JON HASSELL ? VERNAL EQUINOX ? NM unplayed '77 Lovely ? BUCHLA SERGE ARP ambient
  $   37

 


$ 37 Sold For
Aug 26, 2013 Sold Date
Aug 16, 2013 Start Date
$   10 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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WE ARE PROUD TO BRING YOU THE CLEANEST LPs ON eBAY!!! EACH LP SIDE IS GIVEN AT LEAST 3 PASSES ON OUR VPI WITH AUDIO INTELLIGENT FLUIDS, AND RINSED TWICE WITH THE PUREST H2O IN THE WORLD, RESULTING IN DEAD SILENT BACKGROUNDS, ULTIMATE PRESENCE & ARTICULATION, AND THE HIGHEST TRANSPARENCY. WE GUARANTEE YOU WILL NOT FIND A CLEANER LP ANYWHERE!!!

Original first press of his fantastic debut. Recorded in 1976 at the York University Electronic Media Studios in Toronto, Vernal Equinox sets the stage for his then-emerging career as a trumpeter, composer and musical visionary. "Toucan Ocean" opens the album with two gently swaying chords and delicate layers of percussion that provide a cushion upon which Hassell unfurls long, winding melodic shapes. His trumpet is sent through echo and a Buchla synthesizer, producing a stereo auto-wah effect. "Viva Shona" features accompaniment by mbira, subtle polyrhythmic layers of percussion, and the distant calling of birds. Again filtered through echo, Hassell's gliding trumpet lines sound remarkably vocal. "Hex" features a bubbling, ARP-filtered Rhodes part with a denser web of percussion. From his horn, Hassell elicits moans and sighs that are at first unaffected and later Buchla filtered. "Blues Nile" is a long, blue moan. Hassell's breathy, multi-tracked trumpet lines call and respond to one another, weaving a web of deep calm over an ever-present Serge synthesizer drone. This track clearly points the way to his later work with Brian Eno. On the title track, Hassell's "kirana" trumpet style is in full bloom as he dialogs with the percussion, over a Serge and Motorola Scalatron drone. Hassell's most elegant melodicism blossoms forth here, and his unaffected horn often sounds disarmingly flute-like. The influences of his study of raga are clearly discernible in the curvaceous melodic lines and overall sense of meditative calm within harmonic stasis. Throughout the album, percussionists Nana Vasconcelos and David Rosenboom add subtle, supple grooves and colors. "Caracas Night September 11, 1975" is a beautiful Altamira field recording featuring Hassell's plaintive trumpet commentary, subtle percussion interjections, and the sound of "night creatures" humming and buzzing in the background. The first several tracks bear the imprint of '70s-period Miles Davis, in particular the quiet ambience of "He Loved Him Madly" and parallel passages from Agharta. The envelope filter on Hassell's horn similarly draws a reference to Davis' use of the wah-wah pedal from that time. Nonetheless, in 1977 Vernal Equinox was remarkably unique and ahead of its time, and sowed the seeds of Hassell's influential fourth world aesthetic, which he would continue to develop and refine. Decades after its release, it still provides an enchanting and entirely contemporary listening experience.



Artist: JON HASSELL

Title:

VERNAL EQUINOX

Year: 1977

Label: Lovely

Catalog Number: LML 1021

Mono/Stereo/Quadro: stereo

Country: USA

Dead Wax Numbers: LML-1021-A (-2) 10-4 11-77 T  / 

LML-1021-B 10-4 11-77  (hand-etched)

Weight: 125 grams

Cover Format: standard, highly laminated wrap-around front with paste-on rear slick

Cover Condition: VG+ (sharp, crisp, vivid & tight, no wear at all, mild corner bumps, close to NM if not for 1" split in bottom & 3" split from opening up top)

Vinyl Condition: NM (looks unplayed, top archive-grade vault copy)

Label Condition: perfect


We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).

Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983: 

M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).







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Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if necessary, in the highest-quality cruciform LP mailer.  No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 


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