Etat Vinyle : VG (beaucoup de rayures de surface mais passe bien, on entend que ça craque quand il y a moins de son dans les morceaux ou en début de morceau)

Etat Pochette : VG

Rare, jamais réédité à ma connaissance

Description :

Various ?– Taxi (B.O. Du Film)

Label:

Côté Obscur ?– SMA 489990-1, Small ?– SMA 489990-1

Format:

2 × Vinyl, LP, Compilation 

Pays:

France

Date:

1998

Genre:

Hip Hop, Funk / Soul, Stage & Screen

Style:

Instrumental, RnB/Swing, Gangsta, Soundtrack, Conscious

TracklistingMasquer Crédits

Sociétés, etc.

• Recorded At – Studio La Cosca
• Recorded At – Studio Cactus
• Recorded At – Studio Petit Mas
• Recorded At – Studio Sad Hill
• Mixed At – Studio La Cosca
• Mixed At – Studio Sad Hill
• Published By – La Cosca
• Published By – Côté Obscur
• Published By – EMI Virgin Music Publishing
• Published By – Bitchin' Music
• Published By – Copyright Control
• Distributed By – Sony Music
• Record Company – Sony Music Entertainment (France) S.A.
• Phonographic Copyright (p) – Côté Obscur
• Copyright (c) – ARP Sélection

Crédits

• Artwork, Photography By – Tous Des K
• Mixed By – Akhenaton (tracks: A1 to C5, D2 to D4), Kheops* (tracks: D1), Eric Chevet (tracks: A1 to C5, D2 to D4)
• Music By, Producer [Musique Réalisée Par] – IAM
• Recorded By – Akhenaton (tracks: A2, A5, B2, B3, C1, C4, D2, D3), Christian Noël (tracks: B1, D4),Kheops* (tracks: D1), Eric Chevet (tracks: A2, A5, B2, B3, C1, C4, D2, D3), Philippe Beneytout (tracks: A1, A3, A4, B4, C3, C5,), Philippe Bruguière (tracks: B5, C2)

Notes

Original Soundtrack to Luc Besson's movie "Taxi", starring Sami Naceri, Frédéric Diefenthal. Directed by Gérard Pirès, Produced by Michèle and Laurent Petin for ARP, co-produced with TFI Films Production - Studio Canal+ and participation of Cofimage 9 and Studio Image 4.

Gatefold sleeve

A1, A3, A4, C2, C3, C5, D3, D4 Musique inspirée de la B.O.F. / Music inspired by the motion picture
A2, A5 to C1, C4, D1, D2 Musique originale de la B.O.F. / Original soundtrack

"Tu Me Plais" contains samples of "Don't Wanna Lose Your Love" (J.mc Fadden, Vitali / White Head mc Kiney) performed by Freddie Jackson ? 1986 Capitol/EMI and "Dernier Domicile Connu" by François De Roubaix ?1976 Milan/RCA Ariola Hortensia.

Tracks A2, A5, B2, B3, C1, C4, D2, D3 recorded and mixed at La Cosca's Studio.
Tracks A1, A3, A4, B1, B4, B5, C2, C3, C5, D4 Mixed at La Cosca's Studio.
Tracks A1, A4, B1, B4, B5, C2, C3, C5, D4 recorded at Cactus's Studio.
Track A3 recorded at Petit Mas's Studio.
Track D1 recorded and mixed at Sad Hill's Studio.

A1, A2, A5, B3 to C1, C3, C4, D2 La Cosca | A3 Delabel Editions / La Cosca | A4, C2, C5 EMI-Virgin Music Publishing / Côté Obscur / La Cosca | B1, D4 Bitchin' Music / La Cosca | B2 Côté Obscur / La Cosca | D1 Droits Réservés - EMI-Virgin Music Publishing / Côté Obscur | D3 EMI-Virgin Music Publishing / La Cosca

Fabriqué en Hollande

Distribué en France par Sony Music
? 1998 Coté Obscur
© 1998 ARP Sélection

Code barre et autres identifiants

• Barcode: 5 099748 999016
• Rights Society: SACEM SDRM SACD SGDL
• Price Code: CB 232
• Other: 14-489990-20
• Matrix / Runout (Label A): 14-489990-20/A
• Matrix / Runout (Label B): 14-489990-20/B
• Matrix / Runout (Label C): 14-489990-20/C
• Matrix / Runout (Label D): 14-489990-20/D
• Matrix / Runout (Runout A, stamped): 14-489990-20 A
• Matrix / Runout (Runout A, etched): YD
• Matrix / Runout (Runout B, etched): 14 SMA 489 990-1 B1 20
• Matrix / Runout (Runout C, etched): 14 SMA 489 990-1 C1 20
• Matrix / Runout (Runout D, etched): 14 SMA 489 990-1 D1 20

J'essaie d'être le plus juste possible pour la description de l'état du disque, je me base sur ce qui est décrit à la fin de cette annonce.

Les frais de port sont groupés en cas d'achat de multiples objets. 

Pour les envois en lettre suivie en France, je décline toute responsabilité en cas de perte, vol ou détérioration de l'objet expédié malgré le soin que j'aurais apporté à l'expédition. Choisissez le colissimo en cas de crainte.

Bonnes enchères !

/////////////////////////////////////////////////////////////////////////////////////////////////

In english here :

     Media condition : VG lots of surface marks and noise on the begin of tracks

     Sleeve condition : VG

     Description : see above

Various ?– Taxi (B.O. Du Film)

Label:

Côté Obscur ?– SMA 489990-1, Small ?– SMA 489990-1

Format:

2 × Vinyl, LP, Compilation 

Pays:

France

Date:

1998

Genre:

Hip Hop, Funk / Soul, Stage & Screen

Style:

Instrumental, RnB/Swing, Gangsta, Soundtrack, Conscious

TracklistingMasquer Crédits

Sociétés, etc.

• Recorded At – Studio La Cosca
• Recorded At – Studio Cactus
• Recorded At – Studio Petit Mas
• Recorded At – Studio Sad Hill
• Mixed At – Studio La Cosca
• Mixed At – Studio Sad Hill
• Published By – La Cosca
• Published By – Côté Obscur
• Published By – EMI Virgin Music Publishing
• Published By – Bitchin' Music
• Published By – Copyright Control
• Distributed By – Sony Music
• Record Company – Sony Music Entertainment (France) S.A.
• Phonographic Copyright (p) – Côté Obscur
• Copyright (c) – ARP Sélection

Crédits

• Artwork, Photography By – Tous Des K
• Mixed By – Akhenaton (tracks: A1 to C5, D2 to D4), Kheops* (tracks: D1), Eric Chevet (tracks: A1 to C5, D2 to D4)
• Music By, Producer [Musique Réalisée Par] – IAM
• Recorded By – Akhenaton (tracks: A2, A5, B2, B3, C1, C4, D2, D3), Christian Noël (tracks: B1, D4),Kheops* (tracks: D1), Eric Chevet (tracks: A2, A5, B2, B3, C1, C4, D2, D3), Philippe Beneytout (tracks: A1, A3, A4, B4, C3, C5,), Philippe Bruguière (tracks: B5, C2)

Notes

Original Soundtrack to Luc Besson's movie "Taxi", starring Sami Naceri, Frédéric Diefenthal. Directed by Gérard Pirès, Produced by Michèle and Laurent Petin for ARP, co-produced with TFI Films Production - Studio Canal+ and participation of Cofimage 9 and Studio Image 4.

Gatefold sleeve

A1, A3, A4, C2, C3, C5, D3, D4 Musique inspirée de la B.O.F. / Music inspired by the motion picture
A2, A5 to C1, C4, D1, D2 Musique originale de la B.O.F. / Original soundtrack

"Tu Me Plais" contains samples of "Don't Wanna Lose Your Love" (J.mc Fadden, Vitali / White Head mc Kiney) performed by Freddie Jackson ? 1986 Capitol/EMI and "Dernier Domicile Connu" by François De Roubaix ?1976 Milan/RCA Ariola Hortensia.

Tracks A2, A5, B2, B3, C1, C4, D2, D3 recorded and mixed at La Cosca's Studio.
Tracks A1, A3, A4, B1, B4, B5, C2, C3, C5, D4 Mixed at La Cosca's Studio.
Tracks A1, A4, B1, B4, B5, C2, C3, C5, D4 recorded at Cactus's Studio.
Track A3 recorded at Petit Mas's Studio.
Track D1 recorded and mixed at Sad Hill's Studio.

A1, A2, A5, B3 to C1, C3, C4, D2 La Cosca | A3 Delabel Editions / La Cosca | A4, C2, C5 EMI-Virgin Music Publishing / Côté Obscur / La Cosca | B1, D4 Bitchin' Music / La Cosca | B2 Côté Obscur / La Cosca | D1 Droits Réservés - EMI-Virgin Music Publishing / Côté Obscur | D3 EMI-Virgin Music Publishing / La Cosca

Fabriqué en Hollande

Distribué en France par Sony Music
? 1998 Coté Obscur
© 1998 ARP Sélection

Code barre et autres identifiants

• Barcode: 5 099748 999016
• Rights Society: SACEM SDRM SACD SGDL
• Price Code: CB 232
• Other: 14-489990-20
• Matrix / Runout (Label A): 14-489990-20/A
• Matrix / Runout (Label B): 14-489990-20/B
• Matrix / Runout (Label C): 14-489990-20/C
• Matrix / Runout (Label D): 14-489990-20/D
• Matrix / Runout (Runout A, stamped): 14-489990-20 A
• Matrix / Runout (Runout A, etched): YD
• Matrix / Runout (Runout B, etched): 14 SMA 489 990-1 B1 20
• Matrix / Runout (Runout C, etched): 14 SMA 489 990-1 C1 20
• Matrix / Runout (Runout D, etched): 14 SMA 489 990-1 D1 20

I try to be the most honnest than possible about media condition like it's describe below

If you buy more than one item, contact me and I will adjust postage rates

Evaluation état d'un disque / Item grading reference  (Source Discogs) : 

Mint (M)

Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.

A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint.

Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.

Generally worth 10-15% of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.

Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.

Within the context of grading items in the Discogs Marketplace, the term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the ?Item condition comment? field if needed. A seller can also note if the sleeve is a company sleeve in the ?Item condition comment? field.