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 International P.E.A.C.E. Benefit Compilation

Label:

R Radical Records ?– R.R.R. 1984 Format:

2 × Vinyl, LP, Compilation
Country:

UK, Europe & US Released:

1984 Genre:

Rock Style:

Hardcore, Punk

Tracklist Hide Credits

A1 – Articles Of Faith Up Against A Wall Bass [Bottom] – Dave Shield Drums [Bashing] – Virus X (2) Engineer [Mechanics] – Jon Smith (3) Guitar [Crunch] – Dorian Tajbakhsh Guitar [Feedback] – Joe Scuderi Management [Biz] – Pat Grueber Other [Presence] – Steve Ross Vocals [Utterances] – Vic Bondi A2 – G.I.S.M. Endless Blockades For The Pussy Footer Bass – Kannon (2) Drums – Hiroshima* Guitar – Randy Uchida Vocals – Sakevi A3 – Neon Christ Ashes To Ashes Bass – Danny* Drums – Jimi* Engineer – Nick* Graphics, Layout – Jimi* Guitar – Kip (12) Performer [Neon Christ Is:] – Elma (4), John (123), Melissa (12), Randy G., Tedi (4) Photography By – Chuck Gill Producer – Neon Christ, Nick* Vocals – Randy D.* Written-By – D. Lankford*, K. DuVall* A4 – Kalashnikov Schlueters Kabinet Bass – F.C. Physant* Drums – Carsten West Guitar – IB* Vocals, Cover – Charlotte Bagge A5 – Cause For Alarm Time Will Tell A6 – Local Disturbance No U.S.A. Bass – Arie (4) Drums – Sander (15) Guitar – David (183) Vocals – Robert (64) A7 – Unwarranted Trust Honour's Calling Drums – Sherry (6) Guitar – Julia (38), Mimi (40) Vocals – Lissy (2) A8 – Wretched Finirà Mai ? A9 – O.D.F.X* Drop The A-Bomb On Me Bass – Brad"No Sweat"* Drums [Pound] – Micky X'Nelson Guitar [6.string] – Tom Strange* Vocals [Shout] – Grøund Zero* A10 – Afflicted (2) Here Come The Cops Bass Guitar – Frankie Lennon Drums – Daryl Ick* Engineer – Paul Mandl Lead Guitar [Lead Guts] – Barry Wilder Producer – Dan Levitin Vocals – Dan Rancid A11 – Declino Inutile Trionfo Bass – Silvio* Drums – Takkop Guitar – Mungo* Vocals – Sandr' Opp A12 – Dicks Hope You Get Drafted A13 – B.G.K. Arms Race Layout [Not By] – T.Nitwit* A14 – Crass It's You B1 – Upright Citizens Swastika Ratss Bass – Crocker (2) Drums [Uncredited] – Mario Pietryga Guitar – Uli (4) Vocals, Guitar – Anton* B2 – False Prophets (2) Banana Split Republic Bass – Steve Wishnia Drums – Ned Brewster Guitar – Peter Campbell (7) Vocals – Stephan Ielpi B3 – Mob 47 Nuclear Attack Bass Vocals – Jögge Drums – Chrille* Guitar, Vocals – Åke* Lyrics By – Per Lundström Music By – Mob 47 B4 – Offenders Face Down In The Dirt B5 – Contrazione Sbarre B6 – Scum* So Much Hate Bass – Claude (21) Drums – Jean* Guitar – Georges* Vocals – Anthony* B7 – Los Violadores Viejos Pateticos B8 – Deadlock (5) Sometimes Bass – Hans* Drums – Steven (23) Guitar [Gits] – Herry* Vocals [Mics] – Cyril (7) B9 – P.P.G. (2) Will It Ever End? Bass, Guitar – Jimi Imij Drums – Vix (3) Guitar, Bass, Violin – Jexo Nor Recorded By – Scott Godwin Voice – Gory Nacnud Written-By, Mixed By – P.P.G. (2) B10 – Trash (5) Peace Of What? Bass – Glen Estes Drums – Alschvitz Guitar – Tom Albino Music By, Lyrics By – Trash (5) Vocals – Angie Mima B11 – Vicious Circle (7) Police Brutality Bass – Alby* Drums – Russell* Guitar – Les* Vocals – Paul* B12 – Condemned To Death Gartlands Pit Bass – Keith* Drums – Mike* Guitar – Tim* Photography By – Ellen Hanson Voice – Eddy* B13 – Negazione Non Mi Dire Bass – Marco* Drums – Michele* Guitar – Takkop Voice – Zazzo B14 – D.O.A. (2) America The Beautiful Written-By – J.Keighley* C1 – Dirty Rotten Imbeciles Snap Bass – Josh* Drums – Eric* Engineer – Jerry Williams (2), Vito Capurso Engineer [Asst.] – Dan Grigsby Guitar – Spike* Vocals – Kurt* C2 – Porno Patrol Jump Back Bass – Dietmar* Drums – Klaus* Guitar – Ratte Vocals – David* C3 – Treason Drop Out Bass – Tom (79) Drums – Todd* Guitar – Mike* Vocals – Juliet (15) Vocals, Bass – Malcolm* C4 – Shit S.A. Abortos Lyrics By [Letre] – J. Masabej Music By – R. Valenzuela C5 – Septic Death Silence C6 – Cheetah Chrome Motherfuckers Life Of Punishment Bass – Antonio* Drums – Ale (5) Guitar – Dome* Vocals [Mike] – Syd Migx C7 – Peggio Punx No Mai Bass – Paolo* Drums – Federico* Guitar – Marco* Vocals – Alberto* C8 – Proletariat, The An Uneasy Peace Bass, Vocals – Peter Bevilacua* Drums – Tom McKnight Guitar – Frank Michaels Lead Vocals – Rick Brown* C9 – Conflict (2) From Protest To Resistance C10 – Iconoclast Battlefield (Nightmare) C11 – Pandemonium (3) Pay For ShIt Bass, Vocals – Peter* Drums – Rowdy* Guitar – Danny* C12 – Dead Kennedys Kinky Sex Makes The World Go 'round C13 – Boskops Skorbut D1 – Subhumans Rats D2 – White Lie Peace Officer Drums, Vocals – Alschvitz Guitar, Bass – Barrydalive D3 – Wargasm R.A.T. / Pentagone D4 – Slaughterhouse 4 Four More Hours D5 – Execute, The Finale D6 – Reagan Youth Reagan Youth Drums [Keith Moon's Ghost] – Steve* Electric Bass – Al Pike Guitar [Wailin' Git] – Paul Cripple Vocals [Big Mouth] – Dave Insurgent D7 – Impact (12) The Man Goes On D8 – Butthole Surfers 100 Million People Dead D9 – Kangrena Ataque D10 – Porcelain Forehead Will Amerika Bass [Bass / Treble], Vocals [Mouthing] – Bruce Dapples Drums [Pummeling / Cymbalwork / Wraparound Weirdness] – Geordie* Guitar, Vocals [Gnarl / Sidemouth Yowl] – Jarl (2) Producer – Pig-Dog Dave Vocals [Exclamatory Warbling] – Mike* D11 – Barely Human No Mercy No War D12 – R.A.F. Punk Contro La Pace Contro La Guerra Bass – Barbara Whyot* Drums – Laura De Lauris Engineer – Ignazio Orlando Guitar – Bounty Scarponacci Producer – R.A.F. Punk Technician [Sound] – Grog Sottocultura Vocals – Jumpy V. Elena* D13 – Zenzile (2) Moment By Moment / Exiled Shadows D14 – MDC (2) Missile Destroyed Civilization Guitar – Tom Albino

Credits

• Artwork [Album Cover Art] – Dana F. Smith
• Artwork [Magazine Cover Art] – Quill (3)
• Typography [Typesettings] – Rikki Sender

Notes

• A3 recorded/mixed Sept. 3 1984 at Nick Jameson's studio, Decatur GA. © 1984 Social Crisis Records.
• A8 title is incorrect on booklet, right one is listed here.
• A10 recorded at the Automatt.
• A13: ©? '83.
• B1 is a re-recorded version from the LP original. Taken from the forthcoming "Facts & Views" 5-track 7" on the English label Xcentric Noise.
• B3 recorded 7/4-84.
• B9 recorded at The Island, 4/6/83.
• B14: © D.O.A. 1982.
• C1 recorded May 84 in Caldwell, New Jersey Sanctuary Studio while on tour. Released with permission by Dirty Rotten Imbeciles © ? 84.
• C5: © Pushead.
• C9 title is incorrect on booklet, right one is listed here.
• C12: ©&? 1982-Decay Music (BMI). Previously released on the "Wargasm" compilation LP.
• D1 taken from the "Rats" E.P on Bluurg Records - Fish 10 ©19?T4.
• D12: recorded @ Superfluo, Bologna, Italy.
• D14: © 1984 by MDC.

1984 R Radical Records

Distributing:
Tabb Rex, USA
John Loder, Europe

International collection of Punk and Hardcore bands.
All profits from this album were to go to anti-nuclear groups & activities worldwide.

Includes a 72 page booklet (21x27cm) with a full page from each band, various information and artwork. 

 

 

 

 

 

 

 

       

                       

 

 

VINYL ALBUM GRADING/CONDITION

Guidelines for assessing the grading / condition of used records (based on Goldmine Grading for Records)

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers addres labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or NM, M- : this record appears virtually flawless A very minor scuff and very little else can appear on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is be as close to perfect as can be.

EXCELLENT or EX or VG++ : minor scuffs which are only slightly visible. There may be more than a few scuffs and NO Scratches COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it.The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will havedistracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape. No duct tape or masking tape repairs. These are big turn offs. May have magic marker writing on the cover but still if they are in huge letters, it is a big turn off.In essence, the cover will looked virtually trashed, but some artwork will still be