LED ZEPPELIN 2 LP BOB LUDWIG'S HOT MASTERING

$

158

   

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·       LED ZEPPELIN – LED ZEPPELIN II (SECOND ALBUM) – ORIGINAL 1969 ATLANTIC RECORDS STEREO LP SD-8236

·       ORIGINAL U.S. PRESSING

·       THIS IS THE ORIGINAL BOB LUDWIG MASTERING; HIS INITIALS (R)OBERT (L)UDWIG ARE STAMPED IN THE DEAD WAX / TRAIL-OFF VINYL All the wonderful elements of Bob Ludwig’s trademark mastering style are here: incredible clarity and balanced channel separation, vivid and spacious “ambience” sound, as well as wide dynamic and frequency range of the sound spectrum. As is almost always the case with Bob Ludwig’s masterings, the Bob Ludwig-mastered pressings of this album are CONSIDERABLY rarer than the regular, non-Ludwig copies of this album.

·       ALSO: TRAIL OF VINYL (DEAD WAX) IS CONSIDERABLY SHORTER ON ONE SIDE THAN ON THE OTHER, WHICH CAN ONLY BE FOUND ON BOB LUDWIG-MASTERED COPIES.

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GREEN AND ORANGE ATLANTIC LABEL WITH BROADWAY, NYC ADDRESS AND WITHOUT WEA LOGO ALONG THE LABEL’S EDGE.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

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When the album was released in November 1969, it marked – literally - the beginning of the new era and the new sound: Heavy Metal. And, while Heavy Metal existed as a genre even before Led Zeppelin II (Blue Cheer, Vanilla Fudge, Steppenwolf) it was heavily beholden to psychedelia and bore a heavy burden of debt to the previous era`s exaggerations and idiosyncracies.

Not so with Led Zeppelin II. From the opening blast of `Whola Lotta Love` to the final fade of `Bring it on Home`, the listener knows that he is not in Kansas anymore. This is a whole new, uncharted territory. In fact, the album makes a clean break even with the band`s first album: on their first album, one can easily hear remnants of British psychedelia (Black Mountain Top), progressive rock (Your time is gonna come) urban electric blues (You shook me; How many more times; I can`t quit you), folk music (Babe, I`m gonna leave you) and other styles the band members were into at a time. However, you won’t find such excursions on Led Zeppelin II: the album is a monolithic slab of primo metal: an all-out, in-your-face assault from start to finish. Even the ballads exude the spirit of burning Metal.

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

We could not "feel" these abrasions with our fingertip, and we suspect that they are NOT audible.

(b)            The record comes in the original stock inner sleeve.

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL TEXTURED (CRUDE FINISH) COVER)

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3.

-         Cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has a few tiny wrinkles along the spine

-         Minor shelf wear noted on the seams (nothing significant)

-         The cover has a few tiny scratch marks on the back side (nothing significant)

-         Cover has some writing on its back side (small initials of the previous owner written in crayonabout ½ x ½ inches in size); The writing in plain crayon and can be easily and effortlessly erased.

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No stamps

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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