KING CRIMSON "IN THE COURT OF..." RARE ORIG LIMITED EDITION MFSL AUDIOPHILE LP
  $   115

 


$ 115 Sold For
Apr 16, 2013 Sold Date
Apr 12, 2013 Start Date
$   100 Start price
1 Number Of Bids
  USA Country Of Seller
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Description

 ·       KING CRIMSON – IN THE COURT OF THE CRIMSON KING - EXTREMELY RARE ORIGINAL   MOBILE FIDELITY (MFSL) HIGH-GRADE 'ORIGINAL MASTERS' AUDIOPHILE, EXTENDED DYNAMIC RANGE VIRGIN VINYL LP MFSL-1-075

 ·       INCLUDES:  ORIGINAL STATIC-FREE "RICE PAPER" MFSL INNER SLEEVE, & INNER, CUSTOM-MADE MFSL CARDBOARD COVER

·       ORIGINAL VICTOR COMPANY OF JAPAN PRESSING

  ·       ORIGINAL WHITE MFSL LABEL

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST PRESSING; THIS IS NOT A REISSUE, OR A COUNTERFEIT PRESSING.

  

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

   

The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary  technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies.  EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND.

 

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 

This is a rare opportunity to acquire this great album in its FINEST audio format, no longer in print, and no longer easily obtainable.

Continental US buyers only, please.  No International Shipping. 




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