GREEN DAY KERPLUNK FACTORY SEALED LP ON LOOKOUT RECORDS STUNNING CONDITION
$
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Description
GREEN DAY~KERPLUNK~FACTORY SEALED LP ON LOOKOUT RECORDS~STUNNING CONDITION!
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Green Day – Kerplunk! Lookout! Records – Lookout 46 Released:1992
FACTORY SEALED LP ON LOOKOUT RECORDS! STUNNING CONDITION!! YOU WON'T FIND A BETTER COPY ANYWHERE!!
Tracklist? A1 2000 Light Years Away Music By – Dave E.C., Jesse Michaels, Rippinz 2:24 A2 One For The Razorbacks 2:30 A3 Welcome To Paradise 3:30 A4 Christie Rd. 3:33 A5 Private Ale 2:26 A6 Dominated Love Slave Drums – Billie Joe* Guitar – Tre* Music By – Tre* 1:41 B1 One Of My Lies 2:19 B2 80 3:39 B3 Android 3:00 B4 No One Knows 3:39 B5 Who Wrote Holden Caulfield? 2:44 B6 Words I Might Have Ate 2:32
Credits? Artwork By [Cover + Labels] – Applecore Artwork By [Other Stuff] – Pat Bass – Mike* Drums – Tre Cool (tracks: A1 to A5, B1 to B6) Engineer – Andy Ernst Executive Producer – Al Sobrante Guitar, Vocals – Billie Joe* (tracks: A1 to A5, B1 to B6) Lyrics By – Billie Joe* Mastered By – John Golden Mixed By – Andy Ernst Music By – Green Day (tracks: A1 to A5, B1 to B6) Producer – Andy Ernst, Green Day
Notes? Recorded May + (mostly) September 1991 at Art Of Ears Studio, San Francisco, CA. Mastered at K-Disc, Hollywood, CA.
Green Day's second full album was the perfect dry run for the band's later assault on the mainstream, containing both more variety and more flat-out smashes than previous releases had shown. With Tre Cool now firmly in place as the drummer, the lineup was at last settled, and it turned out Cool and Mike Dirnt were a perfect rhythm section, with the former showing a bit more flash and ability than John Kiftmeyer did. Together the two throw in a variety of guitarless breaks that would later help to define the band's sound for many -- warm and never letting the beat go. As for Billie Joe Armstrong, his puppy-dog delivery and eternal switching between snotty humor and sudden sorrrow was better than ever, as were his instantly memorable riffs. The metal-strength chug that always informed the band's best work isn't absent either -- check out Armstrong's opening riffing on "Christie Road." The whole thing starts with a note-perfect bang -- "2000 Light Years Away" is the absolute highlight of the group's premajor-label days, with a great chorus and classic yearning lyrics. It got buried in the wave of Dookie's success a bit, but one other number didn't -- "Welcome to Paradise," also a standout on that album, appears here in its original form. Rob Cavallo punched up the radio-friendly sound on the latter take, but even here it's a treat and a half -- quick, rampaging, and once again with a great stop-start chorus to spare. Other straight-up pop winners include "One of My Lies" and "Who Wrote Holden Caulfield?." Elsewhere, Green Day slow down tempos, try acoustic numbers, and in one hilarious moment, pull off a ridiculous yet worthy country pisstake with the Cool-written "Dominated Love Slave."
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you’re getting this record just to own but not to play
Poor = the sky’s the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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