HANK MOBLEY - COLLECTORS NO ROOM FOR SQUARES ACOUSTECH 45 RPM BLUE NOTE AUDIOPHILE LOW NUMBERED 109 DOUBLE LP SET AND THESE MASTERPIECES NEVER HAD BARCODES EVER ATTACHED FOR PRISTINE COLLECTORS COVERS. Incredible Jazz Records + the original analog master tapes + cut at 45 RPM + mastered by Kevin Gray and Steve Hoffman at AcousTech + pressed on two 180-gram virgin vinyl LPs by RTI = THE ULTIMATE LP REISSUE!

THE 45 RPM PRESSING INFORMATION -  

Rare Numbered Limited Edition Copies! 
Out Of Print! Very Limited Stock! First Come, First Served! AND THIS IS OUR LAST COPY FOREVER

Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes! 
The Definitive issue of this classic Blue Note title! 

THE SOUND: 
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in Rudy’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day. 

Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram! 

Upgrading Connections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech 

THE JACKETS: 
These Blue Note recordings deserve nothing less than the finest graphic presentation. The Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums.  - four times sharper than original Blue Note jacket photos.

THE REVIEWS: 
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series  
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine 

"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound

 FACTORY SEALED LP - vinyl pressing. The nicest thing you can do for your stylus and ears.

E-BAY STORE. FOR YOUR INDIVIDUAL JAZZ SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >.& TYPE IN JAZ OR MOBLEY INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE FOR ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR.

 You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

 Hank Mobley No Room For Squares 180 GRAM AUDIOPHILE 45rpm 2 LP SET

Recorded at Rudy Van Gelder Studio, Hackensack, NJ, February 9, 1958

One of Mobley's best, this album features two 1963 all-star quintets: one with Lee Morgan and Andrew Hill, the other with Donald Byrd and Herbie Hancock. Philly Joe Jones is the driving force throughout. 

Features:
• Numbered & Limited to 2500 copies
• Original analog master tapes
• 45 RPM
• Two 180g Virgin Vinyl LPs
• Mastered by Kevin Gray & Steve Hoffman at AcousTech
• Pressed by RTI

Musicians:
Hank Mobley, tenor saxophone
Andrew Hill, piano
John Ore, bass
Philly Joe Jones, drums
Donald Byrd, trumpet
Herbie Hancock, piano
Lee Morgan, trumpet
Butch Warren, bass

Selections:
1. Three Way Split
2. Carolyn
3. No Room For Squares
4. Me 'N You
5. Up A Step
6. Old World, New Imports

 International Buyers – Please Note:

Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs fees

INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES.  

FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

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