HAROLD LAND GROOVEYARD MINT ORIG '61 CONTEMPO STEREO LP
$
61
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· HAROLD LAND – GROOVEYARD – ORIGINAL 1960 CONTEMPORARY RECORDS STEREO LP S-7550 (THE MONO PRESSING WAS RELEASED IN 1958 UNDER THE TITLE ‘IN THE LAND OF JAZZ’, STEREO PRESSING RELEASED IN 1960 AS ‘GROOVEYARD’; THIS IS THE SAME ALBUM, WITH TWO DIFFERENT TITLES: ONE RELEASED ONLY IN MONO, THE OTHER ONLY IN STEREO)
· ORIGINAL U.S. PRESSING
· DEEP GROOVE PRESSING
· ORIGINAL, GLOSSY, DARK GREEN CONTEMPORARY LABEL WITH “GOLD” PRINT.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK CARDBOARD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Other than four titles from 1949, this was tenor saxophonist Harold Land's first sessions as a leader. Teamed up on the West Coast with trumpeter Rolf Ericson, pianist Carl Perkins, bassist Leroy Vinnegar, and drummer Frank Butler, Land shows that hard bop was very much alive in Los Angeles in the late '50s. His tone is cooler and softer than it would become later on, but it was already pretty distinctive. Land performs three of his swinging originals, the original version of Perkins' "Grooveyard" (which became a minor standard), an obscurity by Elmo Hope, and the standards "Speak Low" and "You Don't Know What Love Is.". Fine straight-ahead music.
(EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- Cover has a small quality control (inspection) stamp on the back panel
- Cover has some tiny, faint writing on its back side (a microscopic price code written in one corner)
- Back cover has a razor-like line (cut) on the cover, as if someone attempted to cut away the shrink wrap with a razor, but inadvertently left the mark on the cover as well. The paper slick is intact and no part is missing, but the razor line is visible.
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover shows JUST A HINT of yellowing on back side, apparently from aging (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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