HOWLIN' WOLF The London Sessions FROM 74-WITH ERIC CLAPTON & STEVE WINWOOD
  $   31

 


$ 31 Sold For
Jul 1, 2015 Sold Date
Jun 3, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

HOWLIN' WOLF The London Sessions FROM 74-WITH ERIC CLAPTON & STEVE WINWOOD








A MINT MINUS LP ON CHESS 60008

FROM 1974 WITH MATTE GATEFOLD COVER

PRODUCED BY NORMAN DAYRON AND RECORDED AT OLYMPIC SOUND STUDIOS IN LONDON BY GLYN JOHNS

WITH ERIC CLAPTON ON GUITAR, STEVE WINWOOD ON PIANO & ORGAN, CHARLIE WATTS ON BASS GUITAR, SHAKERS AND COW-BELL

WITH THE ORIGINAL LYRIC INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
For the casual blues fan with a scant knowledge of the Wolf, this 1971 pairing, with Eric Clapton, Bill Wyman and Charlie Watts from the Rolling Stones, Ringo Starr, and other British superstars, appears on the surface to be one hell of a super session. But those lofty notions are quickly dispelled once you slip this disc into the player and hit play. While it's nowhere near as awful as some blues purists make it out to be, the disparity of energy levels between the Wolf and his U.K. acolytes is not only palpable but downright depressing. Wolf was a very sick man at this juncture and Norman Dayron's non-production idea of just doing remakes of earlier Chess classics is wrongheaded in the extreme. The rehearsal snippet of Wolf trying to teach the band how to play Willie Dixon's "Little Red Rooster" shows just how far off the mark the whole concept of this rock superstar mélange truly is. Even Eric Clapton, who usually welcomes any chance to play with one of his idols, has criticized this album repeatedly in interviews, which speaks volumes in and of itself.

GATEFOLD COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. PRICE CODE STICKERS TOP LEFT FRONT (ORANGE OR YELLOW ROUND CIRCLE OVER A WHITE STICKER AND WHICH ARE IMPOSSIBLE TO REMOVE WITHOUT TEARS). FRONT SLEEVE EDGE SPLIT TOWARDS BOTTOM ABOUT TWO INCHES. BOTTOM LEFT CORNER WITH CRUSH MARK. BOTTOM RIGHT CORNER EDGES WITH ROUGH SPOTS AND FRAYING. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE HIGH LUSTER VINYL
BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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