JEREMY & THE SATYRS Jeremy & The Satyrs LP REPRISE 1968 US orig+3colour RS 6282
  €   23
  $   27

 


€ 23 Sold For
May 24, 2018 Sold Date
May 14, 2018 Start Date
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Description

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JEREMY & THE SATYRS

WARREN BERNHARDT, EDDIE GOMEZ, ADRIAN GUILLERY, DONALD McDONALD, JEREMY STEIG


Fronted by Jeremy Steig, who'd earlier played with Peter Walker, this band's psychedelic 

rock LP has now become a very minor collectors' item. It was produced by John Court 

who also worked with Electric Flag and the Butterfield Blues Band. 

The band backed Tim Hardin live, and some members did some recording sessions with him

"JEREMY & THE SATYRS"

1968      LP        REPRISE  RECORDS       STEREO  RS 6282

PRINTED IN U.S.A.     ORIGINAL FIRST PRESSING

3-COLOUR + STEAMBOAT LABEL

SINGLE SLEEVE 

THICK CARDBOARD COVER (AMERICAN STYLE)

Barcode and Other Identifiers

Barcode: none

LABEL: REPRISE  -  "3-COLOUR" + STEAMBOAT LABEL - BLACK TEXT

Catalog on cover: RS 6282

Catalog on labels: RS 6282 (30,727) / RS 6282 (30,728)

Matrix / Runout (Side A, Etched): 30727 RS-6282-A  1-C

Matrix / Runout (Side B, Etched): 30728 RS-6282-B  1-B

On labels: rim text reads "Made in U.S.A. ? Warner Bros. Records, Inc."

Produced by John Court

A Groscourt Production

On Back Sleeve: Made in U.S.A.

Reprise Records. A Division of Warner Bros.-Seven Arts Records, Inc.

4000 Warner Boulevard, Burbank, California; 321 W. 44th Street, New York, New York.

tracklisting

Side A: IN THE WORLD OF GLASS TEARDROPS - SUPERBABY

SHE DIDN'T EVEN SAY GOODBYE - THE DO IT

THE FIRST TIME I SAW YOU, BABY

Side B: LOVELY CHILD OF TEARS - (LET'S GO TO THE) MOVIE SHOW

MEAN BLACK SNAKE - CANZONETTA

FOREIGN RELEASE - SATYRIZED

 grading

RECORD NEAR EX but (please, also read above description) 

SLEEVE VG but (please, see pictures and read above description)

Known as one of the first groups to play in the jazz-rock style, Jeremy and the Satyrs' sole album, 

from 1968, has been heard by relatively few. Playing in a late '60s groove 

with echoes of free jazz, Roland Rahsaan Kirk (particularly in the flute), and soul singers, 

the record can now be seen as one of the first to address itself to a contemporary 

audience unconcerned with conventional boundaries between these genres...(AllMusic)



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