JOHN PATTON ALONG CAME BLUE NOTE 84130 LIMITED VINYL STEREO 45 RPM #D 119 LP
$
82
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Description
JOHN PATTON ALONG CAME JOHN BLUE NOTE 84130 LIMITED VINYL STEREO LP - IN THE 45 RPM LIMITED EDITION NUMBERED 119 DOUBLE LP SET
COLLECTORS NOTE: THESE LP'S ARE SO OUT OF PRINT THAT THESE VINYL RECORDS DON'T EVEN HAVE A BAR CODES ON THE JACKETS FOR A COLLECTOR PRISTINE JACKETS.
THIS PRESSING IS IN PRISTINE NEW CONDITION BUT IT LOOKS LIKE THE TOP OF THE JACKET THE CLUE IS NOT STICKING TO THE JACKET. WILL NEED A LITTLE NEW CLUE ONCE OPENED OTHER THEN THAT THE JACKET IS SIMPLY PRISTINE WITH NO BRUISES OR DENTS.
Out of Print FACTORY SEALED 2 LP SET -
The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard. Out of Print forever!!
E-BAY STORE. FOR YOUR ADDITIONAL OUT OF PRINT JAZZ SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN JAZ OR 45 RPM INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR
There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.
THE 45 RPM PRESSING INFORMATION -
Rare Numbered Limited Edition Copies!Out Of Print!
Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
The Definitive issue of this classic Blue Note title!
THE SOUND:
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in Rudy’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day.
Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram!
Upgrading Connections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech
THE JACKETS:
These Blue Note recordings deserve nothing less than the finest graphic presentation. The Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums. - four times sharper than original Blue Note jacket photos.
THE REVIEWS:
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine
"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound
"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, positive-feedback
Incredible Jazz Records + the original analog master tapes + cut at 45 RPM + mastered by Kevin Gray and Steve Hoffman at AcousTech + pressed on two 180-gram virgin vinyl LPs by RTI = THE ULTIMATE LP REISSUE!
The same formula that made the Fantasy 45 Series perhaps the most successful audiophile reissue collection ever is now being reapplied to Blue Note reissues!
John Patton, Grant Green and Ben Dixon were introduced to Blue Note by Lou Donaldson and quickly became the quintessential rhythm section for Blue Note's funkier session. They came together for this, John Patton's first album, with two of the label's tenor saxophonists Fred Jackson and Harold Vick. The double tenors and organ trio make an unbeatable combination for some soulful, swinging music. The title tune and "The Silver Meter" were radio hits that remain among the most popular of Patton's recorded performances.
Features:
• Stereo
• Numbered & Limited to 2500 copies
• Original analog master tapes
• 45 RPM
• Two 180g Virgin Vinyl LPs
• Mastered by Kevin Gray & Steve Hoffman at AcousTech
• Pressed by RTI
Musicians:
John Patton, organ
Grant Green, guitar
Ben Dixon, drums
Fred Jackson, tenor saxophone
Harold Vick, tenor saxophone
Selections:
1. The Silver Meter
2. I'll Never Be Free
3. Spiffy Diffy
4. Along Came John
5. Gee Gee
6. Pig Foots
"The albums are being cut at 45 RPM for maximum quality by Kevin Gray and me using our full ANALOG disk cutting system; most studios cannot even cut vinyl in 100% true analog anymore (they convert to digital first) but we can. The original Rudy Van Gelder engineered stereophonic session tapes are used when we master these gems. The sound quality is amazing on our test cuts. Like from heaven. First totally uncompressed versions of these jazz classics that I’ve ever heard and trust me, you will be impressed; they sound like no other releases of this music."
"The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did..." - Steve Hoffman
Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix STORE tab on the Title Purchase Page to view our current items up on E-Bay.
Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. DOLP
On Sep-26-08 at 20:03:52 PDT, seller added the following information:
International Buyers – Please Note:
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FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.
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