GRAHAM NASH+/DAVID CROSBY/NEIL YOUNG FOR BEGINNERS SEALED (ORIG?)'71 ATLANTIC LP

$

36

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       GRAHAM NASH (with DAVID CROSBY, NEIL YOUNG, JERRY GARCIA, PHIL LESH  DAVE MASON AND OTHERS)–  SONGS FOR BEGINNERS – ORIGINAL (?) 1971 ATLANTIC RECORDS STEREO LP SD-7204

·       ORIGINAL (?) U.S. PRESSING

*** STILL SEALED LP  BELIEVED TO BE THE ORIGINAL FIRST PRESSING ***

·       BELIEVED TO BE THE ORIGINAL RED (ORANGE) AND GREEN ATLANTIC RECORDS LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS.

·       MULTIPLE “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Songs for Beginners is Graham Nash's solo debut apart from Crosby, Stills, Nash & Young. Released in 1971, it is a collection of songs that reflect change, transition, and starting over. The set was recorded in both Los Angeles and San Francisco, in the immediate aftermath of Nash's traumatic breakup with Joni Mitchell. Unlike the colorful dynamism of Stephen Stills' eponymous debut recording, or the acid-drenched cosmic cowboy spaciness of David Crosby's If I Could Only Remember My Name, Nash's album is by contrast a much more humble and direct offering. It is a true, mostly introspective songwriter's album full of beautifully performed and wonderfully recorded songs that reflect transition, movement, the desire to look backward and forward simultaneously. Like the aforementioned offering, this one is star-studded in its choice of players and singers: Crosby, Chris Ethridge, Jerry Garcia, Rita Coolidge, Clydie King, Venetta Fields, Dave Mason, Neil Young (under the pseudonym "Joe Yankee"), David Lindley, Bobby Keys, Phil Lesh, Dallas Taylor, and drummer John Barbata reflect some of the personnel on this heady yet humble session. The album is bookended by two of Nash's best-known tunes, the anthemic "Military Madness" that remains timeless in the 21st century, and "Chicago," that doesn't. That said, they are among the weakest songs here -- which reveals what a solid collection it is. Unlike many recordings birthed from personal angst, Nash's engages in no self pity; instead, he focuses on the craft of songwriting itself. Despite its personal darkness, "Better Days," with its swirling piano and pronounced bassline, is also an actual paean to self-determination and perseverance, the logic being that there were better days in the past, so there must be better ones in the future as well. "I Used to Be a King," with Garcia on a gorgeous pedal steel and Lesh on bass, is a direct, mature response to "King Midas in Reverse," a song Nash wrote and recorded with the Hollies. "Simple Man," with its sparse melody and strings and a fine backing vocal from Coolidge, was written on the afternoon of the breakup with Mitchell. The violin-cello backdrop to Nash's piano is particularly effective and makes this one of his most memorable songs. The parlor room country waltz that commences "Man in the Mirror," features Garcia's steel, Young's piano, ex-Flying Burrito Brother Ethridge, and drummer Barbata; it shifts keys, tempo, and feel about a third of the way in with a very long bridge that transforms the song's sentiment as well. Ultimately, Songs for Beginners is the strongest of Nash's solo efforts (outside of his work with Crosby).

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

(b)          The record is believed to come in its original stock inner sleeve.

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

COVER IS STILL SEALED; HOWEVER, WE ARE UNABLE TO GRADE IT MINT OR NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS EXCELLENT OR VG++(A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout saw-mark (an indent about 5/8" / 1.5 cm long ) on one of its seams.

-        Cover has a visible "wrinkle"(crease)  in one of the corners.

-        A visible water stain affects the area about 2-4 square inches in size (larger on the back, smaller on the frton) along the bottom seam; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible

-        Cover has a few tiny wrinkles along the seams

-         Cover has three corners slightly dinged (nothing significant)

-         Cover has all four corners slightly dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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