JUICY LUCY - Juicy Lucy - VINYL LP -Rare UK 1st Pressing Vertigo -Philips Credit

	€		90
	$		101

Up for auction is this scarce 1969 pressing

Juicy Lucy


I am auctioning a few nice rare rock/Pop/New wave records this week. 


Juicy Lucy ?– Juicy Lucy 1st press UK Issue.
Released on the Vertigo "large swirl" label, with the wording "VERTIGO" below the spindle hole and "A PHILIPS RECORD PRODUCT" text on lower rim of label. 
Released in a non laminated gatefold sleeve with a swirl inner bag, 
Cat# VO 2 appears on spine,top right rear of sleeve and on B-side label.  Cat# 847 901 VTY appears on B-side label and rear of sleeve under VO2. 
Label:  Vertigo ?– VO 2, Vertigo ?– 847 901 VTY Format:  Vinyl, LP, Album  Country:  UK Released:  1969 Genre:  Rock Style:  Blues Rock, Hard Rock
Tracklist
A1 Mississippi Woman Written-By – Juicy Lucy, Ray Owen 3:45 A2 Who Do You Love? Written-By – Bo Diddley 2:49 A3 She's Mine Written-By – Keith Ellis, Nigel Thomas 5:43 A4 She's Yours Written-By – Keith Ellis, Nigel Thomas 5:43 A5 Just One Time Vocals – Glenn Campbell Written-By – Glenn Campbell, Neil Hubbard 4:31 B1 Chicago North-Western Vocals – Glenn Campbell Written-By – Glenn Campbell, Neil Hubbard 4:20 B2 Train Written-By – Rich, Buddy Miles 5:49 B3 Nadine Written-By – Chuck Berry 2:46 B4 Are You Satisfied Vocals – Keith Ellis Written-By – Chris Mercer, Nigel Thomas, Pete Dobson 6:13


Record Company – Philips Recorded At – I.B.C. Studios Produced For – Juicy Lucy Music Ltd. Produced For – Hit Record Productions Ltd. Mastered At – Phonodisc Ltd. Lacquer Cut At – Phonodisc Ltd. Pressed By – Phonodisc Ltd. Published By – Juicy Lucy Music Ltd. Published By – Jewel Music Ltd. Published By – Miles Ahead Music Published By – Three Bridges Music Published By – Arc Music Corp.
Credits Bass Guitar, Vocals – Keith Ellis Design [Cover] – Glenn Campbell, Nigel Thomas, Peter Smith Drums, Percussion – Pete Dobson Electric Guitar, Acoustic Guitar – Neil Hubbard Engineer – John Pantry Engineer [Assistant] – Andy Knight Lead Vocals – Ray Owen Liner Notes – Nigel Thomas Liner Notes [Melody Maker] – Chris Welch Percussion [Miscellaneous] – Remy And Lofty Photography By – Peter Smith, Zelda Plum Producer – Gerry Bron, Nigel Thomas Saxophone [Acoustic And Electric], Piano, Organ – Chris Mercer Steel Guitar, Mandolin, Marimba, Vocals – Glenn Campbell

Tracks A1, A3 to B1, B4 published by Juicy Lucy Ltd., A2 by Jewel music Ltd., B2 by Miles Ahead and Three Bridges Music, USA and B3 by Arc Music Corp., USA· 
Cover photograph portrayed by Zelda Plum. By courtesy of mrs. Mouse  Produced by Gerry Bron for Hit Record Productions Ltd. and Nigel Thomas for Juicy Lucy Music Ltd. 
Recorded at I.B.C. Studios, London, September 1969 
?1969
VISUAL GRADE

Vinyl VG+
(Light clicks, light wear, See Photos)

Labels: VG+
(See photos)

Swirl inner bag VG- (wearing a bit, small tear top corner, browning at the edges, not bad at all).
Outer Gatefold Sleeve VG- (Light wear all over, some damage at the bottom centre, looks like it was damp and dryed out so that damage is wearing at the bottom. spine is wearing but visible. See Photos)
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NOTE
A true collectors item.

I will combine postage.

Check out my other rare records.

Registered post only.


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ITEM TO BE PAID WITHIN 3 DAYS AFTER AUCTION ENDS.

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 at present, mainly due to customs.

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RETURNS


Full refund will be paid to buyer minus Return Postage.



Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, 
Record Collector magazine has originated a set of standards for the condition of second-hand records, 
I have added a (+) or (-) to my gradings where applicable.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.

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