Grease (The Original Soundtrack From The Motion Picture) - Condition: NM/NM

$

30

Various ?– Grease (The Original Soundtrack From The Motion Picture)
Label: RSO ?– RS-2-4002
Format: 2 × Vinyl, LP, Album, Gate Fold 
Country: US
Released: 1978
Genre: Rock, Stage & Screen
Style: Soundtrack, Rock & Roll, Pop Rock

Tracklist
A1 –Frankie Valli Grease Guitar – Peter Frampton Written-By – Barry Gibb 3:24 A2 –John Travolta & Olivia Newton-John Summer Nights Arranged By [Strings] – Bhen Lanzarone* Written-By – Jim Jacobs (2), Warren Casey 3:36 A3 –Olivia Newton-John Hopelessly Devoted To You Written-By – John Farrar 3:00 A4 –John Travolta & Olivia Newton-John You're The One That I Want Written-By – John Farrar 2:47 A5 –John Travolta Sandy Written-By – Louis St. Louis, Scott Simon (3) 2:30 B1 –Frankie Avalon Beauty School Drop-Out Written-By – Jim Jacobs (2), Warren Casey 4:02 B2 –Stockard Channing Look At Me, I'm Sandra Dee Written-By – Jim Jacobs (2), Warren Casey 1:38 B3 –John Travolta Greased Lightnin' Arranged By [Horns] – Michael Melvoin* Saxophone – Ray Pizzi Written-By – Jim Jacobs (2), Warren Casey 3:12 B4 –Cindy Bullens It's Raining On Prom Night Written-By – Jim Jacobs (2), Warren Casey 2:57 B5 –Unknown Artist Alone At A Drive-In Movie (Instrumental) Saxophone – Ernie Watts Written-By – Jim Jacobs (2), Warren Casey 2:22 B6 –Sha-Na-Na Blue Moon Written-By – Richard Rodgers & Lorenz Hart* 2:18 C1 –Sha-Na-Na Rock 'N' Roll Is Here To Stay Written-By – David White (5) 2:00 C2 –Sha-Na-Na Those Magic Changes Written-By – Jim Jacobs (2), Warren Casey 2:15 C3 –Sha-Na-Na Hound Dog Written-By – Jerry Leiber & Mike Stoller* 1:23 C4 –Sha-Na-Na Born To Hand-Jive Arranged By [Horns] – Michael Melvoin* Guitar – Tim May Written-By – Jim Jacobs (2), Warren Casey 4:39 C5 –Sha-Na-Na Tears On My Pillow Written-By – Al Lewis, Sylvester Bradford 2:06 C6 –Louis St. Louis & Cindy Bullens Mooning Written-By – Jim Jacobs (2), Warren Casey 2:12 D1 –Cindy Bullens Freddy, My Love Written-By – Jim Jacobs (2), Warren Casey 2:40 D2 –Louis St. Louis Rock 'N' Roll Party Queen Written-By – Jim Jacobs (2), Warren Casey 2:08 D3 –Stockard Channing There Are Worse Things I Could Do Saxophone – Ernie Watts Written-By – Jim Jacobs (2), Warren Casey 2:18 D4 –Olivia Newton-John Look At Me, I'm Sandra Dee (Reprise) Written-By – Jim Jacobs (2), Warren Casey 1:20 D5 –John Travolta & Olivia Newton-John We Go Together Saxophone – Ray Pizzi Written-By – Jim Jacobs (2), Warren Casey 3:14 D6 –Unknown Artist Love Is A Many Splendored Thing (Instrumental) Written-By – Paul Francis Webster, Sammy Fain 1:23 D7 –Frankie Valli Grease (Reprise) Guitar – Peter Frampton Written-By – Barry Gibb 3:24



Credits: Arranged By – Albhy Galuten (tracks: A1, D7), Barry Gibb (tracks: A1, D7), John Farrar (tracks: A2 to D6), Louis St. Louis (tracks: A2 to D6), Michael Gibson (tracks: A2 to D6) Art Direction – Glenn Ross Backing Vocals – M. Ann White*, Beau Charles, Carol Chase, Curt Becher, Diana Lee, Gene Merlino, Gene Morford, Gerald Garrett, Jackie Ward, Jerry Whitman, Jim Gilstrap, Jim Haas, John Farrar, John Lehman, Kerry Chater, Lisa Roberts, Marti McCall, Maxayn Lewis, Melissa MacKay, Mitch Gordon, Myrna Matthews, Patty Henderson*, Paulette K. Brown*, Ron Hicklin, Sally Stevens, Loren Farber*, Venetta Fields, Zedrick Turnbough* Bass – Wm. J. Bodine*, William David Hungate*, David Allen Ryan*, Dean Cortez, Harold Cowart, Max Bennett, Mike Porcaro Compiled By – Bill Oakes Concertmaster – James Getzoff Contractor – Carl Fortina Copyist – Bob Borenstein* Design – George Corsillo, Tim Bryant (2) Drums – Carlos Vega, Cubby O'Brien, Ollie Brown, Ron Zeigler* Engineer [Recording] – David J. Holman, Eirik Wangberg*, Jay Lewis, Karl Richardson (tracks: A1, D7), Michael Carnevale Guitar – Bob Rose, Cliff Morris, Dan Sawyer, Dennis Budimir, Jay Graydon, Joey Murcia, John Farrar, Lee Ritenour, Thomas Tedesco* Harp – Dorothy Remsen, Gayle Levant Keyboards – Bhen Lanzarone*, George Bitzer, Greg Mathieson, Lincoln Majorca*, Louis St. Louis, Mike Land*, Thomas Garvin* Mastered By – Bernie Grundman Mixed By – Karl Richardson (tracks: A1, D7) Mixed By, Remix – David J. Holman (tracks: A2 to D6) Percussion – Antoine Dearborn, Eddie "Bongo" Brown, Larry Bunker, Victor Feldman Photography – Allan Pappe - Lee Gross Assoc., Inc. Photography [Background] – Ron Slenzak Producer – Albhy Galuten (tracks: A1, D7), Barry Gibb (tracks: A1, D7), John Farrar (tracks: A3 to A5, B5, D4), Karl Richardson (tracks: A1, D7), Louis St. Louis (tracks: A2, B1 to B4, B6, C1 to C6, D1 to D3, D5, D6) Producer [Associate] – Neil A. Machlis Saxophone – Jerome Richardson, John Kelson, Jr.* Supervised By – Bill Oakes Trombone – Lloyd Ulgate* Trumpet – Albert Aarons*, Robert Bryant*

Notes: Recorded at: Filmways/Wally Heider Recording Studios, United Western Studios and Hollywood Sound Recorders, Hollywood.  All songs except "Grease" mixed and re-mixed at Filmways/Wally Heider Recording Studios, Hollywood.  "Grease" mixed at Criteria Studios, Miami.  Mastered at A&M Records. 

Here at Play Dome Nation customer satisfaction is our only commitment. We grade conservatively on all LP’s, Books, DVD’s and CD’s. All records are professionally cleaned before shipping. All LP’s are packed in sturdy LP Mailers with two padded inserts for extra protection. LP’s are removed from Sleeve to prevent seam splits during shipping. We offer a 100% GUARANTEE on all products.

ALL RECORDS & CD’s ARE VISUALLY GRADED USING GOLDMINE STANDARDS

GRADING

Albums are Visually Graded, Record, and then Cover, followed by any specific notes. If you have questions beyond the description given, please feel free to contact me.

Mint (M) All-around perfect, no signs of use.

NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint. Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). - VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking

Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too

Good (G), Good Plus (G+) or Very Good Minus (VG–)The record still plays through without skipping, but it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers.

VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P) and Fair (F) Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash. Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them