JOAN BAEZ, Diamonds & Rust MONARCH Audiophile Holland EXCELLENT- LP

$

37

Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.

Diamonds And Rust

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  Joan Baez ?– Diamonds & Rust Label: A&M Records ?– AMLH 64527 Series: Nice Price –  Format: Vinyl, LP, Album, Repress, Monarch  Country: Netherlands Released:   Genre: Rock, Pop, Folk, World, & Country Style: Folk Rock, Vocal Tracklist Hide Credits A1 Diamonds & Rust Harpsichord [Electric] – David Paich Synthesizer [Arp] – Joan Baez Synthesizer [Moog] – Joan Baez 4:44 A2 Fountain Of Sorrow Acoustic Guitar – Dean Parks, Larry Carlton Percussion – Mucho Gordo* Written-By – Jackson Browne 4:31 A3 Never Dreamed You'd Leave In Summer Acoustic Guitar – Dean Parks Synthesizer [Arp] – Malcolm Cecil Synthesizer [Moog] – Malcolm Cecil Written-By – Stevie Wonder, Syreeta Wright 2:45 A4 Children And All That Jazz Flute – Tom Scott Percussion – Gordo The Magnificent* Piano – Hampton Hawes 3:07 A5 Simple Twist Of Fate Percussion – JoJo Gordo* Written-By – Bob Dylan 4:46 B1 Blue Sky Acoustic Guitar – Larry Carlton Organ [Hammond] – Joe Sample Percussion – The Great Gordo* Piano – David Paich Written-By – Richard Betts* 2:54 B2 Hello In There Acoustic Guitar – Dean Parks Organ [Hammond] – Joe Sample Percussion – Mongo Gordo* Written-By – John Prine 3:04 B3 Jesse Piano – David Paich Synthesizer [Horn Solo] – Joan Baez Written-By – Janis Ian 4:28 B4 Winds Of The Old Days 3:53 B5 Dida Bass – Max Bennett Drums – John Guerin Flute – Tom Scott Guitar – Rick Lo Tempio* Mixed By – Henry Lewy Recorded By – Henry Lewy Saxophone – Jim Horn, Tom Scott Trumpet – Buck Monari, Ollie Mitchell Vocals – Joni Mitchell 3:20 B6 I Dream Of Jeannie / Dannie Boy 4:13 Companies, etc. Lacquer Cut At – Monarch Record Mfg. Co. Credits Acoustic Guitar – Joan Baez (tracks: A1, A5, B2 to B5)  Arranged By – Joan Baez (tracks: A3 to A5), Larry Carlton (tracks: A3 to A5)  Bass – Reinie Press (tracks: A2, A3, A5, B2, B4), Wilton Felder (tracks: A1, A4, B1, B3)  Cello – Jesse Erlich* (tracks: A3-A5)  Electric Piano – Joe Sample (tracks: A1-A5, B4, B5)  Engineer [Assistant] – Ellis Sorkin Executive Producer – Bernard Gelb  Guitar – Dean Parks (tracks: A1, A3 to B1, B4), Larry Carlton (tracks: A1 to B1, B3, B4)  Leader [Strings] – Sid Sharp* (tracks: A3-A5)  Mastered By – Mike Reese Mixed By – Rick Ruggieri Photography – Irene Harris  Piano – Larry Knechtel (tracks: A2, A3, A5, B4, B6)  Producer – David Kershenbaum, Joan Baez Recorded By – Rick Ruggieri Steel Guitar [Pedal] – Red Rhodes (tracks: A2, B1, B2, B4)  Viola – Isabell Daskoff* (tracks: A3 to A5)  Violin – Carl La Magna* (tracks: A3 to A5), James Getzoff (tracks: A3 to A5), Raymond Kelly* (tracks: A3 to A5), Robert Konrad (tracks: A3 to A5), Robert Ostrowsky (tracks: A3 to A5), Ronald Folsom (tracks: A3 to A5), Sidney Sharp(tracks: A3 to A5), Tibor Zelig (tracks: A3 to A5), William Hymanson (tracks: A3 to A5), William Kurasch (tracks: A3 to A5)  Vocals – Joan Baez Written-By – Joan Baez (tracks: A1, A4, B4, B5)  Notes With Nice Price outer sticker and inner sleeve.  

HOLLAND AUDIOPHILE QUALITY PRESSING FROM ORIGINAL USA MONARCH MASTERS ON VASTLY SUPERIOR QUALITY VINYL THAN THE USA RELEASES.  WITH ORIGINAL COMPANY INNER SLEEVE.

MATRIX:  SIDE A: 19 AMLH - 64527 - 1A - 1 AMSP4791 RE-1 M2 [MR] ?19802 Holland /  SIDE B: 19-64527 1B - 1 AMSP4792 RE-1 M2 [MR] ?19802-X Holland B.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. NICE PRICE STICKER AND ORIGINAL STORE PRICE STICKER ON FRONT.  INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

• 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.

          


• 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $69.99 [EXCEPT CANADA, WHICH IS $59.99].  This is now the only reliable, tracked and insured way we can ship international packages.
     

Add $12.00 for each additional LP [$10 to Canada] purchased at the same time

MULTI-ITEM ORDERS
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