?– Doyle
Label: Doyle Productions ?– DP 1077 Format: Vinyl, LP, Album, StereoCountry: US Released: Genre: Folk, World, & Country Style: Gospel
Tracklist
A1 Heaven Bound Train 2:49 A2 Patriotic Medley 3:09 A3 Like A Mighty Army 2:11 A4 Zaccheus Coming Down 1:54 A5 He - There's Something About That Name 3:00 B1 There's A Man In Here 2:16 B2 It'd Be Alright If He Would Come Today 2:18 B3 God Gave The Promise 3:24 B4 I'm So Glad I Met Jesus 2:39 B5 The Power From The Cross Still Reigns Today 3:28See our other EBAY auctions by using search by seller and using “record collector michigan”
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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