GRATEFUL DEAD, Aoxomoxoa [olive label] USA LP China Cat Sunflower/Cosmic Charlie
$
25
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Description
Grateful Dead* ?– Aoxomoxoa Label: Warner Bros. Records ?– WS 1790 Format: Vinyl, LP, Album, Repress, Terre Haute/Santa Maria Country: US Released: Genre: Rock Style: Psychedelic Rock, Acid Rock, Experimental Tracklist A1 St. Stephen A2 Dupree's Diamond Blues A3 Rosemary A4 Doin' That Rag A5 Mountains Of The Moon B1 China Cat Sunflower B2 What's Become Of The Baby B3 Cosmic Charlie Companies, etc. Record Company – Warner Bros. Lacquer Cut At – Columbia Records Pressing Plant, Terre Haute – Side 1 Mastered At – Artisan Sound Recorders Lacquer Cut At – Columbia Records Pressing Plant, Santa Maria – Side 2 Credits Accompanied By [Supporting Musicians] – David Nelson, Debbie (2), Marma-Duke, Mouse (8), Peter Grant*, Wendy (7) Arranged By – The Grateful Dead Bass, Vocals – Phil Lesh Engineer [Consulting] – Dan Healy, Owsley*, Ron Wickersham Engineer [Executive] – Bob Matthews Engineer [Hot Dog!] – Betty Cantor Guitar, Vocals – Bob Weir, Jerry Garcia Keyboards – Tom Constanten Other [Kwipment Krew] – Jackson, John P. Hagen, Ramrod Percussion – Bill Kreutzmann, Mickey Hart Performer [Big Pen] – Ron McKernan* Written-By [Tunes] – Jerry Garcia, Phil Lesh Written-By [Words] – Robert Hunter Notes Green labels with Warner shield. Boxed W7 logo on front and back of jacket.
USA SECOND OR POSSIBLY THIRD PRESSING VINYL ALBUM ON OLIVE WARNERS LABEL WITH ORIGINAL WHITE INNER SLEEVE.
MATRIX: SIDE A: X T1 WS-1790-39493- Re 2-1 Artisan logo B / SIDE B: WS1790-B 39493-Re 2 1B Sx Artisan logo .
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. STAMP AND SOME STAIN MARKS ON REAR. INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.
DISC[S]: VERY GOOD+. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)
Add $0.50 for each additional LP purchased at the same time
PRIORITY MAIL IS $14.99
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