JIMMY REED PLAYS 12-STRING BLUES NM ORIG '63 VJ MONO LP

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77

    
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·       JIMMY REED – JIMMY REED PLAYS 12-STRING GUITAR BLUES – ORIGINAL –MONO LP -  1963 VEE JAY RECORDS STEREO LP VJLP-1073

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK VEE JAY LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW”) BAND ALONG THE LABEL’S EDGE AND “OVAL” VERSION OF THE LABEL (VEE JAY LOGO IS ENCIRCLED BY A WHITE OVAL LINE)

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS AN 'AUDIOMATRIX'  STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This release added yet another wrinkle to Jimmy Reed's mystique. Even most of his fans would concede that Reed's guitar skills were far short of virtuoso level. Yet, Jimmy Reed — not a celebrated 12-string guitar player like Leadbelly or any of the other renowned instrumentalists who came up in Leadbelly's wake — cut this acoustic 12-string instrumental album, which has become an enduring classic of the genre. Reed was as skilled at presenting his guitar work as he was as a singer, and his playing on 12 String Guitar Blues is smooth, sinewy, lean, and lyrical, with a tight band behind him. Consisting of recognizable Reed originals and a couple of other blues standards thrown in, the music comes off very well, mixing electric guitar with acoustic 12-string and Reed's harmonica substituting for the vocal parts. The harmonica is on a separate track, making use of a natural sounding stereo separation that keeps the sound of the band — featuring Eddie Taylor and Lefty Bates on guitar, Marcus Johnson on bass, and Morris Wilkerson and Earl Phillips on drums — unified. The result is yet another classic album by Reed, and one of the more straightforward and accessible bodies of blues played on 12-string that one can find.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

If this is of any relevance (and we do not claim that it is) "Jimmy Reed plays 12-string guitar” is an important  entry in our top-10 list of personal favorite BLUES albums . Other entries- in no particular order- include Muddy Waters, Howlin’ Wolf, Lonnie Johnson, Albert King, Freddy King, Butterfield Blues Band, Elmore James, Lightnin’ Hopkins and Big Joe Turner.)

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)

-         Cover has some fraying/wear along the upper seam (nothing significant)

-         Cover has one corner slightly worn / dinged (nothing significant)

-         Cover has a small quality control (inspection) stamp on the back panel

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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