Kylie  ?– Rhythm Of Love

Original 1990 Kylie Minogue Australasian Tour Souvenir Includes Bonus Extended Mixes on a 12" single.

Regular LP and bonus 12" are housed inside their own sleeves, and then both records and sleeves are housed inside a gold coloured outer slip case with die cut "K" on the Tour Edition Sleeve.
Includes an inner sleeve printed with a black and white photo of Kylie on one side; and track-listing, credits, and more black and white photos of Kylie on the other.

A super rare Original 1990 Australian Tour issue

The vinyl records are Near Mint     I have given them the most basic clean with a damp cloth, as that is all they needed, because the Three sleeves and poly inners have kept these records in superb condition.

The Three sleeves are Excellent    I have graded the sleeves as Excellent as a collective, but as individual grades, the Two sleeves inside the cover sleeve are Near Mint to Mint. The outer, Gold, die cut sleeve is complete, but has suffered some damage to the die cut "K", and I have graded as VG+ (The original price sticker is still present on the Gold outer sleeve - )

These records have been barely, if ever played. The audio is superb, quiet deadwax and background, and stunning NM audio.

In summary, everything is NM, except the outer sleeve, which is VG+

A heavy double 12" issue, with Three sleeves. Packed weight will be under 1KG but over 500Grams.

Label: Mushroom ?– TVL93340, Mushroom ?– RML53340 Format: Vinyl, LP, Album
Vinyl, 12", 33 ? RPM, Bonus Single
Country: Australia Released: 1990 Genre: Electronic, Pop Style: Synth-pop

Tracklist Hide Credits

A1 Better The Devil You Know 3:52 A2 Step Back In Time 3:03 A3 What Do I Have To Do 3:45 A4 Secrets 4:04 A5 Always Find The Time Written-By – James* 3:33 A6 The World Still Turns Arranged By, Keyboards – Claude GaudetteBacking Vocals – Alice Echols, Joey DiggsEngineer – Czaba Petocz*, Michael McDonald (2)Engineer [Assisted By] – Mauricio Guerrero, Mitch ZeleznyGuitar – John DefariaMixed By [Assisted By] – Sylvia MassyProducer, Written-By, Arranged By, Drum Programming – Michael JaySaxophone – Jim OppenheimWritten-By, Drum Programming – Mark Leggett 4:00 B1 Shocked 4:46 B2 One Boy Girl Backing Vocals – Monalisa Young*, Peggi BluKeyboards – Brad Buxter*Programmed By – Steve HarveyProgrammed By [Additional Programming] – Doug GrigsbyRap [Rapper] – The Poetess (2)Written-By – Willie WilcoxWritten-By [Assisted By], Mixed By [Assisted By] – Kimm James 4:23 B3 Things Can Only Get Better 3:54 B4 Count The Days Engineer [Assistant Engineer] – John Chamberlin, Sylvia Massy 4:20 B5 Rhythm Of Love Bass – Doug Grigsby 4:15
12" Bonus Disc C Better The Devil You Know (U.S. Mix)
D1 Step Back In Time (Walkin' Rhythm Mix) Mixed By – Phil Harding And Ian Curnow*
D2 What Do I Have To Do (U.K. Remix)

-

Companies, etc.

• Phonographic Copyright (p) – Mushroom Records Pty. Ltd.
• Copyright (c) – Mushroom Records Pty. Ltd.
• Made By – Festival Records Pty. Ltd.
• Recorded At – PWL Studios
• Mixed At – PWL Studios
• Recorded At – Trax Recording (2)
• Recorded At – Larrabee Sound Studios
• Recorded At – Studio Ultimo
• Recorded At – Ground Control (2)
• Recorded At – Scotland Yard (3)
• Recorded At – Saturn Sound
• Mixed At – Larrabee Sound Studios

Credits

• Arranged By – Stock Aitken Waterman* (tracks: A1 to A5, B1, B3)
• Art Direction, Design – Nick Egan
• Backing Vocals – Kylie Minogue (tracks: A1 to A4, B1, B3), Linda Taylor (tracks: A2 to A5, B1), Mae McKenna (tracks: A1, A3 to A5, B1, B3), Maxi Anderson (tracks: A6, B2), Mike Stock (tracks: A1, B3), Miriam Stockley (tracks: A1 to A5, B1, B3)
• Design – Eric Roinestad
• Engineer – Karen Hewitt (tracks: A1, B3), Keith "KC" Cohen* (tracks: B4, B5), Peter Day (tracks: A2 to A5, B1), Yoyo (tracks: A1, B3)
• Engineer [Assistant Engineer] – Kimm James (tracks: B4, B5)
• Engineer [Assisted By] – Barry Stone (tracks: A1, B3), Chris McDonnell (tracks: A1, B3), Dillon Gallagher (tracks: A1, B3), Gordon Dennis (tracks: A1, B3), Jason Barron (tracks: A1, B3), Julian Gingell (tracks: A1, B3), Les Sharma (tracks: A1, B3), Richard Dowling (tracks: A1, B3)
• Guitar – David Williams (4) (tracks: B2, B4, B5), Matt Aitken (tracks: A1 to A5, B1, B3)
• Keyboards – Doug Grigsby (tracks: B4, B5), Matt Aitken (tracks: A1 to A5, B1, B3), Mike Stock (tracks: A1 to A5, B1, B3)
• Lacquer Cut By – ®
• Mixed By – Keith "KC" Cohen* (tracks: A6, B2, B4, B5, C), Pete Hammond (tracks: A1, A4, A5, B1, B3, D2), Harding/Curnow* (tracks: A2, A3)
• Percussion – Louis C. Conte* (tracks: B2, B4, B5)
• Photography By – Markus Morianz
• Producer – Keith "KC" Cohen* (tracks: B2, B4, B5), Stock Aitken Waterman* (tracks: A1 to A4, B1, B3), Stock, Aitken, Waterman* (tracks: C1 to D2)
• Producer, Written-By, Keyboards – Stephen Bray (tracks: B4, B5)
• Saxophone – David Boruff (tracks: B4, B5)
• Written-By – Kylie Minogue (tracks: A6, B2, B4, B6), Stock Aitken Waterman* (tracks: A1 to A5, B1, B3), Stock/Aitken/Waterman* (tracks: C1 to D2)

Notes

Australasian Tour Souvenir Includes Bonus Extended Mixes on a 12" single. Regular LP and bonus 12" are housed inside a gold coloured outer slip case.
Includes an inner sleeve printed with a black and white photo of Kylie on one side; and tracklisting, credits, and more black and white photos of Kylie on the other.
In the runout matrix no.s:
- on side A, in "®2AB", the "A" is crossed out; and
- on side B, in "759434", the "3" is crossed out.

Gold outer slip case:
?1990 1991 Mushroom Records P/L ©1991 Mushroom Records P/L Made in Australia
Printed on recycled paper

LP outer sleeve and inner sleeve:
? © 1990 Mushroom Records Pty Ltd

Inner sleeve:
Tracks A1 to A5, B1, B3 Recorded & Mixed at PWL Studios, London
Track A6 Recorded at Trax Recording, Studio Ultimo & Ground Control, Los Angeles · Mixed at Larrabee Sound, Los Angeles
Track B2 Recorded at Scotland Yard & Larrabee Sound, Los Angeles · Mixed at Larrabee Sound, Los Angeles
Tracks B4, B5 Recorded at Saturn Sound and Larrabee Sound · Mixed at Larrabee Sound

Side A and B labels:
Made in Australia by Festival Records Pty Ltd
? & © 1990 Mushroom Records Pty Limited, Australia

Side C and D labels:
Made in Australia by Festival Records Pty Ltd
? & © 1991 Mushroom Records Pty Limited, Australia

Side C label:
Mixed at Larrabee Studios.

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.

Any item that you purchase without choosing the option of "Signed for" or "Registered" Post, is at your risk.
I do accept that "signed for" can be expensive, especially internationally, but whether you take the option of this insurance, is entirely up to you.
I do not wish to withdraw the option of standard postage for the cheaper records, but it must be at your risk.