JOAN BAEZ Diamonds & Rust NAUTILUS SuperDisc HALF SPEED MASTERED Audiophile OOP
  $   36

 


$ 36 Sold For
May 3, 2015 Sold Date
Apr 23, 2015 Start Date
$   15 Start price
10   Number Of Bids
  USA Country Of Seller
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Description

JOAN BAEZ Diamonds & Rust NAUTILUS Recordings NR-12 SuperDisc HALF SPEED MASTERED 

TracklistHide Credits

A1 Diamonds & Rust Harpsichord [Electric] – David PaichSynthesizer [Arp] – Joan BaezSynthesizer [Moog] – Joan Baez A2 Fountain Of Sorrow Acoustic Guitar – Dean Parks, Larry CarltonPercussion – Mucho Gordo*Written-By – Jackson Browne A3 Never Dreamed You'd Leave In Summer Acoustic Guitar – Dean ParksSynthesizer [Arp] – Malcolm CecilSynthesizer [Moog] – Malcolm CecilWritten-By – Stevie Wonder, Syreeta Wright* A4 Children And All That Jazz Flute – Tom ScottPercussion – Gordo The Magnificent*Piano – Hampton Hawes A5 Simple Twist Of Fate Percussion – JoJo Gordo

B1 Blue Sky Acoustic Guitar – Larry CarltonOrgan [Hammond] – Joe SamplePercussion – Great Gordo, The*Piano – David PaichWritten-By – Richard Betts* B2 Hello In There Acoustic Guitar – Dean ParksOrgan [Hammond] – Joe SamplePercussion – Mongo Gordo*Written-By – John Prine B3 Jesse Piano – David PaichSynthesizer [Horn Solo] – Joan BaezWritten-By – Janis Ian B4 Winds Of The Old Days B5 Dida Bass – Max BennettDrums – John GuerinFlute – Tom ScottGuitar – Rick Lo Tempio*Mixed By – Henry LewyRecorded By – Henry LewySaxophone – Jim Horn, Tom ScottTrumpet – Buck Monari, Ollie MitchellVocals – Joni Mitchell B6 I Dream Of Jeannie / Dannie Boy

*(all photos are of the actual item)

  • Acoustic Guitar – Joan Baez (tracks: A1, A5, B2 to B5)
  • Arranged By – Joan Baez (tracks: A3 to A5), Larry Carlton (tracks: A3 to A5)
  • Bass – Reinie Press (tracks: A2, A3, A5, B2, B4), Wilton Felder (tracks: A1, A4, B1, B3)
  • Cello – Jesse Erlich* (tracks: A3-A5)
  • Electric Piano – Joe Sample (tracks: A1-A5, B4, B5)
  • Guitar – Dean Parks (tracks: A1, A3 to B1, B4), Larry Carlton (tracks: A1 to B1, B3, B4)
  • Leader [Strings] – Sid Sharp* (tracks: A3-A5)
  • Piano – Larry Knechtel (tracks: A2, A3, A5, B4, B6)
  • Steel Guitar [Pedal] – Red Rhodes (tracks: A2, B1, B2, B4)
  • Viola – Isabell Daskoff* (tracks: A3 to A5)
  • Violin – Carl La Magna* (tracks: A3 to A5), James Getzoff (tracks: A3 to A5), Raymond Kelly* (tracks: A3 to A5), Robert Konrad (tracks: A3 to A5), Robert Ostrowsky (tracks: A3 to A5), Ronald Folsom(tracks: A3 to A5), Sidney Sharp (tracks: A3 to A5), Tibor Zelig (tracks: A3 to A5), William Hymanson(tracks: A3 to A5), William Kurasch (tracks: A3 to A5)
  • Vocals – Joan Baez
  • Written-By – Joan Baez (tracks: A1, A4, B4, B5)

Notes

SuperDiscs Half-Speed Mastered
  • Mastered by Mike Reese
Review by William Ruhlmann  With the Vietnam War winding down, Joan Baez, who had devoted one side of her last album to her trip to Hanoi, delivered the kind of commercial album A&M Records must have wanted when it signed her three years earlier. But she did it on her own terms, putting together a session band of contemporary jazz veterans like Larry Carlton, Wilton Felder, and Joe Sample, and mixing a wise selection from the work of current singer-songwriters like Jackson Browne and John Prine with pop covers of Stevie Wonder and the Allman Brothers Band, and an unusually high complement of her own writing. A&M, no doubt recalling the success of her cover of the Band's "The Night They Drove Old Dixie Down," released her version of the Allmans' "Blue Sky" as a single, and it got halfway up the charts. But the real hit was the title track, a self-penned masterpiece on the singer's favorite subject, her relationship with Bob Dylan. Outdoing the current crop of confessional singer/songwriters at soul baring, Baez sang to Dylan, reminiscing about her '60s love affair with him intensely, affectionately, and unsentimentally. It was her finest moment as a songwriter and one of her finest performances, period, and when A&M finally released it on 45, it made the Top 40, propelling the album to gold status. But those who bought the disc for "Diamonds & Rust" also got to hear "Winds of the Old Days," in which Baez forgave Dylan for abandoning the protest movement, as well as the jazzy "Children and All That Jazz," a delightful song about motherhood, and the wordless vocals of "Dida," a duet with Joni Mitchell accompanied by Mitchell's backup band, Tom Scott and the L.A. Express. The cover songs were typically accomplished, making this the strongest album of Baez's post-folk career.


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