LENNIE TRISTANO JAZZ RECORD SERIES ATLANTIC 1224 Black Label xlnt condition
$
30
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Description
LENNIE TRISTANO
JAZZ RECORD SERIES
ATLANTIC 1224
Excellent outing by master pianist Lennie Tristano. Record is in excellent shiny condition. Just played it on my Rega P2 turntable and it sounds great. Cover is laminated with minor ring wear front and what looks like small label residue, back upper right “ding” and lower right number stamp (see photos). Includes original Atlantic inner sleeve.
Non-smoking pet-free home.
Packed carefully (lp removed from cover), and shipped promptly.
PERSONNEL:
(1-4)
LENNIE TRISTANO, piano
PETER IND, bass (out on 2-3)
JEFF MORTON, drums (out on 2)
Tristano’s home studio, New York, 1954-55.
(5-9)
LENNIE TRISTANO, piano
LEE KONITZ, alto sax
GENE RAMEY, bass
ART TAYLOR, drums
Live at the Sing Song Room, Confucius Restaurant, New York, June 11, 1955.
Tracks:
01. LINE UP 3:35
02. REQUIEM 4:54
03. TURKISH MAMBO 3:32
04. EAST THIRTY SECOND STREET 4:34
05. THESE FOOLISH THINGS 5:46
06. YOU GO TO MY HEAD 5:25
07. IF I HAD YOU 6:29
08. A GHOST OF A CHANCE 6:06
09. ALL THE THINGS YOU ARE 6:11
DOWN BEAT original review: Lennie Tristano (Atlantic 1224)
“Lennie Tristano’s first LP in several years is an absorbing one. Anyone still suspecting his ability to communicate emotion should hear the naked power in the ‘Requiem’ blues he plays for Charlie Parker. On the ballad sides with Lee, there is a richer, deeper though never ornamental lyricism than Lennie has shown on records before. Konitz is lucid, logical, unfailingly interesting, and increasingly emotional.” (Nat Hentoff)
All Music Guide: Lennie Tristano (Atlantic 1224)
“Lennie Tristano’s Atlantic debut was a controversial album at the time of its release. The first four tunes on this set shocked the jazz world at the time of their release. The reason was that on those four original tunes Tristano actually overdubbed piano lines, and sped the tape up and down for effect. The last five tunes on the disc were recorded live with a rhythm section of bassist Gene Ramey and drummer Art Taylor. This is a gorgeous album with a beautiful juxtaposition between its first and second halves.” (Thom Jurek)
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