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Various ?– Heavy Metal - Music From The Motion Picture

Label: Full Moon ?– R1 60619, Asylum Records ?– R1 60619 Format: 2 × Vinyl, LP, Compilation, Reissue
Country: USA & Canada Released: 03 Oct 2017 Genre: Rock, Stage & Screen Style: Soundtrack, New Wave, Hard Rock, Arena Rock

Tracklist

A1 –Sammy Hagar Heavy Metal Bass – Bill ChurchDrums – David LauserEngineer – Ian TaylorLead Guitar – Gary PihlLead Vocals, Guitar – Sammy HagarProducer – Roy Thomas BakerWritten-By – Jim Peterik, Sammy Hagar 3:50 A2 –Riggs Heartbeat Engineer – Ian TaylorProducer – Roy Thomas BakerWritten-By – Jerry Riggs 4:20 A3 –Devo Working In The Coal Mine Engineer – Michael BoshearsProducer – DevoWritten-By – Allen Toussaint 2:48 A4 –Blue Öyster Cult Veteran Of The Psychic Wars Producer, Engineer – Martin BirchWritten-By – Eric Bloom, Michael Moorcock 4:48 B1 –Cheap Trick Reach Out Engineer – Ian TaylorProducer – Roy Thomas BakerWritten-By – Robert James*, Peter Comita 3:35 B2 –Don Felder Heavy Metal (Takin' A Ride) Backing Vocals – Don Henley, Timothy B. SchmitBass – David WhiteDrums – Claude PepperEngineer – Joel W. Moss*Engineer [Assistant] – Bruce Hensal, Matt ForgerLead Vocals, Guitar – Don FelderPercussion – Paulinho DaCosta*Synthesizer – Ian UnderwoodWritten-By, Producer – Don Felder 5:00 B3 –Donald Fagen True Companion Backing Vocals – Donald Fagen, Zach Sanders*Bass – Will LeeComposed By, Arranged By – Donald FagenElectric Guitar – Steve KhanElectric Piano [Rhodes] – Don GrolnickEngineer – Elliot ScheinerLead Vocals, Kalimba – Donald FagenPercussion – Crusher Bennett*Producer – Donald Fagen, Elliot ScheinerSynthesizer – Donald Fagen, Ed Walsh 5:02 B4 –Nazareth (2) Crazy (A Suitable Case For Treatment) Engineer – Callum Macolm*Producer – John PunterWritten-By – McCafferty*, Sweet*, Charlton*, Agnew* 3:24 C1 –Riggs Radar Rider Engineer – Ian TaylorProducer – Roy Thomas BakerWritten-By – Jerry Riggs, Marc Jordan 2:40 C2 –Journey Open Arms Drums – Steve Smith (5)Keyboards – Jonathan CainLead Guitar – Neal SchonLead Vocals – Steve PerryProducer – Kevin Elson, Mike StoneWritten-By – Jonathan Cain, Stephen Perry* 3:20 C3 –Grand Funk Railroad Queen Bee Engineer – Jim Scheffler, Thom PanunzioEngineer [Second] – Bobby Gerber, Stuart FurushoMixed By – Jim SchefflerProducer – Bob Destocki, Thom PanunzioWritten-By – Mark Farner 3:11 C4 –Cheap Trick I Must Be Dreamin' Engineer – Ian TaylorProducer – Roy Thomas BakerWritten-By – Rick Nielsen 5:37 D1 –Black Sabbath The Mob Rules Producer, Engineer – Martin BirchWritten-By – Ronnie James Dio, Terence Bulter*, Anthony Iommi* 2:43 D2 –Don Felder All Of You Backing Vocals – Mickey Thomas, Ricky "Goona" Washington*Bass – Abraham LaborielDrums – Mike BairdElectric Piano, Organ – Paul Harris (2)Engineer – Joel W. Moss*Engineer [Assistant] – Bruce Hensal, Matt ForgerLead Guitar, Vocals – Don FelderPercussion – Paulinho DaCosta*Synthesizer – Albhy GalutenWritten-By, Producer – Don Felder 4:18 D3 –Trust (2) Prefabricated Engineer – Steve Parker (2)Producer – Trust (2)Written-By – Bernard Bonvoisin*, Norbert KriefWritten-By [English Version] – Jimmy Pursey 2:59 D4 –Stevie Nicks Blue Lamp Bass – John SeiglerDrums – Andy NewmarkEngineer – Shelly YakusGuitar – Davey JohnstonePiano – David AdelsteinProducer – Jimmy IovineWritten-By – Stevie Nicks 3:48

Companies, etc.

• Copyright (c) – The Guardian Trust Company
• Phonographic Copyright (p) – Elektra/Asylum Records
• Manufactured By – Elektra/Asylum/Nonesuch Records

Credits

• Lacquer Cut By – IS*

Notes

Reissued for Rhino Entertainment Company's 2017 Rocktober campaign.

140 gram vinyl only available in the U.S. and Canada according to Rhino's website. Gatefold sleeve. Credits printed on inners.       *Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap. *Excellent (EX)  - Might have a hard to see blemish, tiny hairline, perhaps played once basically looks almost new. *Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.