FLEETWOOD MAC SHOW-BIZ BLUES 1968-1970 VOLUME 2 DOUBLE VINYL LP

	£		35
	$		46

Show-Biz Blues: Fleetwood Mac 1968 to 1970 Double Vinyl gatefold LP This double vinyl album is in mint condition, only played once or twice. The sleeve and insert is also in excellent condition.
Show-Biz Blues: Fleetwood Mac 1968 to 1970 is an album by British blues rock band Fleetwood Mac, released in 2001. It was a compilation of outtakes and unreleased tracks from the band's early line-up, none of which had previously seen the light of day officially. It comes with a booklet of extensive notes and anecdotes, and was the companion release to The Vaudeville Years of Fleetwood Mac 1968-1970.
Album Features UPC: 060768114425 Artist: Fleetwood Mac Format: LP Release Year: 2001 Record Label: Receiver Records (UK) Genre: Blues, British Blues Number Of Discs: 2
Track Listing
LP 1:
LP 1: PREVIOUSLY UNISSUED:
1. Intro / Lazy Poker Blues
2. If You Want to Be Happy
3. Outrage
4. The Sun Is Shining
5. Jeremy's Contribution to Doo Wop
5. Don't Be Cruel
6. Everyday I Have the Blues - (take 2)
6. I'm So Lonely and Blue
7. Death Bells
7. How Blue Can You Get?
8. (Watch Out For Yourself) Mr. Jones
8. My Baby's Sweeter
9. Man of Action
10. Do You Give a Damn For Me
10. Buzz Me Baby
11. Man of the World
11. Mind of My Own
12. Like It This Way
12. I Have to Laugh
13. Blues in B Flat Minor
14. Someone's Gonna Get Their Head Kicked in Tonight
15. Him and Me
16. Showbiz Blues
16. Show Biz Blues
17. Fast Talking Woman Blues
18. World in Harmony
19. Leaving Town Blues

LP 2:

LP 2: PREVIOUSLY UNISSUED LIVE:
1. Underway
2. Jumpin' at Shadows
3. Rattlesnake Shake / Underway
4. Stranger Blues
5. Oh Well
5. World in Harmony
6. Love It Seems
6. Tiger
7. Mighty Cold
8. Coming Your Way
9. Tell Me From the Start
10. October Jam Part 1
10. Twist and Shout
11. October Jam Part 2
12. The (With the Two Pronged Crown) Green Manalishi
14. Farewell

Details Playing Time: 134 min. Producer: Peter Moody (Compilation) Distributor: (Independently by Label) Recording Type: Mixed Recording Mode: Stereo SPAR Code: n/a
Album Notes
Includes a 56-page booklet.Fleetwood Mac: Jeremy Spencer (vocals, guitar, piano); Peter Green, Danny Kirwan (vocals, guitar); John McVie (bass); Mick Fleetwood (drums).Recorded in London, England between 1968 & 1970. Includes liner notes by Martin Clemins.All tracks have been digitally remastered.Includes a 52-page booklet with essay by Martin Clemins.Fleetwood Mac: Jeremy Spencer (vocals, guitar, piano); Peter Green (vocals, guitar, 6-string bass); Danny Kirwan (vocals, guitar); John McVie (guitar, bass); Mick Fleetwood (drums).Live tracks recorded in Boston, Massachusetts and London, England in 1970.All tracks have been digitally remastered.Includes a 52-page booklet with essay by Martin Clemins.Fleetwood Mac: Jeremy Spencer (vocals, guitar, piano); Peter Green (vocals, guitar, 6-string bass); Danny Kirwan (vocals, guitar); John McVie (guitar, bass); Mick Fleetwood (drums).Live tracks recorded in Boston, Massachusetts and London, England in 1970.All tracks have been digitally remastered.If you think the laid-back L.A. pop of RUMOURS is what Fleetwood Mac is all about, THE VAUDEVILLE YEARS will set you straight. If you're already hip to the band's original incarnation as Britain's finest blues band with guitar wizard Peter Green at its helm, this two-disc collection of previously unreleased tunes from 1968-'70 will be like manna from heaven. Part of the idea of presenting some of these ill-fated sessions here is to paint a picture of what might have been had not Peter Green bowed out of the picture at the dawn of the '70s. Here we can observe Green and company in all their Chicago blues-inspired glory. Rather than a band of young Englishmen, you might easily think you were hearing Elmore James or Buddy Guy outtakes on some of these tracks. Green's piercing but completely unpretentious guitar style is at the forefront, but the guitar work of Danny Kirwan and Jeremy Spencer is almost equally impressive, making this album a hotbed of fiery fretwork. Anyone interested in the origins of blues-rock could do worse than to start with this collection of rarities that are easily the equally of the band's official studio output.