JIMMY REED 12-STRING GUITAR BLUES RARE ORIG'63 VJ WHITE LBL PROMO LP MISPRESSING
$
130
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· JIMMY REED – JIMMY REED PLAYS 12-STRING GUITAR BLUES – ORIGINAL 1963 VEE JAY RECORDS STEREO LP 1073
· ORIGINAL U.S. PRESSING
· *** INCREDIBLY RARE WHITE LABEL PROMO ***
· ORIGINAL VEE JAY LABEL “OVAL” LOGO, WHITE PROMOTIONAL VERSION
· RARE MISPRESSING: BOTH RECORD LABELS AND THE COVER IDENTIFY THE DISC AS MONO, BUT THE DISC PLAYS BEAUTIFUL, TRUE, WIDE-CHANNEL STEREO (ON SIDE 1 ONLY; SIDE 2 APPEARS TO PLAY TRUE MONO)
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· THE RECORD HAS AN 'AUDIOMATRIX' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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This release added yet another wrinkle to Jimmy Reed's mystique. Even most of his fans would concede that Reed's guitar skills were far short of virtuoso level. Yet, Jimmy Reed — not a celebrated 12-string guitar player like Leadbelly or any of the other renowned instrumentalists who came up in Leadbelly's wake — cut this acoustic 12-string instrumental album, which has become an enduring classic of the genre. Reed was as skilled at presenting his guitar work as he was as a singer, and his playing on 12 String Guitar Blues is smooth, sinewy, lean, and lyrical, with a tight band behind him. Consisting of recognizable Reed originals and a couple of other blues standards thrown in, the music comes off very well, mixing electric guitar with acoustic 12-string and Reed's harmonica substituting for the vocal parts. The harmonica is on a separate track, making use of a natural sounding stereo separation that keeps the sound of the band — featuring Eddie Taylor and Lefty Bates on guitar, Marcus Johnson on bass, and Morris Wilkerson and Earl Phillips on drums — unified. The result is yet another classic album by Reed, and one of the more straightforward and accessible bodies of blues played on 12-string that one can find.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
If this is of any relevance (and we do not claim that it is) "Jimmy Reed plays 12-string guitar” is an important entry in our top-10 list of personal favorite BLUES albums . Other entries- in no particular order- include Muddy Waters, Howlin’ Wolf, Lonnie Johnson, Albert King, Freddy King, Butterfield Blues Band, Elmore James, Lightnin’ Hopkins and Big Joe Turner.)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 5:1.
(d) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.
(e) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Cover has two corners slightly worn / dinged / bent.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
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